It was bound to happen eventually. After
a quarter-century,
26 Academy Awards, and an unparalleled streak of
eleven artistic and commercial triumphs, Pixar's latest project,
Cars 2, is
Certified Rotten. Critics have
assailed the film as a slick but hollow vehicle for Disney's
$10 billion-dollar Cars merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with
zany spy games,
hyperactive chase sequences, and even more
lowbrow aww-shucks potty humor from
Larry the Cable Guy. But it's not all bad news! Along with
a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's
Brave --
a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and
director).
Evocative high-res concept art [mirror] is available at the official website, and
character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of
Brave's associated short,
"La Luna"!
posted by Rhaomi
on Jun 24, 2011 -
263 comments
"The first Gallery dedicated to artists lying behind cinema, comics, video games masterpieces… and who creat [sic], to entertain, the most significant icons of our time." The gallery has previously featured exhibitions from
webcomic artist
Scott Campbell,
H.R. Giger,
propaganda-style Futurama posters, Superman penciller
Tim Sale,
sketches from
Star Wars: The Clone Wars, and
filmmaker Sylvain Chomet.
[more inside]
posted by kagredon
on Apr 30, 2011 -
5 comments
Unlike many cinematic exports,
the Disney canon of films distinguishes itself with an impressive dedication to
dubbing.
Through an in-house service called
Disney Character Voices International, not just dialogue but songs, too, are
skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to
an uncanny degree (while still leaving plenty of room for
lyrical reinvention).
The breadth of the effort is surprising, as well -- everything from
Arabic to
Icelandic to
Zulu gets its own dub, and their latest project,
The Princess and the Frog, debuted in
more than forty tongues.
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in
multilanguage mixes and
one-line comparisons, linguistic kaleidoscopes that cast new light on old standards.
Highlights:
"One Jump Ahead," "Prince Ali," and
"A Whole New World" (
Aladdin) -
"Circle of Life," "Hakuna Matata," and
"Luau!" (
The Lion King) -
"Under the Sea" and
"Poor Unfortunate Souls" (
The Little Mermaid) -
"Belle" and
"Be Our Guest" (
Beauty and the Beast) -
"Just Around the Riverbend" (
Pocahontas) -
"One Song" and
"Heigh-Ho" (
Snow White) -
"Bibbidi-Bobbidi-Boo" (
Cinderella) -
Medley (
Pinocchio) -
"When She Loved Me" (
Toy Story 2) -
Intro (
Monsters, Inc.)
posted by Rhaomi
on Nov 12, 2010 -
31 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
[more inside]
posted by Rhaomi
on Jun 18, 2010 -
227 comments
Five years before
Toy Story proved to the world that pure CGI -- a field long relegated to the role of special effects -- could be an art form in its own right, Odyssey Productions attempted to do the same on a slightly smaller scale. Drawing on the demo reels, commercials, music videos, and feature films of over 300 digital animators, the studio collated dozens of cutting-edge clips into an ambitious 40-minute art film called
The Mind's Eye. Backed by
an eclectic mix of custom-written electronic, classical, oriental, and tribal music, the surreal, dreamlike imagery formed a rough narrative in eight short segments that illustrated the evolution of life, technology, and human society:
Creation -
Civilization Rising -
Heart of the Machine -
Technodance -
Post Modern -
Love Found -
Leaving the Bonds of Earth -
The Temple -
End credits (including names and sources for all clips used). But that was just the beginning...
[more inside]
posted by Rhaomi
on Apr 25, 2010 -
62 comments
An eerie tribute to countless Twilight Zone episodes, Pixar Animator Rodrigo Blaas has published his animated short film
Alma.
[more inside]
posted by netbros
on Dec 22, 2009 -
72 comments
People have been trying to make the appearance of three-dimensional movement
almost as far back as
the first movie cameras. The very first efforts used
stereoscopy (
more pre-
vious-
ly), which wasn't functional for theater-settings.
In 1915, the first public test of 3D film was deemed unsuccessful, as images presented with
green/red lenses detracted from the plot, but that didn't stop people from trying to make 3D films.
Polarized glasses are another inexpensive method of simulated 3D, while
shutterglasses are a more costly method. Up to 1998 or so, there were
approximately 187 3D movies made, not counting porn, cartoons and shorts (which bring the 1998 total to 263). 2009 is supposedly
the year that 3D movies really take off, as it has been reported that 3D films are expected to gross over $1bn (£700m) at the box office next year, a five-fold increase on their $200m haul in 2008.
There are some really big titles coming, including
the "3D drug trip" that is Avatar, and
all of the announced future Pixar releases will get the Digital Disney 3-D treatment. But 3D isn't limited to the big screen and big companies. The next format war
could be over 3D TV. And now the independent production company
MeniThings has released the feature-length movie,
Battle for Terra. [via
mefi projects, and a bit more on the movie after the jump]
[more inside]
posted by filthy light thief
on May 8, 2009 -
56 comments
According to the
majority of
critics who have seen it so far, Frank Miller horrifically butchered Will Eisner's legendary comic
The Spirit with his upcoming
Sin City-esque film adaptation opening next week. In order to make the pain about a thousand times worse,
here's an in-depth story about how there was almost a chance two decades earlier for Brad Bird, director of
The Iron Giant and
The Incredibles, to have done an animated version with the help of future founder of Pixar John Lasseter.
posted by XQUZYPHYR
on Dec 19, 2008 -
76 comments
BURN-E is a short film by Pixar Animation Studios based on a character who was briefly seen in the movie
WALL-E. It takes place concurrently with the movie during the sequence when WALL-E and EVE fly around the Axiom starliner, and enter through a door, locking a welder robot outside of the ship.
posted by Effigy2000
on Nov 13, 2008 -
97 comments
Disney eats crow. Disney, whose former CEO Michael Eisner rejected the idea of Disney being hired to market Pixar's movies, who insisted on owning their sequel rights, and who apparently
hoped Finding Nemo would flop so that he could get better negotiating terms with Pixar, is now in talks for buying Pixar outright for approximately $6.7 billion in stock.
Steve Jobs gets his revenge... again. How much revenge?
50.1% of $6.7 billion dollars, apparently.
posted by insomnia_lj
on Jan 19, 2006 -
51 comments
