Ektoplazm is now the world’s largest distributor of free (and legal) psytrance music specializing in high-quality Creative Commons-licensed content from netlabels and independent artists, all released in MP3 and lossless CD-quality FLAC and WAV formats.
posted by Trurl
on May 23, 2012 -
47 comments
Wendy Carlos is best known for
Switched-On Bach, the best-selling album that popularized the Moog synthesizer, and the soundtracks for
A Clockwork Orange and
Tron. But what she calls her "most important album" is the 1986 recording
Beauty in the Beast, whose experiments with instrumentation, tonality, and scaling are described in
these two PDF reproductions of contemporary articles from
Keyboard magazine.
[more inside]
posted by Trurl
on May 21, 2012 -
30 comments
When
Captain America throws his mighty shield, all those who chose to oppose his shield must yield. Doc Bruce Banner, pelted by gamma rays, turns into
The Hulk; ain't he unglamorous?
Tony Stark makes you feel; he's a cool exec with a heart of steel. Cross the Rainbow Bridge of Asgard, where the booming heavens roar, you'll behold in breathless wonder the god of Thunder, mighty
Thor. Stronger than a whale,
he can swim anywhere; he can breathe underwater and go flying through the air.
[more inside]
posted by Trurl
on May 17, 2012 -
61 comments
On January 13 and 14, 1972,
Aretha Franklin sang during services at the Reverend James Cleveland's New Temple Missionary Baptist Church in the Watts neighborhood of Los Angeles. The audio recordings released as
Amazing Grace remain the largest-selling gospel album in history. However, of the 20 hours of 16mm film footage by Sydney Pollack - intended as a concert movie for tandem release -
only a few snippets have ever been seen.
(previously: 1, 2)
posted by Trurl
on Apr 22, 2012 -
8 comments
Eric Dolphy [auto-music] was a true original with his own distinctive styles on alto, flute, and bass clarinet. His music fell into the "avant-garde" category yet he did not discard chordal improvisation altogether (although the relationship of his notes to the chords was often pretty abstract). While most of the other "free jazz" players sounded very serious in their playing, Dolphy's solos often came across as ecstatic and exuberant. His improvisations utilized very wide intervals, a variety of nonmusical speechlike sounds, and its own logic. Although the alto was his main axe, Dolphy was the first flutist to move beyond bop (influencing James Newton) and he largely introduced the bass clarinet to jazz as a solo instrument. He was also one of the first (after Coleman Hawkins) to record unaccompanied horn solos, preceding Anthony Braxton by five years. -
AllMusic (previously: 1, 2)
posted by Trurl
on Apr 21, 2012 -
18 comments
We shrugged when friends told us Prince's Sign "O" the Times was the greatest rock concert movie ever. There are limits to how great a rock concert movie can be, and we figured Jonathan Demme's--and Talking Heads'--Stop Making Sense had stretched them as far as they were liable to go. But even though Sign "O" the Times was directed by the artiste, whose previous cinematic exploits haven't exactly put him in Demme's class, Prince has come up with a contender. Where Demme goes for a sinuous, almost elegant clarity, Prince's movie is all murk, scuzz, steam, and, oh yeah, sex. With all due respect, which one sounds more like a real rock concert to you? -
Robert Christgau [more inside]
posted by Trurl
on Apr 20, 2012 -
31 comments
In the seven years since its
last appearance in the blue,
Encyclopaedia Metallum has more than quadrupled in size - now containing 84,000+ bands and 65,000+ reviews of 30,000+ albums.
posted by Trurl
on Apr 17, 2012 -
35 comments
In the sixty-odd years since their composition, the Four Last Songs have acquired in many people’s minds an unassailable status as simply the most beautiful music known to them, to be listened to in a dimly lit room and a state of rapt meditation, surrendering to the extraordinary spell of profound, other-worldly calm that they cast. This is not surprising. They were, indeed, the last things of any significance that Strauss wrote, between May and September 1948, at the age of eighty-four. (previously) [more inside]
posted by Trurl
on Mar 24, 2012 -
11 comments
Marian McPartland's Piano Jazz is the longest-running cultural program on National Public Radio - having been hosted by Ms. McPartland from June 4, 1978 through November 10, 2011. Her guests included
Eubie Blake,
Carla Bley,
JoAnne Brackeen,
Ray Charles,
Alice Coltrane,
Chick Corea,
Bill Evans,
Herbie Hancock,
Andrew Hill,
Dick Hyman,
Ahmad Jamal,
Keith Jarrett,
Hank Jones,
Oscar Peterson,
Michel Petrucciani,
Marcus Roberts, and
McCoy Tyner.
posted by Trurl
on Feb 19, 2012 -
25 comments
One of the more famous suppressed films of recent years is Superstar: The Karen Carpenter Story, an early work by writer/director Todd Haynes (Safe, Velvet Goldmine, Far from Heaven). Filmed in 1987, the short film -- which relates the rise and fall of Karen Carpenter with a cast of Barbie dolls -- barely got a year's worth of festival time in 1989 before the twin iron boots of A&M Records and Richard Carpenter came down on Haynes.* [more inside]
posted by Trurl
on Dec 31, 2011 -
29 comments
Maggie and Terre Roche started performing professionally in the late '60s, just a little late for the folkie boom but also a bit too distinctive to blend easily with the singer-songwriters of the early '70s, even when they became acolytes of Paul Simon and recorded backup vocals on There Goes Rhymin' Simon
. By 1975, they had their own album on CBS, with tracks produced by Simon (and backed by the Oak Ridge Boys and the Muscle Shoals Rhythm Section) and ex-Yardbird Paul Samwell-Smith... Seductive Reasoning is not completely a folk nor a country album, which no doubt hurt its commercial potential... Songs such as "West Virginia", "Down the Dream", and "The Mountain People" touch on early joy and disillusionment/disappointment, while "Jill of All Trades" and "The Burden of Proof" reflect a few more years of life under one's belt and the smoothing out that can come with them. "Underneath the Moon" and "Wigglin' Man"... are more straightforward getting-laid songs, funny as hell... while several of their albums have been as good as Seductive Reasoning
, none were better. Nor did they have to be. -
Todd Mason (previously) [more inside]
posted by Trurl
on Dec 16, 2011 -
29 comments
As a historical document the book is exhaustive and valuable. But I did not come away feeling that I knew or understood Hüsker Dü — the musicians themselves, their music, or any of the people around them — any more intimately than I already did. Earles’ writing is at once densely opinionated and emotionless. He expertly follows the chronology of the band’s tours and releases, but he never makes it understandable why some of us look back on this band so reverently, or why it would be worth somebody’s time to discover Hüsker Dü today. (previously)
posted by Trurl
on Dec 3, 2011 -
52 comments
In the tradition of Marcus Aurelius and Montaigne, Ghostface Killah (a.k.a. Pretty Toney) has set down his thoughts
on living.
(audio nsfw) (previously)
posted by Trurl
on Nov 19, 2011 -
41 comments
In 95 years of life, Carl Ruggles composed only 84 minutes of music - including his masterpiece for orchestra,
"Sun-Treader". Charles Seeger called it "dissonant counterpoint". Charles Ives called it simply "strong, masculine music". In 1980, Michael Tilson Thomas recorded all of it for a long-out-of-print 2 LP set that has never been reissued on CD. Today, with almost none of the music from this significant American composer commercially available in any form, the Internet Archive has performed a valuable cultural service by hosting a 24-bit lossless rip of the Tilson Thomas set. It is
powerful stuff.
posted by Trurl
on Nov 13, 2011 -
32 comments
The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. -
Robert Christgau
posted by Trurl
on Nov 9, 2011 -
17 comments
[Arvo] Pärt’s mature style was inaugurated in 1976 with a small piano piece, “Für Alina”, that remains one of his best-known works. It is governed by the compositional system that he called “tintinnabuli,” derived from the Latin word for “bells.” The tintinnabuli method pairs each note of the melody with a note that comes from a harmonizing chord, so they ring together with bell-like resonance. [more inside]
posted by Trurl
on Oct 27, 2011 -
53 comments
DJ Zhao brings contemporary and classic dance music together from all five continents, with focus on Africa. While his DJ sets reach from culture centers to remote areas of the globe, and from now back through the ages, DJ Zhao’s remix and mashup work directly connects “East” and “West”, acoustic and electronic, traditional and hyper-modern. Equal parts ethno-musicologist and booty shaker, Zhao is an ambassador of boom not only talking about, but demonstrating through raw sound experience, the underlying unity of all earth cultures and peoples. [more inside]
posted by Trurl
on Oct 10, 2011 -
6 comments
The maqam al-'iraqi is considered the most noble and perfect form of the maqam. As the name implies, it is native to Iraq; it has been known for approximately four hundred years in Baghdad, Mosul, and Kirkuk. The maqam al-'iraqi has been passed on orally through the Iraqi masters of the maqam, who cultivate the form especially in Baghdad. The maqam is performed by a singer (qari') and three instrumentalists playing santur (box zither), juzah (spike fiddle), and tablah or dunbak (goblet drum).
posted by Trurl
on Sep 11, 2011 -
5 comments
Before there were yuppies, there were uppies—the term Up With People members use to refer to themselves. Most Americans over the age of 35 are vaguely familiar with Up With People, as its cast members have sung to more than 20 million people worldwide, and at the height of the ensemble’s fame it provided the halftime entertainment at four Super Bowls (1976, 1980, ’82, ’86). But many are unaware of the group’s cultish utopian ideology, its political connectedness, and how it was funded by corporate America, part of a deliberate propaganda effort to discredit liberal counterculture in the 1960s and ’70s. In the documentary Smile ’Til It Hurts: The Up With People Story (Storey Vision), writer-director-producer Lee Storey provides a thorough, balanced look at the organization’s history, demonstrating “what can happen when ideology, money and groupthink converge to co-opt youthful idealism.” [more inside]
posted by Trurl
on Aug 14, 2011 -
93 comments
People, Let Me Get This Off My Chest is a 65 minute compilation of stage banter by Paul Stanley of KISS.
Paul repeatedly reminds the Army that they’re getting their money’s worth... , that the next tune is the first time they’ve played it on tour, that he was talking backstage to someone... about what kind of alcohol that people in the area like to drink, that they’re just getting started, and that he’s got an “uzi of ooze” in his pants.
posted by Trurl
on Jun 4, 2011 -
69 comments
