"Foregrounding the back of Martin Luther King’s head, Selma’s poster is an act of protest in itself. But as a recent book on black movie poster art shows, many past poster designs have obscured, caricatured or edited out black actors altogether." Isabel Stevens writes on black movie poster art at the British Film Institute (BFI).
Comic artist Chris Weston unilaterally declares it Kurt Russell week and produces a triptych of posters for Escape from New York, The Thing and Big Trouble in little China. These are just the roughs.
Alien Loves Predator makes an (abridged) map of NYC movies. Can you name all 91? (via) [more inside]
The Color of Top Grossing Movies. A movie’s theatrical poster is only a very small part of the larger marketing and hype machine that turns movies into spectacular blockbusters, but as part of a whole, they are fairly representative of the “image” of any given movie. So, as an exercise in color trends, and to see if any significant pattern emerged, I decided to break down the colors of 25 posters — the top 5 of each MPAA category.
Using fine-art images to promote movies: "But it was Mr. Kessell's "Florilegium" (or "collection of floral images") daguerrotypes that caught Mr. Palen's eye: each image is close-up of a surgical instrument, so poetically rendered that it seems almost organic. Some of the macabre implements resemble exotic flowers. One, from a distance, could be mistaken for the horns of a gazelle. "We were sort of blocked, and all the pieces fell into place once I saw that image," Mr. Palen explained. A deal was made to use that daguerreotype [to promote the upcoming Tarantino-produced film "Hostel"], which actually shows a surgical clamp. [The poster] now appears in theaters and on widespread promotions. [Side: direct WMV link of Tarantino spazing out while introducing "Hostel's" director Eli Roth at a festival.]