Marc-André Hamelin composed
Circus Galop for the player piano. Performing it is impossible for a mere pair of human hands, but two people have tried to
fake it until they make it. Another has
transcribed it (or half of it, perhaps) for
one player. Often, people will run it through a MIDI sequencer of their choice, to make a
lively animation. Some have built
Arduino robots that
perform it. But, in the end, the best medium for a work this insane is the humble, yet manic
player piano (less manic, but clearer-sounding performance
here). Hamelin
himself has run his composition through one, managing to get his television host to start dancing as the closing credits fade out...
posted by Blazecock Pileon
on Jan 3, 2012 -
34 comments
A favorite of
John Cage and Gyorgy Ligeti, the latter describing his music as "so utterly original, enjoyable, perfectly constructed but at the same time emotional...the best of any composer living today,"
Conlon Nancarrow's
musical ideas were nevertheless too complex and technically demanding for human performers, and his political ideas too radical and leftist for McCarthy-era America. Expatriated to Mexico, the Texarkana-born avant-gardeist
lived most of his life in isolation, in a cluttered, dusty
studio surrounded by records, piles of books, empty Vodka bottles, newspapers, cigarette cartons, and the tools of his trade: 2 old player pianos and a custom-built
piano roll press.
[more inside]
posted by swift
on Feb 15, 2010 -
16 comments
