"Oh, Anne! With your small head and pert nose and oversized, ready smile and glossy pixie cut and squeakily tuneful speaking voice, uttering lines like “It came true!” as you gaze at your newly won Oscar with moistened doe-eyes, wearing a powder-pink Prada gown adorned with diamonds and bows: Why are you so annoying?
posted by vidur
on Feb 28, 2013 -
Sexual Assault In The U.S. Military
is the focus of a serious contender for Best Documentary Feature at this year's Academy Awards. The Invisible War
is a groundbreaking investigative doc that sheds light on the under-reported epidemic of sexual abuse against female members of the military
, as well as the lack of punitive action in these crimes: of the 8 percent of sexual assault cases that are prosecuted in the military, only 2 percent result in convictions. A female soldier in a combat zone is more likely to be raped by a fellow soldier than killed by enemy fire.
By official estimates
from The Department of Defense, 19,000 violent sexual crimes occurred in the military in 2011 alone
. Sexual assault is grossly under-reported
in the military. In 2011, 3,191 assaults were reported when its likely that somewhere between 19,000 and 22,000 assaults occurred.
The women in the film speak about the physical and mental abuse they underwent while serving in the military - and about the the lawsuit they joined and the verdict in which their experiences were labeled "occupational hazards".
The film is already garnering much attention, especially as front-running Oscar Nominee - and lawmakers are taking notice. [more inside]
posted by fantodstic
on Feb 19, 2013 -
Since March 21, 1994, when the first regular obituary segment was dropped into an Academy Awards show, a spot on the yearly scroll of recently deceased movie luminaries has become one of the evening’s most hotly contested honors. And as in most Oscar races it is the focus of sometimes ferocious campaigning
posted by Chrysostom
on Feb 9, 2013 -
Was nominated (and won) the Oscar for best animated short feature. If you love books and words then this silent 15 minute piece is worth your time. Here
is the backstory.
posted by Michael_H
on Apr 3, 2012 -
talks about The Help
, Hattie McDaniel, why black women are still winning awards for playing maids, how black culture is appropriated and represented, and whether marginalized groups in America all serve the purpose of "cultural maids". [more inside]
posted by nakedmolerats
on Jan 30, 2012 -
In his Oscar acceptance speech, documentary filmmaker Charles Ferguson reminded viewers worldwide that "not a single financial executive has gone to jail" for the fraud that created the 2008 financial meltdown. His film Inside Job (on Netflix DVD
) explains, among other things, that the crisis was avoidable. See also the Inside Job trailer
and a subsequent followup video
in which Ferguson says that many sources "mysteriously backed out" before being filmed. He also spoke at MIT
posted by mark7570
on Mar 2, 2011 -
is an Oscar nominated Greek film directed by Yorgos Lanthimos. Reviews
have noted its uncomfortable
blend of family, insanity, sex, and power. In interviews, the director touches on his thoughts behind the film and its creation. (1
posted by Brandon Blatcher
on Feb 9, 2011 -
, about the annual dolphins slaughter in Taiji, Japan, won the Academy Award for Best Documentary. However, the movie has only been screened once in Japan, during the Tokyo International Film Festival in October. Reaction from the town
is a combination of "We're not doing anything wrong" and "It's none of your business what we do" with the added refrain of "We're protecting our cultural traditions" which is already familiar to anti-whaling activists and the like. Due to a media blackout, most Japanese people don't even know the hunt happens, but will the movie's increasingly high profile (It's even becoming a TV show
) and the negative publicity force a change? More details
on the making and content of the movie. [more inside]
posted by donkeymon
on Mar 9, 2010 -
Oscar Night In Hollywood
"If we can huckster a President into the White House, why cannot we huckster the agonized Miss Joan Crawford or the hard and beautiful Miss Olivia de Havilland into possession of one of those golden statuettes which express the motion picture industry's frantic desire to kiss itself on the back of its neck?"
The Atlantic reprints an indispensible Raymond Chandler article from 1948.
posted by Skot
on Feb 22, 2008 -