Is Science Fiction promoting pseuodoscience? Is it not really better than fantasy? Is it exhausted and dying, per Paul Kincaid (part 1, part 2), a sort of genre-writing version of completing a list of The Nine Billion Names of God? Does physics-bothering unrepentant space case Alistair Reynolds have a compass pointing the way forwards?
Blogging the Hugos: Decline (part 1, part 2, part 3), is a series of blog posts covering some dystopian trends in recent Hugo nominees and itself winner of the of the BSFA award for non fiction. Meanwhile the 2011 Hugo finalists have been announced, with Mefi favorites featuring strongly: In Best Novella The Lifecycle of Software Objects by Ted Chiang (previously), In Best Short Story The Things by Peter Watts (previously). Doctor who features heavily under Best Dramatic Presentation, Short Form (too many posts to mention), but has strong competition from Fuck Me, Ray Bradbury.