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	<title>MetaFilter posts tagged with Novel and film</title>
	<link>http://www.metafilter.com/tags/Novel+film</link>
	<description>Posts tagged with 'Novel' and 'film' at MetaFilter.</description>
	<pubDate>Fri, 06 Feb 2009 11:43:42 -0800</pubDate> <lastBuildDate>Fri, 06 Feb 2009 11:43:42 -0800</lastBuildDate>

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	<ttl>60</ttl>
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		<title>Thomas Pynchon is 71 years old.</title>
		<link>http://www.metafilter.com/78944/Thomas%2DPynchon%2Dis%2D71%2Dyears%2Dold</link>
		<description> &lt;em&gt;&quot;To make off with hubby&apos;s fortune, yea, I think I heard of that happenin&apos; once or twice around L.A.  And&#8230; you want me to do what exactly?&quot; He found the paper bag he&apos;d brought his supper home in and got busy pretending to scribble notes on it, because straight-chick uniform, makeup supposed to look like no makeup or whatever, here came that old well-known hard-on Shasta was always good for sooner or later. Does it ever end, he wondered. Of course it does. It did.&lt;/em&gt; &lt;a href=&quot;http://pynchonwiki.com/&quot;&gt;Thomas Pynchon&lt;/a&gt;&apos;s next novel, the 416-page &lt;a href=&quot;http://www.hyperarts.com/thomas-pynchon/inherent-vice.html&quot;&gt;&lt;em&gt;Inherent Vice&lt;/em&gt;&lt;/a&gt;, is &lt;a href=&quot;http://booksellers.dk.com/static/pdf/penguinpress-summer09.pdf &quot;&gt;described by Penguin Press&lt;/a&gt; as &quot;part noir, part psychedelic romp, all Thomas Pynchon &#8212; private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog.&quot; While we wait for its August 4 publication, we can read &lt;a href=&quot;http://www.themodernword.com/Pynchon/paper_gibbs.html&quot;&gt;an essay on the dystopian musical he co-wrote at Cornell&lt;/a&gt;  or watch &lt;a href=&quot;http://www.pruefstand7.de/movies/Teststand%207_%20Pruefstand%207_Part%2018_von_Braun%27s_Frankenstein-high.mov&quot;&gt;a clip of that movie they made of &lt;em&gt;Gravity&apos;s Rainbow&lt;/em&gt;&lt;/a&gt;. related posts &lt;a href=&quot;http://ask.metafilter.com/17897/Crypto-film-rights#298460&quot;&gt;here&lt;/a&gt; and &lt;a href=&quot;http://www.metafilter.com/77186/Youre-that-guy-Youre-famous#2367074&quot;&gt;here&lt;/a&gt; </description>
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		<pubDate>Fri, 06 Feb 2009 11:43:42 -0800</pubDate>
		<category>cornell</category>
		<category>detective</category>
		<category>drugs</category>
		<category>essay</category>
		<category>fiction</category>
		<category>film</category>
		<category>freelove</category>
		<category>german</category>
		<category>gravitysrainbow</category>
		<category>marijuana</category>
		<category>movie</category>
		<category>musical</category>
		<category>noir</category>
		<category>novel</category>
		<category>paranoia</category>
		<category>penguinpress</category>
		<category>psychedelic</category>
		<category>romp</category>
		<category>thomaspynchon</category>
		<category>tristero</category>
		<category>university</category>
		<category>writing</category>
		<dc:creator>Joe Beese</dc:creator>
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      <item>
		<title>Dystopian Evolution: Imagining an Envirogeddon</title>
		<link>http://www.metafilter.com/73110/Dystopian%2DEvolution%2DImagining%2Dan%2DEnvirogeddon</link>
		<description> Dystopian storytelling is pillar of Western &lt;a href=&quot;http://wikisummaries.org/1984&quot;&gt;narrative&lt;/a&gt; &lt;a href=&quot;http://query.nytimes.com/gst/fullpage.html?res=9A0DEEDC143DF93AA35751C0A960948260&quot;&gt;tradition&lt;/a&gt;, but this decade has seen a significant shift in the way our apocalypse is told. Orthodox tales of &lt;a href=&quot;http://en.wikipedia.org/wiki/Minority_Report_(film)&quot;&gt;government tyranny&lt;/a&gt; are giving way to visions of &lt;a href=&quot;http://www.thehappeningmovie.com/&quot;&gt;humans running helpless&lt;/a&gt; in the &lt;a href=&quot;http://www.nytimes.com/2008/04/20/books/review/Greenberg-t.html?_r=1&amp;scp=1&amp;sq=kunstler&amp;st=nyt&amp;oref=slogin&quot;&gt;wake of environmental meltdown&lt;/a&gt;. From the plausible to the &lt;a href=&quot;http://www.randomhouse.com/features/atwood/&quot;&gt;fantastic&lt;/a&gt;, most of this fiction remains hauntingly real while the &lt;a href=&quot;http://www.salon.com/books/review/2007/07/23/weisman/&quot;&gt;non-fiction&lt;/a&gt; &lt;a href=&quot;http://movies.nytimes.com/2007/08/17/movies/17hour.html&quot;&gt;can get&lt;/a&gt; &lt;a href=&quot;http://www.slate.com/id/2193357/&quot;&gt;downright&lt;/a&gt; &lt;a href=&quot;http://www.endgamethebook.org/&quot;&gt;scary&lt;/a&gt;. In 2008, the 20th anniversary of climatologist &lt;a href=&quot;http://gristmill.grist.org/story/2008/6/23/164650/123&quot;&gt;James Hansen&apos;s landmark speech before Congress&lt;/a&gt;, popular art is beginning to reflect an increasingly bleak public sentiment on the future, playing out some of our worst nightmares. It may be that these writers and directors are &lt;a href=&quot;http://www.slate.com/id/2189573/&quot;&gt;wishing for the end of the world&lt;/a&gt;, but even so, they are certainly giving voice to the creeping feeling that indeed, &lt;a href=&quot;http://www.ted.com/index.php/talks/john_doerr_sees_salvation_and_profit_in_greentech.html&quot;&gt;we might not make it.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.73110</guid>
		<pubDate>Mon, 07 Jul 2008 13:18:16 -0800</pubDate>
		<category>apocalypse</category>
		<category>climatechange</category>
		<category>disaster</category>
		<category>dystopia</category>
		<category>environment</category>
		<category>film</category>
		<category>literature</category>
		<category>novel</category>
		<dc:creator>dead_</dc:creator>
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      <item>
		<title>A film for those who read</title>
		<link>http://www.metafilter.com/34981/A%2Dfilm%2Dfor%2Dthose%2Dwho%2Dread</link>
		<description> &quot;&lt;a href=&quot;http://www.stonereader.net/&quot;&gt;Stone Reader&lt;/a&gt; makes you want to pick up a &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0760748845/metafilter-20/ref=nosim/&quot;&gt;great novel&lt;/a&gt; and consume it in one long gulp. It&#8217;s a love letter to literature and literacy, a bibliophile&#8217;s dream film, dedicated to the joys of fiction and the passions of those who need books like they need food, water and air.&quot; &lt;small&gt;(&lt;i&gt;The Dallas Morning News&lt;/i&gt;)&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.34981</guid>
		<pubDate>Fri, 13 Aug 2004 21:56:42 -0800</pubDate>
		<category>author</category>
		<category>book</category>
		<category>film</category>
		<category>literature</category>
		<category>moskowitz</category>
		<category>mossman</category>
		<category>movie</category>
		<category>novel</category>
		<dc:creator>rushmc</dc:creator>
	</item>
      <item>
		<title>The Spook Who Sat By The Door - 30 years later.</title>
		<link>http://www.metafilter.com/30849/The%2DSpook%2DWho%2DSat%2DBy%2DThe%2DDoor%2D30%2Dyears%2Dlater</link>
		<description> &lt;em&gt;&lt;a href=&quot;http://www.nytimes.com/2004/01/20/movies/20SPOO.html?ex=1075179600&amp;en=379d525a650ad578&amp;ei=5062&amp;partner=GOOGLE&quot; title=&quot;A Story of Black Insurrection Too Strong for 1973&quot;&gt;The Spook Who Sat By The Door&lt;/a&gt;&lt;/em&gt;, a &lt;a href=&quot;http://www.nathanielturner.com/spookbythedoor.htm&quot; title=&quot;How the Riots Might Have Turned Out By Cornish Rogers&quot;&gt;movie&lt;/a&gt; pitched and marketed as blaxploitation, was a low budget &lt;a href=&quot;http://www.thecinematrade.com/images/stockpaper/gallerys/spookwho.htm&quot; title=&quot;Lobby Cards&quot;&gt;political science fiction thriller&lt;/a&gt; about black revolution in urban black America based upon the&lt;a href=&quot;http://www.shaviro.com/Blog/archives/000051.html&quot; title=&quot;Although it was published a third of a century ago, Sam Greenlee&#8217;s The Spook Who Sat By the Door is still one of the most brilliant and relevant books I have ever read about race relations in America. (Via Kali Tal&#8217;s list of Militant Black Science Fiction). Mixing blaxploitation images with a sophisticated social critique, it&#8217;s an imaginative story, published in 1969, of underground guerilla warfare organized by black militants in American ghettols&#8230;&quot;&gt; novel&lt;/a&gt; written by Sam Greenlee. It was withdrawn two weeks after its release in 1973, ostensibly at the behest of the FBI. Some &lt;a href=&quot;http://www.history-us.com/Spook_Who_Sat_by_the_Door_African_American_Life_Series_0814322468.html&quot; title=&quot;The Spook Who Sat By the Door is a metaphor for the black man that America thinks it has control of. &quot;&gt;remember it fondly&lt;/a&gt;, while others &lt;a href=&quot;http://www.tvguide.com/movies/database/showmovie.asp?MI=21537&quot; title=&quot;Magnifying the elements that made Sweet Sweetback&apos;s Baadasssss Song (1971) a cause celebre, The Spook Who Sat By The Door is as racially divisive as any film ever made. Unabashedly bigoted, stridently hateful, it wants to be incendiary and controversial, but only manages thuggish and dull.&quot;&gt;revile it&lt;/a&gt; in recollection. Thirty-one years later, it has been released on DVD. &lt;a href=&quot;http://www.echomagonline.com/back/win02/lit1.html&quot; title=&quot;Outside Looking In - Author Sam Greenlee talks about his novel &apos;The Spook who Sat by the Door,&apos; and its impact on America&quot;&gt;Sam Greenlee&apos;s &lt;/a&gt;an interesting man--another book of his, &lt;em&gt;Baghdad Blues&lt;/em&gt;, is evidently an autobiographical novel based upon his first hand experience of the 1958 Baath coup in Iraq. Side notes: Researching this post led me to the intriguing &lt;a href=&quot;http://www.nathanielturner.com/&quot; title=&quot;ChickenBones: A Journal for Literary &amp; Artistic African-American Themes&quot;&gt;Chicken Bones&lt;/a&gt;. And here is Elvis Mitchell&apos;s take on &lt;a href=&quot;http://www.blacksuperhero.com/art4-Mitchell.html&quot; title=&quot;Especially pointed is our failed memory of the meaning of those black pride movies about seizing the day. The Spook Who Sat By the Door (1973) was an incendiary adaptation of Sam Greenlee&apos;s novel (reissued by Wayne State University Press, 1989) about a token black CIA operative who quits and teaches counterintelligence techniques to the militant brothers in the neighnorhood. Upon Spook&apos;s initial release, some reviews depicted it as the bomb that would set off black anger and cause riots. The same criticism was later leveled against Spike Lee&apos;s Do The Right Thing (1989). Such a fear patronized black audiences and their hunger for some attempt at balance and righting the degrading stereotypes that had been gone from the screen for barely a decade.&quot;&gt;The Marginalization of Black Action Films&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.30849</guid>
		<pubDate>Tue, 20 Jan 2004 14:39:56 -0800</pubDate>
		<category>america</category>
		<category>Autobiography</category>
		<category>Baath</category>
		<category>BaghdadBlues</category>
		<category>black</category>
		<category>blaxploitation</category>
		<category>ChickenBones</category>
		<category>DVD</category>
		<category>ElvisMitchell</category>
		<category>FBI</category>
		<category>Film</category>
		<category>Greenlee</category>
		<category>lowbudget</category>
		<category>Marginalization</category>
		<category>Mitchell</category>
		<category>novel</category>
		<category>polticial</category>
		<category>revolution</category>
		<category>SamGreenlee</category>
		<category>sciencefincation</category>
		<category>Spook</category>
		<category>thriller</category>
		<category>urban</category>
		<dc:creator>y2karl</dc:creator>
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