While he was contributing to the New Yorker as Syd Hoff, he was also contributing to the Daily Worker and New Masses as A. Redfield — the pseudonym he adopted for his radical work, The Ruling Clawss (Daily Worker, 1935) a collection of surprisingly relevant cartoons.
posted by The Whelk on Oct 29, 2011 - 21 comments

"Jean Paul Gaultier's World of Inspiration" - a profile by Susan Orlean [more inside]
posted by Trurl on Sep 19, 2011 - 6 comments

The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982 [more inside]
posted by Trurl on Sep 16, 2011 - 33 comments

Having served as a troop transport in WWII, a luxury liner, and a sea cadet training vessel, the Texas Clipper will come to her final resting place tomorrow as part of an artificial reef in the Texas Gulf. During preparations for sinking, a long lost mural (1 2 3 4) by Saul Steinberg, best known for his work at The New Yorker, was rediscovered hidden behind wallpaper and paint and saved from a watery grave.
posted by Orb on Nov 15, 2007 - 4 comments