"To make off with hubby's fortune, yea, I think I heard of that happenin' once or twice around L.A. And… you want me to do what exactly?" He found the paper bag he'd brought his supper home in and got busy pretending to scribble notes on it, because straight-chick uniform, makeup supposed to look like no makeup or whatever, here came that old well-known hard-on Shasta was always good for sooner or later. Does it ever end, he wondered. Of course it does. It did. Thomas Pynchon's next novel, the 416-page Inherent Vice, is described by Penguin Press as "part noir, part psychedelic romp, all Thomas Pynchon — private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog." While we wait for its August 4 publication, we can read an essay on the dystopian musical he co-wrote at Cornell or watch a clip of that movie they made of Gravity's Rainbow. [more inside]
posted by Joe Beese on Feb 6, 2009 - 76 comments

Dystopian storytelling is pillar of Western narrative tradition, but this decade has seen a significant shift in the way our apocalypse is told. Orthodox tales of government tyranny are giving way to visions of humans running helpless in the wake of environmental meltdown. From the plausible to the fantastic, most of this fiction remains hauntingly real while the non-fiction can get downright scary. In 2008, the 20th anniversary of climatologist James Hansen's landmark speech before Congress, popular art is beginning to reflect an increasingly bleak public sentiment on the future, playing out some of our worst nightmares. It may be that these writers and directors are wishing for the end of the world, but even so, they are certainly giving voice to the creeping feeling that indeed, we might not make it.
posted by dead_ on Jul 7, 2008 - 21 comments

"Stone Reader makes you want to pick up a great novel and consume it in one long gulp. It’s a love letter to literature and literacy, a bibliophile’s dream film, dedicated to the joys of fiction and the passions of those who need books like they need food, water and air." (The Dallas Morning News)
posted by rushmc on Aug 13, 2004 - 17 comments

The Spook Who Sat By The Door, a movie pitched and marketed as blaxploitation, was a low budget political science fiction thriller about black revolution in urban black America based upon the novel written by Sam Greenlee. It was withdrawn two weeks after its release in 1973, ostensibly at the behest of the FBI. Some remember it fondly, while others revile it in recollection. Thirty-one years later, it has been released on DVD. Sam Greenlee's an interesting man--another book of his, Baghdad Blues, is evidently an autobiographical novel based upon his first hand experience of the 1958 Baath coup in Iraq. Side notes: Researching this post led me to the intriguing Chicken Bones. And here is Elvis Mitchell's take on The Marginalization of Black Action Films.
posted by y2karl on Jan 20, 2004 - 6 comments