Young
Edd Gould always enjoyed drawing comics of himself and his friends. Growing up in the internet age, his
doodles evolved into Flash animations of increasing complexity, and in time Edd and pals
Tom Ridgewell and Matt Hargreaves teamed up to produce an
"Eddsworld" series of online webtoons and
comics.
At first crude and halting, the group's
"eddisodes" progressed from
surreal shorts and
one-shots into full-fledged productions that pushed the boundaries of amateur web animation, with
expressive characters,
full soundtracks, complex effects, and a fast-paced, off-kilter sense of humor:
MovieMakers -
Spares -
WTFuture -
Rock Bottom -
Hammer & Fail (
2).
At its height, the college co-op was producing shorts for
Mitchell & Webb and the
UN Climate Change Conference,
fielding offers from Paramount and Cartoon Network, and racking up
millions of hits on YouTube.
Work slowed, however, when Gould was
diagnosed with leukemia -- a relatively survivable form, though, and Gould carried on
working gamely through his hospital stays. So it came as a shock last week when Matt and Tom
announced that Edd had passed away, prompting an
outpouring of
grief and
gratitude from
all the
fans he'd
entertained and
inspired in his short 23 years.
posted by Rhaomi
on Apr 2, 2012 -
5 comments
Zdeněk Miler, the animator of the beloved Krtek ("Little Mole") animations died today. Conceived in 1954 after stumbling on a mole's burrow on his evening walk, Krtek appeared in about fifty films all drawn by Miler. The first Krtek film ("
How Krtek Got His Pants"), originally an educational video about the manufacture of linen, won first prize at the Venice Film Festival in 1957. The Krtek films have been aired in about eighty countries. Miler's young daughters did the uber-cute vocalizations for Krtek, and were the films' test audience as Miler tweaked the films per their suggestions. Here are some perennial favorites:
Krtek and the Radio,
Krtek and the Green Star,
Krtek at Christmas,
Krtek and the Robot.
Miler, like most film buffs, was surprised that Krtek had remained largely unknown in the United States.
"Pretty much the whole world knows Krtek," Mr. Miler said. "America, which is usually first in everything, is last in this. I always look at American history," he said, "and it is a very hard one. People came. They conquered a continent. They suffered hardships, and that hardship is reflected in its movies. I look at children there and think what they are watching is a reflection of that hardness. If you look at America, it is epic. Whereas here, it is more poetic. I feel here there is more lyricism."
posted by Atrahasis
on Nov 30, 2011 -
23 comments
