"Liquid Sky is one of the most visually ambitious films ever made about fashion, heroin, New Wave clubs, UFO saucers, ordering Chinese food and having them put it on your tab, the Empire State Building, androgyny, neon and tin foil. The 1982 cult classic may be the perfect embodiment of camp. " The Awl talks to the director of the film about his plans for a sequel.
The broken-down grace of Bill Murray: The Dissolve takes a look at the career of Bill Murray and reviews his films. All of them.
The movie itself is a classic, and that greatness is evident right off the bat with one of the best opening scenes in film history. [more inside]
"If you want to predict the future, just think about how bad it could be and make a joke out of it, and there you go."
Ed Neumeier on the writing of the original RoboCop.
Ed Neumeier on the writing of the original RoboCop.
Here is a 1981 Pulitzer Prize winning article about the death of Playboy Playmate and rising star Dorothy Stratten.
As a thank you gift for his work on "Star Wars", George Lucas gave art director Roger Christian 25,000 pounds in 1979 to make a short film. Christian used the money to shoot a 25 minute medieval fantasy titled "Black Angel". Lucas liked the film so much that he had it precede theatrical showings of "Empire Strikes Back" in the UK, Australia and Scandinavia. In the intervening years, the film was thought lost until a negative was discovered at Universal Studios in 2011. The film was restored and given a premiere at the Mill Valley Film Festival in Marin County last October. It will be shown again later this month at the Glasgow Film Festival and will eventually find its way to a streaming services like Netflix later this year. The BBC recently talked to Christian about the film and its rediscovery.
Maybe the creators are benefitting from really low expectations. "The LEGO Movie" is getting some implausbly positive reviews . [more inside]
Watching Ten Minutes of Transformers Transforming did make me a little dizzy. Three movies worth of transformations in 1080p.
Clips from each of the visual effects winners at the Oscars since 1979. Worth comparing to this great feature from Empire where 15 leading special effects artists were each asked to pick a favorite effect (also with clips). It is probably not worth comparing to the 6 best special effects from Turkish knock-offs of American films.
So, you have a Creative Agency with the whimsical (or just silly) name "Fishfinger", and you've done work for notable clients like Nike, RedBull, Penguin Books and Hasbro, but you want your agency and your name to go viral. What do you do? You photoshop a bunch of classic movie posters to make 62 Amazing Fishy Films. Yes, The Codfather, Forrest Guppy and the James Bond movie with its namesake are there. [more inside]
In 2013, the Onomo International hotel group asked photographers Omar Victor Diop and Antoine Tempé (nsfw) to create a series of photographs set in the group’s hotels as part of an advertising campaign. Fans of Hollywood, the pair created ONOMOllywood, an exhibition images from iconic films featuring African models in previously white roles. [more inside]
What feels to Theodore like love is in fact work, uncompensated and entirely on Element Software’s terms, and such work is not the stuff of science fiction. [more inside]
Because the film is a period piece, The Godfather actually presents a fascinating record of what 1940s-era New York City locations still existed in the early-1970s. Sadly, many of them are now gone. What still remains? Let’s take a closer look.
Hitflix's 2012 top ten list and discussion of individual film images. [each year's top ten shots are broken into chunks of five, with one page for each five shot group]. [more inside]
The December 16, 1996 issue of Sports Illustrated featured Someone to Lean On, a longform article by Gary Smith [previously]: "We begin way over there, out on the margin. We begin with a dirty, disheveled 18-year-old boy roaring down a hill on a grocery cart, screaming like a banshee, holding a transistor radio to his ear. No one ever plays with him, for he can barely speak and never understands the rules. He can't read or write a word. He needs to be put away in some kind of institution, people keep telling his mother, because anything, anything at all, can happen out there on the margin," begins the article. It's the story of James Robert Kennedy, nicknamed Radio, popularized by Cuba Gooding Jr.'s portrayal in the 2003 movie of the same name. Want to know how Radio and Coach Harold Jones are doing these days? Check our their website for a brief update: Radio is 68 and still attending school and helping out with the athletic teams. [more inside]
Blood Brother (2013) focuses on an American man who, after initially visiting as a tourist, moved to India to volunteer at the Arias Home of HOPE, a home for HIV-positive children in Acharapakkam, near Chennai. He eventually became an Indian citizen by marriage. [more inside]
Paramount has ceased releasing films on 35mm film and will go forward distributing movies exclusively in digital formats. The LA Times' sources said that Anchorman 2: The Legend Continues was the last Paramount movie with a celluloid release, and Wolf of Wall Street was the first major motion picture to be distributed entirely digitally.
Over the years, Hollywood has made films that have promoted the U.S. Military and films that have advertised specific products. But fifty years ago, those two tendencies intersected for a curious artifact of cinema and the military industrial complex. Say hello to “The Starfighters”. [more inside]
Don't fight it. It's the year of the oral history. If there hasn't yet been an oral history on your favorite pop culture phenomenon, it won't be long. In the meantime, for your reading pleasure, how about starting with an oral history of Captain Marvel: The Series? Or perhaps you'd rather read about The Telluride Bluegrass Festival? If your taste runs more toward technology, check out an oral history of Apple design. More reading inside! [more inside]
In need of an entertaining cinematic podcast to meet your listening needs? Then tune into Fighting in the War Room! Previously known as Operation Kino, Fighting in the War Room features fascinating discussions between film critics Katey Rich (Vanity Fair), Matt Patches (Hollywood.com / Vulture.com), Da7e Gonzales, and David Ehrlich (Film.com), offering reviews of current films, as well general cinema related topics. [more inside]
How the Golden Globes definition of "musical or comedy" has been stretched to the limit and why that matters
"The rise in popularity of television is credited with inciting the move to the widescreen systems that flourished throughout the 50s, 60s, and 70s. This is only partially true. In the early 1950s, studios did begin to compose their movies so that the top and bottom of the picture could be chopped off and a wider screen would show the center of the old 1.37:1 frame. The aspect ratio used by the various studios varied from about 1.5:1 up to the common 1.85:1. But the real reason for the birth of a multitude of widescreen and large format systems was the 1952 opening of a movie made in a process that had its roots in a World War II aerial gunnery trainer. This Is Cinerama (modern YouTube trailer; Wikipedia) shook the industry to the core. The public and reviewers loved it. Its giant screen filled with three oversized 35mm images and an incredible new sound system called Stereophonic were a marvel to behold, and the studios immediately rushed to find something that could do what Cinerama did (Google books preview of the August 1952 issue of Popular Mechanics)." [more inside]
If the sheer number of Leonard adaptations is remarkable, what is more remarkable still is how few of them are any good. No one was more aware of, or blunt about, this disappointing onscreen record than Leonard himself. His first crime novel, The Big Bounce, was twice adapted for film, in 1969 and 2004. Leonard memorably described the earlier effort as the “second-worst movie ever made”; it was not until he saw the 2004 version, he later said, that he knew what movie was the worst.
If you use Netflix, you've probably wondered about the specific genres that it suggests to you. Some of them just seem so specific that it's absurd. Emotional Fight-the-System Documentaries? Period Pieces About Royalty Based on Real Life? Foreign Satanic Stories from the 1980s? ... Through a combination of elbow grease and spam-level repetition, we discovered that Netflix possesses not several hundred genres, or even several thousand, but 76,897 unique ways to describe types of movies.
If it weren't for the 1976 Copyright Act, copyright on work would expire after 56 years - which would have meant that Kerouac's On The Road, the original 12 Angry Men, and Elvis's All Shook Up would be public domain by today.
The Coen Brothers latest film "Inside Llewyn Davis" is fictional, but it aims to portray the very specific time and place of the Greenwich Village Folk scene in the early 60's. Reviewers have already noted the similarities between the movies characters and some real life counterparts, starting with Llewyn Davis himself and legendary folk singer Dave Van Ronk. [more inside]
The Awl presents the article that would've accompanied that Atlantic Monthly cover from Ghostbusters.
Welcome to Cardboard Box Office. "The project began after finding that we had accumulated both a lot of cardboard boxes (due to moving to a new country) and a baby (due to giving birth)."
Best known for creating the nostalgic mash-up REMEMBER series (previously), Youtube user Thepeterson teams up with Slackstory to create another video clip time machine: REMEMBER 1994
Is Saving Mr. Banks, Disney's retelling of the events surrounding the adaptation of Mary Poppins a corporate, borderline-sexist spoonful of lies which throws author P. L. Travers under the bus?
Of course matte art has for a long time played a major part in Hollywood's recreation of the old west, with effects shots ranging from simple top ups of mood enhancing skies right through to entire recreations of frontier settings to often wonderful effect. Todays blog will take a look at some of those marvellous visions - the product of the many often uncredited artists who worked tirelessly in the various studio matte departments.
Mattes Ride The Range: The art of the matte shot in Westerns
Mattes Ride The Range: The art of the matte shot in Westerns
The 2013 Black List has been released. For those unfamiliar, the “Black List” is a list of the most liked unproduced screenplays circulating around Hollywood, as voted on by over 250 film executives, and past Black List scripts include The Social Network, Saving Mr. Banks, The King’s Speech, and Slumdog Millionaire.
In the mid-1960's, American International Pictures hired director Larry Buchanan to make eight films for television. Their instructions were blunt: "We want cheap color pictures, we want half-assed names in them, we want them eighty minutes long and we want them now." [more inside]
Most of America's silent films are lost forever, according to the newly released Library of Congress report The Survival of American Silent Feature Films: 1912–1929. (You can look up the ones that survive in this handy database). [more inside]
Why is Hollywood so afraid of oral sex? Why is oral sex hard for Hollywood? Evan Rachel Wood slams MPAA for censoring sex scene in her new film.
There are a lot of Christmas movie plots out there; hard to believe some of them haven’t been filmed. Yet. I can't list Brazil as a Christmas movie no matter how great a movie it is. Watch it in January. Some Christmas movies resonate differently for grownups. The Polar Express didn’t make my list because you should read the book aloud every year on Christmas Eve. Highest-grossing Christmas movies, for those so inclined. Inside, my countdown of Christmas movies, one a day from here to Christmas. [more inside]
The perfect thing for the pedant in your life, or for the person in your life who hates the pedant in their life.
Ill conceived ad campaigns seem to be par for the course these days (I personally threw up my hands twenty years ago when Janis Joplin was first used to sell Mercedes Benz), but you have to marvel at the thinking behind Covergirl's recent marketing tie-in with the film "Catching Fire" that assumes people would enjoy looking like the air-headed, blood-thirsty residents of the Capital. The Guardian weighs in.