Damon Winter is a photojournalist who has worked for The Dallas Morning News, The Los Angeles Times and
now works for The New York Times. His work on
a more sports-focused beat in Dallas lead to
his update on athletes from the 1984 Los Angeles Olympics as part of the
2008 Olympics coverage. As a photographer with The New York Times, he won the
2009 Pulitzer Prize for
feature photography, for his
first time out on the road, covering campaigns (narrated slideshow, 3min 19sec). Currently, he is sharing
his photos and
writing from Port-au-Prince, Haiti, which are included in NY Times
Lens Blog (prev. Lens Blog features:
1,
2,
3,
4,
5). If that's a bit heavy, check his
photographers journal (narrated slide show, 2min 34sec) and
his article on creating
double-exposure juxtapositions from days or weeks of shooting large-form film.
[more inside]
posted by filthy light thief
on Jan 20, 2010 -
6 comments
Dr. John Rudoff is a cardiologist in Oregon, but before he entered medical school, he was the staff photographer at
The Main Point, a coffeehouse in Bryn Mawr, PA associated with the early 1960s folk revival in the Philadelphia area. His photographs of the Philadelphia folk scene include
unidentified local folkies, but also touring folk singers such as
Dave van Ronk and
John Hammond. Eventually, Rudoff got a press pass to the 1965 Newport Folk Festival, where he took photos of
Mary Travers sharing a moment with Mimi and Dick Fariña and
Joan Baez with a pre-psychedelicized Chambers Brothers, but the most amazing discovery of all are the photos of
when Bob Dylan "went electric." And now you can see
Rudoff's whole collection, thanks to the magic of Flickr.
posted by jonp72
on May 7, 2009 -
13 comments
Iraqi Kurdistan - a flipbook style video of thousands of pictures taken in Kurdish dominated northern Iraq by photojournalist Ed Kashi.
posted by Burhanistan
on Apr 19, 2007 -
8 comments
I've been having a great time exploring the maze that is
Musarium, wandering about and peeking into into various nooks and crannies to find such exotica as the wonderfully bizarre
birdhand book, and absorbing cultural artifacts and musings, including the poetic
Visions and Icons (I really love the way the text works with the images on this), the atmospheric
Familiar Ghosts (the texts will cue you on clicking through this somewhat dream-like landscape), the time-capsule imagery of
Balkan Portraits (1906-1910), the
breathtaking portraits of photographer Steve McCurry (famous for his National Geographic portait of the Afghani girl), the subterranean monologue of
Grand Central: the View Down Under, and the shocking and heartbreaking
Without Sanctuary: Lynching Photography in America. There's a lot more, so take your time. You can use
this page to access archived material.
posted by taz
on Aug 8, 2004 -
13 comments
