"everything is good that / has a good beginning / and doesn't have an end / the world will die but for us there is no / end!" Thus ends Victory over the Sun (part 1, part 2), the "first Futurist opera". [more inside]
posted by daniel_charms on Dec 21, 2011 - 8 comments

"The prominent literary critic Marjorie Perloff has recently begun using the term 'unoriginal genius' to describe this tendency emerging in literature. Her idea is that, because of changes brought on by technology and the Internet, our notion of the genius—a romantic, isolated figure—is outdated. An updated notion of genius would have to center around one's mastery of information and its dissemination. Perloff has coined another term, 'moving information,' to signify both the act of pushing language around as well as the act of being emotionally moved by that process. She posits that today's writer resembles more a programmer than a tortured genius, brilliantly conceptualizing, constructing, executing, and maintaining a writing machine." --Kenneth Goldsmith on why "genius" is an archaic concept, and how literature in English has fallen half-a-century behind advances in visual arts and music
posted by bardic on Sep 22, 2011 - 44 comments

Primiti Too Taa is an animated excerpt from Kurt Schwitters' Ursonate. You can see the whole text, and hear the whole thing as voiced by Schwitters or many others, including a text-to-speech program and the author of Eunoia. [more inside]
posted by kenko on Aug 19, 2009 - 11 comments

Vispo is a site dedicated to visual poetry, both static and animated, run by Jim Andrews (though there's also a sound section). Among my favorites are bpNichol's First Screening (made in Hypercard), poem game Arteroids, the works of Ana Maria Uribe, Oppen Do Down (warning: audio starts immediately), Enigma M, strings and a selection of typographic works by Clemente Padin
posted by Kattullus on Jan 27, 2008 - 5 comments

Eclipse is a free on-line archive focusing on digital facsimiles of the most radical small-press writing from the last quarter century. [more inside]
posted by Hypocrite_Lecteur on Dec 15, 2007 - 10 comments

Asemic is a magazine of asemic writing, which is writing without semantic content. The editor is Australian Tim Gaze, who's made the asemic books Aussie Runes and The Oxygen of Truth, volumes 1 and 2. "Only words lie; asemic texts cannot lie." [more inside]
posted by Kattullus on Oct 13, 2007 - 74 comments

Sean Bonney's translations of Baudelaire are unconventional. Instead of following the form of the French originals they are semi-concrete typewriter poetry. In a review of the book, everyone's cup of tea, onedit magazine says that they are "certainly the best translations of Baudelaire in English ever written." Which might explain why they published 35 of them in their latest issue. You can listen to Bonney read his translations here [mp3]
posted by Kattullus on Jul 18, 2007 - 61 comments

MNMLST POETRY is an essay by Bob Grumman about a strand of poetry that he claims is "unacclaimed but flourishing". Here are poems in this vein by Aram Saroyan (2), jwcurry, LeRoy Gorman, bpNichol, Michael Basinski, John M. Bennett, Karl Young, John Martone, Ian Hamilton Finlay and finally some mathemaku by Bob Grumman, the essay's author.
posted by Kattullus on Jun 8, 2005 - 12 comments

Carnival by Steve McCaffery (wikipedia entry). One of the L=A=N=G=U=A=G=E poets. Their late 70's, early 80's magazine can be found archived here and makes for interesting reading. However, I suggest you start off by looking at the two beautiful panels that comprise Carnival. They're both visual art and poetry. There's also a terrible pun hidden in one of them if you can find it. But if you hunger for more, here's an interesting critique by Marjorie Perloff [note: The Carnival panels are too big for any screen, but they can be shrunk by hitting "map"]
posted by Kattullus on Dec 5, 2004 - 19 comments