This week at a show in Paris, Radiohead performed a live version of Creep for the first time since 2009. Cameraphones were there. [more inside]
For music fans, 2016 has quickly become the year of the insta-release. Are you overwhelmed? Excited? Numb and jaded? Checked out entirely? Have you tweeted out your hastily-formed opinion about the latest Big Event album before everyone moves on? Beyoncé, Radiohead and FOMO: How sustainable is the era of the “insta-release?” From March: The Music Critic in the Age of the Insta-Release
Five years after Radiohead's last album, myriad hints from the band marked May 1st -- Dawn Chorus Day -- as the date something big was gonna happen. The band ateased the web with rumours_of songs new and old, cryptic artwork, ominous mailers. But after years of waiting, nothing came... literally. Optimistic fans trying to pick up every last crumb_were left climbing up the walls_as they were shown how to disappear completely, with the band's official site and social media fading out
again, slowly dissolving little by little, one by one, before their very eyes.
It all came back Tuesday, as mysterious chirps and inkblots ushered in the sinister claymation music video for long-awaited track "Burn the Witch" [prev.], followed days later by an arresting P.T. Anderson-directed film for the somber elegy "Daydreaming."
While Radiohead's ninth album is not here now physically till June, it's available for download come 8th May_(today!) at 2 PM EDT on Radiohead.com.
It's gonna be a glorious day. [more inside]
Radiohead have released a video for “Burn The Witch”, the lead single off of their upcoming album. It was directed by Chris Hopewell.
It seems Radiohead are not so much a band as a conglomerate, having the sort of financial structure you would expect to be more associated with Silicon Valley entrepreneurs than bands from Oxfordshire. They have been directors of some 20 companies since they formed, according to Companies House. This is not just interesting for gossip. Radiohead’s financial structure shines a light on one of the lesser discussed facts of the music industry: if you want to be a great band, it can help if you are as good at finance as you are at music, or at least have a team supporting you who are. [SLGrauniad]
@thomyorke: Last year we were asked to write a tune for Bond movie Spectre. Yes we were ...... It didn't work out ... but became something of our own which we love very much .... As the year closes we thought you might like to hear it. Merry Christmas. May the force be with you ...
The Paris-based magazine Télérama have published a conversation between Thom Yorke and author/activist George Monbiot. Yorke is a professed fan of Monbiot's writing, and throughout the interview, the two men discussed climate change.Throughout the conversation, Yorke and Monbiot discuss how they've responded to climate change in their day-to-day lives—becoming vegetarian, Radiohead's carbon neutral touring initiative, and so on. Yorke said that for a time, figuring out how to reduce his carbon footprint became an obsession.
After the triumph of OK Computer, Radiohead fell into a creative tailspin -- and frontman Thom Yorke into a nervous breakdown. Exhausted from touring, hounded by press, and jaded by copycats, he escaped into the electronica scene pioneered by Kraftwerk and Warp Records -- fertile ground, the band discovered. Trading spacey rock for apocalyptic brooding, they teased their new sound not with singles or music videos but with innovative web streaming and cryptic, dreamlike "blips" -- winterlands, flocks of cubes, eyeballs, bears. After nearly breaking up over tracklist angst, they cut the kid in half. Thus fifteen years ago today, Kid A and (later) Amnesiac debuted, a confounding mix of electronic fugue, whalesong, pulsing IDM, drunken piano, and epic jazz funeral whose insights into anxiety, political dysfunction, and climate crisis would make it one of the most revered albums of the twenty-first century. See the documentary Reflections on Kid A for interviews and live cuts, or look inside for much more. [more inside]
Fresh from The Intercept (that fearless vanguard of journalism helmed by Glenn Greenwald and Laura Poitras): disturbing documents exposing the unfathomable reach of the United Kingdom's GCHQ in its quest for total awareness of global internet traffic. A hundred billion user actions logged per day. A "Black Hole" database of 1.1 trillion logs. Frightening programs like KARMA POLICE, MEMORY HOLE, and MUTANT BROTH that correlate the kilo-crore corpus -- IP addresses, cookies, forum posts, search histories, emails, and passwords all compiled and cross-referenced into a real-time "diary" that gives penetrating insight into the relationships, beliefs, and desires of every web user on the planet. Internal documents suggest only widespread encryption can threaten the regime -- a movement the UK is determined to subdue (previously). [more inside]
Rare Footage Surfaces of Thom Yorke Performing "High and Dry" With Pre-Radiohead Band [YouTube] [Video]
The origins of Radiohead's 1995 single "High and Dry" dated back to Thom Yorke's short-lived pre-Radiohead band Headless Chickens. The band only played a few shows and released one song. Redditors pointed to some rare footage of a young Yorke performing the song with that band in the late 1980s (via CoS). Video shot at Exeter University's Lemon Grove.
Radiohead's Creep covered in a wonderful mid-20th century style by Haley Reinhart and the band Postmodern Jukebox. [previously | via]
Stereogum polled dozens of notable musicians about their favorite Radiohead songs, and this is how they responded.
Electronic music pioneer and one half of LFO, Mark Bell, has died following complications after an operation his record label has announced. [more inside]
Andrew Collins started a blog in July 2013 - Circles of Life: The 143 - he's about half way through now. [more inside]
"Self-proclaimed knowledge, music, LEGO and die-cast car junkie, Adly Syairi Ramly presents a collection of 20 iconic bands that he’s taken the time to recreate with everyone’s favorite building blocks." [more inside]
Yesterday saw the surprise release of PolyFauna (Android - iOS), a free, movingly minimalist art game produced by Radiohead in collaboration with digital art studio Universal Everything. In the tradition of previous projects such as Proteus (previously) and Björk's Biophilia (also previously), the game turns players loose in an open world of moody vistas and fog-shrouded wilderness, accompanied by music and visuals from 2011's earthy, naturalist The King of Limbs. With an associated redesign of the band's website, could work on the long-awaited LP9 be far behind? [more inside]
Do you want to listen to a 2-hour DJ mix by Thom Yorke and Nigel Goodrich (of Radiohead and Atoms for Peace)? Of course you do. [more inside]
Back at the beginning of 2010, Peter Gabriel released Scratch My Back, an album of covers of various artists. He had hoped those same artists would, in turn, cover songs he had written. Well, it didn't all come together as smoothly as he had planned, and not all the artists participated, but he's finally released And I'll Scratch Yours. NPR has a limited time preview of both albums running right now. [more inside]
Johnny Greenwood (guitar) (2013), Mark Stewart (guitar), Los Angeles Electric 8 (guitars, third movement), Neo_Impressioniste (recorders) [more inside]
"The music industry is being taken over by the back door. And if we don't try and make it fair for new music producers and artists, then the art will suffer. Make no mistake. These are all the same old industry bods trying to get a stranglehold on the delivery system." [more inside]
There have been lots of great covers of Radiohead's Karma Police, but this one that just dropped may be the best you'll ever hear. The amazing video is thanks to a successful kickstarter campaign.
Easy Star All-Stars released (previously) their reggae and ska infused cover version of Radiohead's OK Computer, "Radiodread" way back in 2006.
Jon Brion gets around. As a composer, he scored some of the best movies of last decade and change – Punch-Drunk Love, Eternal Sunshine of the Spotless Mind, Synecdoche, New York, and I ♥ Huckabees. As a producer, he's worked with Fiona Apple, Kanye West, Aimee Mann, and the excellent bluegrass outfit Punch Brothers. He writes pop music like the best of them – witness Meaningless, Knock Yourself Out, Here We Go, or Didn't Think It Would Turn Out Bad for a nice sampler of his style and range. His live shows are notoriously whimsical and eccentric – he's apt to perform Radiohead's "Creep" in the style of Tom Waits, or cover Stairway to Heaven as a one-man band, recreating all the parts to its climax on the fly.
AMOK [auto playing music], the debut album from "supergroup" Atoms for Peace (Thom Yorke and Radiohead producer Nigel Godrich (who did an AMA earlier today), with Flea, Joey Waronker, and Mauro Refosco), is streaming in its entirety ahead of its official release next week.
Somewhere between his earlier rendition of Go the F**k to Sleep (again on YouTube, NSFW) and Radiohead's cover of Wonderwall comes Samuel L. Jackson covering Taylor Swift.
Kathryn Bigelow's striking bin Laden manhunt thriller Zero Dark Thirty arrives in wide release tonight on the heels of a final artful trailer -- one with oddly familiar musical accompaniment. The funereal hymn, a cover of Metallica's "Nothing Else Matters" (lyrics), deftly recasts the 90s power ballad as a haunting dirge of quiet grief, shattered ideals, and a singleminded focus on revenge, a perfect distillation of the film's profoundly grim thesis. But while the song may be fitting, it wasn't composed for the project -- it's just the latest success story from Belgian women's choir Scala & Kolacny Brothers, whose mournful reinterpretations of classic and modern rock -- catapulted by their rendition of "Creep" in The Social Network -- have made them famous around the world, with star turns in the likes of Homeland ("Every Breath You Take") and Downton Abbey ("With or Without You"). Cover comparison site WhoSampled offers a list of YouTube comparisons between the covers and the originals; look inside for more of their work in movies and television. [more inside]
"As part of Radio 1's Specialist Takeover in the first week of January 2013, Benji B delivered a very special show from Maida Vale. A 16 piece string orchestra performed specially arranged scores, written by Grant Windsor, over some of the biggest underground electronic tunes, including the likes of Kanye West, Flying Lotus and Drake." [more inside]
If you fondly remember the days when MTV would play large blocks of music videos then 120 Megabytes may be for you. [more inside]
In the wake of their grunge-y breakout hit "Creep" and the success of sophomore record The Bends, Thom Yorke and the rest of Radiohead were under pressure to deliver once more. So they shut themselves away inside the echoing halls of a secluded 16th century manor and got to work. What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored the "fridge buzz" of modernity -- alienation, social disconnection, existential dread, the impersonal hum of technology -- through a mosaic of challenging, innovative, eerily beautiful music unlike anything else at the time. Tentatively called Ones and Zeroes, then Your Home May Be at Risk If You Do Not Keep Up Payments, the band finally settled on OK Computer, an appropriately enigmatic title for this acclaimed harbinger of millennial angst. For more, you can watch the retrospective OK Computer: A Classic Album Under Review for a track-by-track rundown, or the unsettling documentary Meeting People is Easy for a look at how the album's whirlwind tour nearly gave Yorke a nervous breakdown. Or look inside for more details and cool interpretations of all the tracks -- including an upcoming MeFi Music Challenge! [more inside]
Former Broadway actress Carrie Manolakos performs a cover of Radiohead's 'Creep', and hits all the notes.
In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
Intergalactic Beastie Rock, Deadmau5, Depache Mode, Bruno Mars, Ke$ha, The Beatles, Queen, Stardust, Radiohead, Madonna, Chemical Brothers
One day in 1984 character actor Stephen Tobolowsky (Groundhog Day, the original, unaired pilot of Buffy The Vampire Slayer) was walking down the street when Jonathan Demme pulled up and asked if he wanted to see a movie he was finishing. Tobolowsky accepted: taking his girlfriend Beth Henley, they went to the Academy Linwood Dunn Theatre to watch the rough cut of the movie, Stop Making Sense. The audience in the otherwise empty theatre consisted of Tobolowsky, Henley, and Demme, along with members of Talking Heads, including David Byrne and Tina Weymouth. Later, Byrne passed Tobolowsky on his bike and asked if he wanted to work on a new movie. Interest sparked again, and during the ensuing collaboration Tobolowsky shared his past experience of psychic phenomena. Inspired, Byrne went on to write Radio Head. The song was heard by Thom Yorke and became the name of his band. All of this is a true story, based on puzzling evidence. [more inside]
35 cover videos of Radiohead's Paranoid Android mixed together. Reminiscent of Kutiman's ThruYOU which you should really, really watch if you haven't. Via reddit.com/r/music.
Mike Massé does a lot of nice covers - to a smattering of customers live at Pie Pizza in South Jordan, Utah [more inside]
Four weeks ago, the video for Radiohead's Lotus Flower went up on YouTube. It's a simple thing, black and white, starting off with a silhouetted dancer who turns out to be Thom Yorke. The formerly "very shy and uncertain" fellow has since turned into a back-up dancer for Beyonce, makes Window Licker a bit less creepy*, and is a dancing queen. There's a step-by-step graphic break-down of Thom's dance (descriptions in French, auto-translated by Babelfish and alternate descriotion in English), a detailed break-down of Yorke's influences, a tumblr of 150 dancing Thom video edits and mash-ups, and a Know Your Meme page. [more inside]
Once again, Radiohead give the music industry a monkey rub by announcing today that their next record - 'The King of Limbs' - is complete and will be available for download in less than 1 week's time. This time with Prix Fixe pre-order.
Pitchfork counts down the top 200 tracks of the 1990's this week. Strippertweets invites you to play pretend Pitchfork editor and predict the songs and order of the top 10 in their Pitchfork Pool. [more inside]
Amanda Palmer releases
Ukelelehead Amanda Palmer Performs The Popular Hits of Radiohead on Her Magical Ukulele. There will be a live webcast at Party On The Internet on July 20th, 6PM Eastern Time.
Read about the background of the album here.
Adam Calfee makes beautiful, haunting animations, including videos for
Ill Bill - My Uncle
Ill Bill - War Is My Destiny
Radiohead - All I Need (not quite completed, but a more fully-realized minute long sample here)
and the short piece Moonboy.
Ill Bill - My Uncle
Ill Bill - War Is My Destiny
Radiohead - All I Need (not quite completed, but a more fully-realized minute long sample here)
and the short piece Moonboy.
Creepy fairy-talish illustrations and animations of Gaston Vinas, including this horrifying (unofficial) Radiohead music video. NSFW.
We've covered Harry Patch before but as you might know he died recently. Now Radiohead have released a track in tribute to him and the fallen others.
Has CREEP become this era's Free Bird to be played by every band at the end of every concert and covered by everybody?
Omaha rockers Cursive are selling their new album for just $1... No wait, it's $2... $3... $4... WTF?? In yet another twist on the whole, name-your-price (Radiohead), fan-financed (Jill Sobule), take-shrooms-and-cruise-hollywood (Josh Freese) tiered pricing experiment being carried out by what's left of the music industry, Cursive are increasing the price of their new record by $1 each day until its "official" release. Given the popularity of sites like Did it Leak (and the corresponding file-sharing forums that I won't link to here) it seems to me like this is a pretty good way to reward well-intentioned but impatient fans who might otherwise resort to less honorable means of getting the latest stuff from their favorite bands. Or maybe it's just another hare-brained scheme that will only hasten the end of record labels as we know them. Either way, they got my $1... And that was after I already got my hands on the mp3s!
Page: 1 2