The Dizzying Grandeur of 21st Century Agriculture [NYT link] Our industrialized food system nourishes more people, at lower cost, than any comparable system in history. It also exerts a terrifyingly massive influence on our health and our environment. Photographer George Steinmetz spent nearly a year traveling the country to capture that system, in all its scope, grandeur and dizzying scale. His photographs are all the more remarkable for the fact that so few large food producers are willing to open themselves to this sort of public view [more inside]
Sally Mann's Exposure An essay by Sally Mann about the publication, and subsequent reaction to, her second book of photographs, Immediate Family. [Many of the photographs featured naked images of her young children.]
I’ve been watching Odell Beckham practice similar one-handed catches for the past several weeks. He caught half a dozen in practice before Sunday’s game, and had an amazing one-handed fingertip catch in practice several weeks ago. So he was definitely on my radar screen. Today I was making a point of keeping track of where Beckham lined up, so I would be ready. -- The New York Times interviews photographers about how they themselves caught this incredible catch in the Giants game last night.
Who are these sisters? We’re never told (though we know their names: from left, Heather, Mimi, Bebe and Laurie; Bebe, of the penetrating gaze, is Nixon’s wife). The human impulse is to look for clues, but soon we dispense with our anthropological scrutiny — Irish? Yankee, quite likely, with their decidedly glamour-neutral attitudes — and our curiosity becomes piqued instead by their undaunted stares. All four sisters almost always look directly at the camera, as if to make contact, even if their gazes are guarded or restrained.*
Veiled Truths by Hossein Fatemi [New York Times] [ Photo essay.] Photographs of women in Iran — who still face censure for insufficiently modest dress — through their hijabs.
The upcoming New York Times Magazine cover story is about the excavation of the Second Avenue Subway line below the East Side of Manhattan. It features some stunning photography and a video that explains how the work is done. [more inside]
"They stuck me at P.S.A. 7 in the South Bronx," he said, referring to Police Service Area No. 7 in the department’s housing bureau. "They cover all the housing projects in that area." It was dangerous work, performing vertical patrols — marching up and down staircases — watching for drug deals, responding to violent fights and domestic brawls, and worse. Two years passed, and Officer Bolfo brought something else to work, along with his radio and his gun. A camera.
Ever have a job working for a record label on a street crew. And yer puttin up publicity posters on lightpoles for an artist like Rocko and some asshole won't stop takin yer picture. Whadda you do then? Break his friggin camera.
Ever Wonder How Newspapers Decide Which Photos to Print? NYT Online's Talk to the Newsroom has a question and answer session with the Assistant Managing Editor for Photography, Michele McNally. She addresses a few of the more common questions many people have about how editorial decisions are made in regards to which photographs get published, and which don't among other topics.