The Art of Witness by James Wood [The New Yorker] How Primo Levi survived.
“Primo Levi [wiki] did not consider it heroic to have survived eleven months in Auschwitz. Like other witnesses of the concentration camps, he lamented that the best had perished and the worst had survived. But we who have survived relatively little find it hard to believe him. How could it be anything but heroic to have entered Hell and not been swallowed up? To have witnessed it with such delicate lucidity, such reserves of irony and even equanimity? Our incomprehension and our admiration combine to simplify the writer into a needily sincere amalgam: hero, saint, witness, redeemer.”[more inside]
The Inexplicable by Karl Ove Knausgaard [The New Yorker] Inside the mind of a mass killer.
It was out of this world that the thirty-two-year-old Anders Behring Breivik stepped when, on the afternoon of July 22, 2011, he set out from his mother’s flat in Oslo’s West End, changed into a police uniform, parked a van containing a bomb, which he had spent the spring and summer making, outside Regjeringskvartalet, lit the fuse, and left the scene. While the catastrophic images of the attack, which killed eight people, were being broadcast across the world, Breivik headed to Utøya. That was where the Workers’ Youth League had its annual summer camp. There Breivik shot and killed sixty-nine people, in a massacre that lasted for more than an hour, right until the police arrived, when he immediately surrendered.
In an essay for the New Yorker, John McPhee (previously, previously, and previously) reflects on the points of reference writers choose in order to illuminate their topics, sometimes to the annoyance of readers. "Mention Beyoncé and everyone knows who she is. Mention Veronica Lake and you might as well be in the Quetico-Superior." Frame of Reference: To illuminate—or to irritate? [more inside]
"But not doing things too disastrously is not some minimal achievement; it is a maximal achievement, rarely managed." Does it help to know history?
"Why am I not constantly grieving?" The wonderful Roger Angell on love, loss, sex, death, time, and the view from age 94.
The Hot Spotters examines the possibilities of a strange new approach to health care: to look for the most expensive patients in the system and then direct resources and brainpower toward helping them. — by Atul Gawande [more inside]