28 years ago this summer, Leo Arnaud's "Bugler's Dream" suddenly found it had competition for the title of The Olympic Theme. Composer John Williams was commissioned to create a new fanfare, and "Olympic Fanfare and Theme" was the result, with the Fanfare portion being played at every medal ceremony in the 1984 Summer Olympics in Los Angeles. But that wasn't the only music created for those Olympic Games... [more inside]
posted by hippybear on Jul 26, 2012 - 24 comments

Quincy Jones sat in the Tenafly, New Jersey den of 16-year-old vocal student Lesley Gore, playing demo after demo, looking for the right song to cut for her first record. Out of over 200 tapes, Jones and Gore had moved only one to the "maybe" pile, and so that song, It's My Party, was recorded on March 30, 1963 in a Manhattan studio. After the session Mercury president Irving Green warned Gore not to get her hopes up, but Gore gratefully told him that it had been a great experience anyway, and it was okay if he didn't want to release it. However, later that evening Jones learned that Phil Spector had just recorded "It's My Party" for The Crystals, so Jones rushed back to the studio to press 100 test copies of the single and immediately mailed them to key radio stations across the country. [more inside]
posted by swift on Sep 13, 2011 - 69 comments

I always loved the Quincy Jones-composed theme song to 70s sitcom Sanford and Son, but up until a few minutes ago I'd never heard the entire piece: three minutes and six seconds of delightfully infectious, playfully bright instrumental pop-funk. It's called The Streetbeater, and its creative and ever-changing arrangement includes snippets of the rarely heard bass harmonica. The piece is just a hella lotta fun. [more inside]
posted by flapjax at midnite on May 6, 2011 - 70 comments

Michael Jackson penned and recorded lots of songs, many of which remain unreleased. Perhaps the most infamous, and rarest recording, is his version of Behind the Mask. Legend has it that upon hearing Yellow Magic Orchestra's original track, somewhen around 1979, Quincy Jones fell in love with the track, and he and Michael worked together on their own version. Jackson wrote new lyrics for it - adding to those of Ryuichi Sakamoto and Chris Mosdell - and eventually recorded it during his Off The Wall sessions. For unknown reasons the track never made the final cut of, arguably, Jones' and Jackson's greatest work. Not long afterwards Greg Phillinganes, Jackson's keyboard player, released his own version of the song, which was later taken up and re-recorded by Eric Clapton for his 1986, Phil Collins produced album, August. The track has since been recorded/remixed by Human League, Senor Coconut, Orbital and others. Does an original Jones/Jackson recording of the song even exist? Perhaps, as the world continues to mourn the star's sad death, someone will finally allow us a listen.
posted by 0bvious on Jul 1, 2009 - 31 comments