WYNC's Manoush Zomorodi investigates the gender gap in tech and computer science, and finds a number of people working towards bridging that gap, from childhood to university: completely restructuring a required computer science course to make it more welcoming to female university students, celebrating women in computing history (and recognizing that computer science wasn't so male-dominated, and making children's books and toys (even dollhouses!) for kids to explore programming concepts on their own. She also noticed that the majority of female computer science students in the US had grown up overseas - possibly because computer science isn't a common subject in American high schools. This is slated to change: a new AP Computer Science subject is in the works, with efforts to get 10,000 highly-trained computer science teachers in 10,000 high schools across the US. If you want to join Mindy Kaling in supporting young girls entering computer science, tech, and coding, there's a lot [more inside]
"Arabic programming languages with the honest goal of bringing coding to a non-Latin culture have been attempted in the past, but have failed without exception. What makes my piece قلب different is that its primary purpose was to illustrate how impossible coding in anything but English has become."
It was not the first time that Adam Magyar has had to explain his work to mystified observers. Born in Hungary in 1972, Magyar began taking pictures in his late twenties, roaming the streets of Asian cities and capturing images of Indian street vendors, Hindu holy men, and Himalayan students. His work evolved rapidly from conventional documentary photography to surreal, radically experimental imagery that reflects his obsession with finding innovative new uses for digital technology. A self-taught engineer and software designer who assembled his first computer while in his teens, Magyar captures his images using some of the world’s most sophisticated photographic equipment, modified with software he writes himself. Additional code, also of his own design, removes nearly all distortion, or “noise,” from his data, producing images of remarkable clarity.[more inside]
After years of silence, enigmatic programmer/musician/surrealist why the lucky stiff is publishing to the web again (temporarily). Five days ago he released a number of short collages; today, his site is outputting a number of stories and essays, which are being collected in several Scribd repositories. _why writes about a strange old Oprah show starring guests who've removed themselves from society [parts 2 3 4 5 6], discussing M. Night Shyamalan's The Happening with a friend [2 3 4 5 6], and suffering a personal crisis after reading the complete works of Kafka [2 3 4 5 6 7]. (One final story, "Dentist", has been uploaded to a public Dropbox account [2 3 4 5 6 7 8].) There's also this somewhat ominous web site. [more inside]
IBNIZ (Ideally Bare Numeric Impression giZmo) is a virtual machine and a programming language that generates video and audio from very short strings of code.
Wired called them, digital graffiti and John Carmack spoke of them at QuakeCon 2011 but they remain little known. A recently released full-length documentary (download) gives a portrait of the creative digital subculture from 80s to the present day. [more inside]
"Vitamin R goes straight to the head. Ruby will teach you to express your ideas through a computer. You will be writing stories for a machine. The language will become a tool for you to better connect your mind to the world." Slate compiles the mystery of _why. (Previously).
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
Animata is an open source real-time animation software, designed to create animations, interactive background projections for concerts, theatre and dance performances.
Gary Stasiuk's beautiful Digital Creatures pulls the curtains on the kinematics of geometric objects, after which he plays with the mathematics and user interactivity of generative art and shows how to build the appearance of AI behaviors into Flash objects.
Piet is a programming language in which programs look like
abstract paintings. You can view some sample programs, or if you just like Mondrian, why not make your own with the Mondrian Machine? Or maybe you don't like Mondrian but you do like programming, in which case you can check out other strange languages, such as Petrovich, where you can punish or reward your PC. Finally, if you don't like programming OR Mondrian, have a look at a silly gif of a kitten.
CodeDoc, a new exhibition at Whitney Artport, forces us to view the scripts and codes that generate software art before seeing the “art.” The other aspect of the curatorial premise: each artist's code must create art that connects three points in space.