Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
If you want to read about the history, construction, sounds and playing techniques of, say,
the tympani, or any other instruments of the classical symphonic orchestra, Vienna Symphonic Library's
Instruments Online pages are good reading and a handy resource for orchestrators.
posted by Wolfdog
on Sep 30, 2011 -
4 comments
What then happens is an unbelievable series of Kafkaesque email threads, out-of-office messages, invented holidays, bizarre threats, secret handshakes. If you’re lucky, and very very persistent, you might end up with a CD of it, along with a note saying that “this never happened” and “don’t tell anybody you have this.” Nico Muhly on the difficulty of
listening to one's own work.
posted by villanelles at dawn
on Sep 10, 2011 -
11 comments
Five years ago this week, the BBC started broadcasting one of the most extraordinary documentaries ever to grace television:
Planet Earth. The culmination of
five years of field work, it employed
the most cutting-edge of techniques in order to capture life in all its forms, from
sweeping spaceborne vistas to shockingly intimate close-ups -- including
many sights rarely glimpsed by human eyes.
Visually spectacular, it showcased footage shot in
204 locations in 62 countries, thoroughly documenting every biome from the snowy peaks of the Himalayas to
the lifegiving waters of the Okavango Delta, a rich narrative tapestry backed by
a stirring orchestral score from the BBC Concert Orchestra. Unfortunately, the series underwent
some editorial changes for rebroadcast overseas. But now fans outside the UK can rejoice -- all eleven chapters of this epic story are available on YouTube in their original form: uncut, in glorious 1080p HD, and with the original narration by renowned naturalist
Sir David Attenborough. Click inside for the full listing (and kiss the rest of your week goodbye).
[more inside]
posted by Rhaomi
on Mar 7, 2011 -
69 comments
It is simultaneously unlike, and above, every other record. ... Because perhaps it tells us what a trivial pursuit music really is, and at the same time how indispensable to a meaningful existence it in fact is. ... No one, least of all Carla Bley, has subsequently come even within an orbit’s distance of its achievements. ... It is, in the most literal of senses, untouchable. -
Marcello Carlin
posted by Joe Beese
on Sep 11, 2010 -
42 comments
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing.
Part 1,
part 2,
part 3,
part 4,
part 5.
posted by Artw
on Mar 7, 2010 -
8 comments
Flamenco guitar is such a subtle and delicate mean of expression that it looks like arranging flamenco music for a number of musicians isn't practical or efficient. Nevertheless, many attempts have been made to use flamenco phrasing or colors within large ensembles : in a classical piece like
The Aranjuez Concierto, in jazz when Gil Evans teamed with Miles Davis to greate several pieces entitled
Sketches of Spain, or more recently, with the beautiful work of
Maria Schneider, or the small units of
Louis Winsberg. One of the most convincing score has been recently produced by
Juan Carmona, a gipsy guitarist from Marseille, a
work performed by many philarmonic orchestras.
posted by nicolin
on Oct 7, 2007 -
11 comments
Nazi swing music from the 30s. FMU's terrific blog presents mp3s of songs by Charlie and His Orchestra, a big band assembled by Hitler's minister of propaganda, Joseph Goebbels, to spread the Nazi message abroad even while trying to stamp out jazz and swing domestically.
"Leave it to Goebbels to take the music of The Andrews Sisters, Paul Whiteman and Irving Berlin and fill it with venomous rants against Jews, America and the British."
Vol. 1 is here. Some
history. And now I want to see
this movie about the band.
via BB
posted by CunningLinguist
on Dec 10, 2005 -
20 comments
"It doesn't even need a conductor, and there is not even any need for rehearsals together. Each instrumentalist receives sheet music and a disc with the sound track to which he will be linked during the concert, and that way he can practice at home, by himself; and then they come straight to the concert and play freely, whatever they want. A sound that is random as opposed to planned, a precise pitch for a note, as opposed to a false note, that's what leads the work. And here, toward the end, order gradually prevails".
Arik Shapira talks about
his new concerto for piano and orchestra.
posted by matteo
on Nov 28, 2005 -
16 comments
San Carlo of the Symphony. Il Maestro
Carlo Maria Giulini, orchestra conductor who passed away Tuesday at 91 "had an almost uncanny ability to transform the sound of an orchestra, any orchestra, into a dark and intense glow, which became his trademark over the years". "We have lost one of the greatest musicians of our time," says
Esa-Pekka Salonen (.pdf), music director of the LA Philharmonic. Giulini has been called "the last humanist", a gentle man beloved by his orchestras, so humble in his approach to music that, always feeling the necessity to "fathom" each new work, it wasn't until the 1960s that he finally felt ready to conduct Bach, or the symphonies of Mozart and Beethoven. This from a man who, at the beginning of his career (as a viola player) had played under Richard Strauss. "I had the great privilege to be a member of an orchestra," Giulini said in 1982. "
I still belong to the body of the orchestra. When I hear the phrase, 'The orchestra is an instrument,' I get mad. It's a group of human beings who play instruments." More inside.
posted by matteo
on Jun 16, 2005 -
11 comments
Classic Cat describes itself as "the free classical music directory," and offers links to 3rd-party-hosted downloadable recordings, sliced and diced by
hits,
composer,
performer, and
more. There are active
fora. Given the old-school look of the site, I was surprised not to find it in my repost search.
posted by mwhybark
on Feb 13, 2005 -
13 comments
Ursula Plaichinger, a 27 year-old viola player, is the
first woman to be (partially)
admitted into the Vienna Philharmonic since the orchestra's creation 161 years ago. Except for hiring
temporary, underpaid, unmentioned and unseen harpists ("Cameramen were instructed to show only her hands, never her face or figure"), the Viennese Phil not only tried to ignore several pleads for gender equality but took seven years to comply to the Austrian government's injunctions. Does this kind of resistance reflect a
general trend? Is Ursula's case merely an example of
"Rent-a-Frau" ? On the other hand, since the Viennese orchestra is a
private association, could this be just a modified version of the
Battle of
Augusta?
posted by 111
on Jan 17, 2003 -
12 comments
Yahama has made the Rolls Royce of pianos.
'Built around an Intel Pentium III computer chip, the piano allows functions to be controlled by a user's voice and lets the user watch an artist's performance stored on disc while hearing the concert. When the disc is inserted into a built-in DVD player, the performance is displayed on a computer monitor as keys and pedals move up and down recreating the piano part.'
And only $333,000, where do I sign up?
posted by Mark
on Apr 5, 2000 -
2 comments
