After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
posted by timshel
on Feb 3, 2014 -
Because the film is a period piece, The Godfather actually presents a fascinating record of what 1940s-era New York City locations still existed in the early-1970s. Sadly, many of them are now gone. What still remains? Let’s take a closer look.
posted by timshel
on Jan 27, 2014 -
Opening Day of The Guggenheim Museum
, 3:34 of color film shot on October 21, 1959 in NYC.
“Buildings & Crowd” captures the their excitement as lines formed down Fifth Avenue. The end of the film highlights the inaugural exhibition within the rotunda. With works by Jean Arp, Constantin Brancusi, Marc Chagall, Stuart David, Max Ernst, Paul Klee, and Vasily Kandinsky.
posted by R. Mutt
on Oct 21, 2013 -
: a nameless cannabis delivery guy delivers his much-needed medication to stressed-out New Yorkers in this character-driven web series.
posted by matthewr
on Jan 13, 2013 -
A Year of New York in 5 minutes.
Cameraman Andrew Clancy lives in New York City, and was in the habit of shooting footage of what was going on around him whenever he was out. This is a compilation of life in the city, from the point of view of a New Yorker.
posted by Phire
on Nov 7, 2011 -
8 Hours in Brooklyn
- Fantastic little compilation of slo-mo footage taken over the course of eight hours in BKLN. Extra good watched in fullscreen.
posted by dobbs
on Aug 14, 2011 -
I work as a film location scout in New York City.
My day is basically spent combing the streets for interesting and unique locations for feature films. In my travels, I often stumble across some pretty incredible sights, most of which are ignored every day by thousands of New Yorkers in too much of a rush to pay attention.
As it happens, it's my job to pay attention, and I've started this blog to keep a record of what I see.
posted by grumblebee
on Dec 26, 2008 -