Welcome to
mcbess, a land of
odd illustrations in black and white*, something of a
dark and dingy take on Merry Melodies, where
the men are bearded, and
the ladies are toothy, busty (and often topless, in a vaguely NSFW cartoony way). There are also some
large-scale illustrations with all those elements, and more. Matthieu Bessudo, aka mcbess, is also in a band,
The Dead Pirates, and his art and music met with the video
Wood (Vimeo;
also on YouTube; more info
here).
[more inside]
posted by filthy light thief
on Jan 28, 2013 -
8 comments
Papercraft animation "The latest stop motion music video from animation duo Katarzyna Kijek and Przemysław Adamski for Japanese singer-songwriter Shugo Tokumaru." [
via]
posted by dhruva
on Jan 23, 2013 -
10 comments
When
Captain America throws his mighty shield, all those who chose to oppose his shield must yield. Doc Bruce Banner, pelted by gamma rays, turns into
The Hulk; ain't he unglamorous?
Tony Stark makes you feel; he's a cool exec with a heart of steel. Cross the Rainbow Bridge of Asgard, where the booming heavens roar, you'll behold in breathless wonder the god of Thunder, mighty
Thor. Stronger than a whale,
he can swim anywhere; he can breathe underwater and go flying through the air.
[more inside]
posted by Trurl
on May 17, 2012 -
61 comments
The cautionary tale of the shiny new device that's smarter than its users and ends up taking over is pretty much cliché... but it took Australian pop musicker
Gotye (prounced like Gaultier, if that helps) to apply it to a
Lowrey Organ (the
Cotillion D575, a vintage model he acquired for $100 and uses both in his recordings and concerts). Add retro-style animation, and you have something scary yet whimsical and truly
"State of the Art".
[more inside]
posted by oneswellfoop
on Dec 11, 2011 -
19 comments
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
"I decided I wanted to buy the Dorsey Brothers’ mambo record. However, I did not have the required 39 cents." Over at
The Comics Journal, cartoonist
Kim Deitch (previously), son of animator Gene Deitch
(previously), has been posting a wonderful, rambling memoir about the music in his life.
Part 1: The Dorseys and Beyond "Watch for Russ Columbo playing some hot violin in
this one."
Part 2: An Early Education - Jazz, folk and the ’40s - Alan Lomax, Jelly Roll Morton and jazz fandom
Part 3: Our hero stumbles on the birth of television, specifically,
music on televisionPart 4: Rock ‘n Roll - "
For a lot of Americans it was like the whole damn African jungle had landed in the middle of Ed Sullivan’s stage"
Part 5: Rocking Forward [more inside]
posted by mediareport
on Aug 7, 2011 -
3 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
Meaghan Smith took an unusual route to the music business. She can't read music, for one thing. She went to school to study animation for another. Yet, along the way, she took her hobby of playing the guitar to work with her, giving impromptu performances of her songs in the stairwell of the animation building for her friends. One thing lead to another, and she just won the Pop Album of the Year at the
East Coast Music Awards in Canada for her recording called "The Cricket's Orchestra."
Her sound is a mixture of the music of the 20s 30s and 40s with the pop songs of today.
Her videos often feature animation. A good place to start is
"A Little Love" and also
"I Know." Her song
"Here Comes Your Man" was featured in the film 500 Days of Summer.
She is also a pretty good
artist!
posted by Quasimike
on Jun 2, 2011 -
25 comments
IS TROPICAL - THE GREEKS: Official music video (Vimeo, 3.25); live action combined with animation for real comic-book violence. NSFW owing to boys being shot, blown up, shot, electrocuted, shot, slashed and then shot some more.
posted by bwg
on May 29, 2011 -
45 comments
I Feel Better: A brief rotoscoped video for the song by the Scottish band Frightened Rabbit, in which a real-life HUD and an infinite number of parallel universes conspire to help our hero get motivated. [SLYT]
posted by jbickers
on May 24, 2011 -
19 comments
- It was written by Raymond Scott in 1937, and first heard by the world played by the Raymond Scott Quintette on CBS Radio's Saturday Night Swing Club.
- It was first recorded in 1937 and released by Master Records. It was later re-released by Brunswick and then Columbia.
- It contains a middle section that has a greatly different tempo and style from the rest of the song, to the degree that it is sometimes considered to be two different songs.
- It was a popular tune of its time. Among Raymond Scott's admirers was Carl Stalling, music director for Warner Bros. cartoons. Stalling's appreciation for Scott lead to his music being featured frequently in Warner cartoons. Itself, it has been used in dozens of classic cartoons, especially in places depicting rapid motion or heavy machinery. Despite this, no Warner cartoon contains a complete version of the work.
- It's now so recognized from its use in cartoons that most people can probably hum portions of its middle potion, and recognize the rest, even if they don't know it's name. It's so connected with cartoons that Cartoon Network used it as a distinctive bumper tune from 1997 to 2003.
- Regardless of its iconic nature, it's still in copyright and is controlled in the US by Music Sales Corporation, and elsewhere by Warner/Chappell Music.
- That song is called "Powerhouse."
[more inside]
posted by JHarris
on Apr 23, 2011 -
62 comments
"
Welcome to the Zion Archive. You have selected Historical File #12-1: The Second Renaissance."
So begins the short film of the same name by Mahiro Maeda
[Flash: 1 2 - QuickTime: 1 2] -- a devastating yet beautiful work of animation.
Originally produced to explain the backstory behind the
Matrix trilogy, Maeda's project ended up telling a story far darker and more affecting than any blockbuster.
Using a blend of
faux documentary footage and
visual metaphor, his serene Instructor relates in biblical tones the saga of Man and Machine, how age-old cruelty and hatred birthed a horrifying, apocalyptic struggle that consumed the world.
Packed with striking imagery and
historical allusions galore, this dark allegory easily transcends the films it was made for.
But while "The Second Renaissance" is arguably the best work to come from the
Matrix franchise, it's hardly alone -- it's just one of the projects made for
The Animatrix, a collection of
nine superb anime films in a
wide variety of styles designed to explore the universe and broaden its scope beyond the usual sci-fi action of the movies.
Click inside for a guide to these films with links to where they can be watched online, along with a look at
The Matrix Comics, a free series of comics, art, and short fiction created for the same purpose by
some of the best talent in the business.
[more inside]
posted by Rhaomi
on Feb 14, 2011 -
54 comments
Ten years ago today, Cartoon Network aired a very special episode of
The Powerpuff Girls. Though nominally a harmless kids series about three adorable kindergarten superheroes,
creator Craig McCracken attracted an unexpectedly diverse audience (50% male, 25% adult) by sneaking in a surprising amount of
violence and
adult in-jokes -- and on that last point, this particular episode was king. Broadcast on the 37th anniversary of their debut on the
Ed Sullivan Show,
"Meet the Beat-Alls" was an extended and sophisticated metaphor for the rise and fall of The Beatles, cramming
more than forty song references and dozens of visual jokes into only ten minutes of animated allegory. Catch the original episode
here or read
the transcript, but for the
full effect,
watch this remarkable YouTube mash-up that splices the referenced song clips directly into the audio track and plasters the screen with helpful annotations. Want more PPG goodness? You can start with the special
"Powerpuff Girls Rule!!!" (
part 2), a sly, hyperkinetic celebration of the show's tenth anniversary directed by McCracken himself that features every character (and totally subverts an important one). But as far as weirdness goes, it's hard to top
Powerpuff Girls Doujinshi, a long-running fan-made webcomic which stars the trio alongside Dexter, Samurai Jack, Invader Zim, and
tons of other network icons in an unusually dark manga adventure. Oh, and don't forget
your plate of beans.
posted by Rhaomi
on Feb 9, 2011 -
82 comments
Unlike many cinematic exports,
the Disney canon of films distinguishes itself with an impressive dedication to
dubbing.
Through an in-house service called
Disney Character Voices International, not just dialogue but songs, too, are
skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to
an uncanny degree (while still leaving plenty of room for
lyrical reinvention).
The breadth of the effort is surprising, as well -- everything from
Arabic to
Icelandic to
Zulu gets its own dub, and their latest project,
The Princess and the Frog, debuted in
more than forty tongues.
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in
multilanguage mixes and
one-line comparisons, linguistic kaleidoscopes that cast new light on old standards.
Highlights:
"One Jump Ahead," "Prince Ali," and
"A Whole New World" (
Aladdin) -
"Circle of Life," "Hakuna Matata," and
"Luau!" (
The Lion King) -
"Under the Sea" and
"Poor Unfortunate Souls" (
The Little Mermaid) -
"Belle" and
"Be Our Guest" (
Beauty and the Beast) -
"Just Around the Riverbend" (
Pocahontas) -
"One Song" and
"Heigh-Ho" (
Snow White) -
"Bibbidi-Bobbidi-Boo" (
Cinderella) -
Medley (
Pinocchio) -
"When She Loved Me" (
Toy Story 2) -
Intro (
Monsters, Inc.)
posted by Rhaomi
on Nov 12, 2010 -
31 comments
Once upon a time in the town of
Point,
everything - all the buildings,
trees, and even the
people were pointed.
Except for one little
round-headed kid named
Oblio.
"I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, 'Oh! Everything has a point, and if it doesn't, then there's a point to it.'" – Harry Nilsson" [more inside]
posted by ExitPursuedByBear
on Feb 6, 2010 -
44 comments
The
Vocaloids,
1 anime-like characters created for the singing synthasizer program by the Yamaha Corporation, have been capturing the imaginations of Japanese fans for more than a year. They've inspired and starred in a large body of fan-produced songs and animated videos,
2 ranging from macabre to sorrowful to dramatic to humorous. [Massive MLYTP]
[more inside]
posted by anthy
on Jan 28, 2009 -
7 comments
Animata is an open source real-time animation software, designed to create animations, interactive background projections for concerts, theatre and dance performances.
posted by Blazecock Pileon
on Dec 8, 2008 -
14 comments
In 1975,
Roger Glover of
Deep Purple staged
a rock opera based on
William Roscoe's poem
"The Butterfly Ball and the Grasshopper's Feast". (The book had been reprinted the previous year, with illustrations by popular record sleeve artist
Alan Aldridge.)
The performance -- which featured such talent as Judi Dench, Vincent Price, Twiggy, and Ronnie James Dio (!) -- and subsequent recording met with enough interest that British animation company
Halas &
Batchelor had planned a feature-length animated adaptation. While the full animated movie never materialized, a
Max Fleischer-influenced three-minute short accompanying the opening song,
"Love is All", was broadcast frequently around the world. (Stateside viewers might remember it from such disparate programs as
"The Great Space Coaster",
"Pinwheel" and, uh,
"Night Flight".) [
Previously on MeFi: Alan Aldridge.]
posted by pxe2000
on Aug 1, 2008 -
8 comments
Let's pay a little visit, shall we, to everyone's favorite lasso twirlin', geetar strummin' stars of the Vaudeville stage,
Otto Gray's Oklahoma Cowboys Then let's head for the South Pacific, for the "Hawaiian" sounds of
Witt and Berg. And from the early days of the "talkie", Max Fleischer explains the new-fangled technology for us in the 1929 cartoon,
Finding His Voice.
posted by flapjax at midnite
on Jan 25, 2008 -
10 comments
"Not much chance for survival, if the
Neon Bible is right." Presented by
Arcade Fire which is a
band that hails out of Montreal. Okay. So I'm easily
entertained, but you will believe a turkey can roast marshmallows. Requires flash.
posted by ZachsMind
on Oct 15, 2007 -
45 comments
