[all links may contain SPOILERS] Antonioni's unique style works beautifully in
The Passenger. The dream-like long takes, especially the final seven minute one where the dusty town square is seen through the barred window of Locke's hotel room—evokes a world that he is barred from. There is nothing romantic or sentimental about the space that we see, but it conveys a sense of an ongoing life that Locke has chosen to retreat from. There is also Antonioni's eye for aesthetic detail-for whitewashed walls of buildings, and vividly colored backgrounds like yellow doors and red car seats. He is a director of great formal rigor and beauty, whose style effortlessly suits his vision. The slow rhythm of the film may put off some viewers, but it forces them to be more observant, and understand there is nothing accidental in the images that Antonioni constructs.
- Leonard Quart [more inside]
posted by Egg Shen
on Sep 9, 2012 -
The Flick Chick - 11 Days of Garbo
: "I recently bought the Greta Garbo Signature Collection
...I've been enjoying the collection so much that I've decided to dedicate the next 11 days to looking at the 11 films included in the collection: three silents, the pre-code films which helped establish her as a star who could continue into the sound age, the films made towards the end of her film career for which she is perhaps best known, and a documentary feature produced by Turner Classic Movies." [more inside]
posted by mediareport
on Sep 5, 2012 -
The secret allure of the spoiler. Think you don’t want to know the ending? Think again
"Is there a greater cultural sin than a good story spoiled? The accepted modern posture is that knowing too much beforehand about the plot of a novel, a play, a movie, even a TV series, ruins the magic of experiencing it for the first time — renders it damaged goods, not worth one’s time or money.[..]
It’s a given: Everyone hates spoilers. Except when they don’t. Two researchers in the psychology department of the University of California at San Diego recently decided to test whether we really hate spoilers, or just like to say we do. What they found surprised them: The majority of people apparently like having a story spoiled for them. In fact, we may enjoy spoiled stories even more than the unspoiled versions. Is it true? Do we secretly crave predigested plots the way some foodies sneak Big Macs when no one’s looking?"
Pdf link to study. [more inside]
posted by nooneyouknow
on Aug 29, 2012 -
Once Upon A Time In America [auto-play audio] is the last of a string of films about the past and future of a country [Sergio Leone] knew first and best from the B-movies and yellowing paperbacks America sent abroad. For this 1984 swan song, Leone broke a directing hiatus that stretched back a decade, and turned away from Westerns toward another quintessentially American genre. His fantasia of gangland themes and images barely works by the standards of a gangster film, but succeeds brilliantly by those of epic poetry.
- Keith Phipps [all links may contain spoilers] [more inside]
posted by Egg Shen
on Aug 25, 2012 -
... Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone.
- Danny Bowes [more inside]
posted by Egg Shen
on Aug 19, 2012 -
"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed."
- of the British TV film slots accompanied by an introduction perhaps the most celebrated
, running between 1988 and 2000 and presented first by Repo Man director Alex Cox
and then film critic Mark Cousins
. [more inside]
posted by Artw
on Aug 3, 2012 -
Just when you thought summer movies couldn't get any dumber... here comes HEIGLR
, a series of almost plausible films starring professional Hollywood casualty Katherine Heigl
posted by hermitosis
on Aug 3, 2012 -
From the creators of Total Recall: The Musical
, Rambo: The Musical
, Schindler's List: The Musical
, and Silence!: The Musical
, featuring a star-studded ensemble cast of Sylvester Stallone, Jet Li, Jason Statham, Arnold Schwarzenegger, Mickey Rourke, and Bruce Willis, comes The Expendables: The Musical
[via mefi projects
posted by Evilspork
on Aug 2, 2012 -
is a new Israeli crime comedy, released here this weekend. The poster
features the film's central players sitting around a table loaded with booze, weed, bongs, joints and other drug paraphernalia. For the stricter populace of Jerusalem, a modified version of the poster
was prepared, one which removes all trace of...
You guessed it: Women.
The pot and booze? Untouched. [more inside]
posted by Silky Slim
on Jul 22, 2012 -
Woody Allen's 2011 movie Midnight in Paris
tells the story of a modern-day character repeatedly finding himself in the 1920s, in a kind of temporary time travel. As it turns out, this is a real-life phenomenon known as a time slip
. Perhaps the most famous documented case was from 1901, at the Palace of Versailles. [more inside]
posted by mark7570
on Jul 21, 2012 -
Classic movies in miniature style. It all started 2 years ago with an experiment to blend traditional ‘oriental’ (Ottoman) motifs and contemporary ‘western’ cinema. After a positive response to "Ottoman Star Wars", I decided to take the theme further, and developed more film posters using the same technique.
posted by shakespeherian
on Jul 11, 2012 -
Adam Sandler's House of Cruelty Now in his forties, Sandler is still remaking the same undemanding goofball comedies he's been churning out since he was in his twenties, about crude, infantile characters who behave like crude, infantile characters who are much younger -- which is the essence of the have-it-both-ways regression that has been his career hallmark.
posted by Christ, what an asshole
on Jun 19, 2012 -
The wonderful, and fairly rare, 13-part documentary series from 1980 - Hollywood: A Celebration of the American Silent Film
- is narrated by James Mason for Thames Television. Episode One - The Pioneers
- [52 mins] [the rest are linked inside]
"the evolution of film from penny arcade curiosity to art form, from what was considered the first plot driven film, The Great Train Robbery, through to The Birth of a Nation, films showing the power of the medium. Early Technicolor footage, along with other color technologies, are also featured. Interviews include Lillian Gish, Jackie Coogan and King Vidor.*" [more inside]
posted by peacay
on Jun 18, 2012 -