Pen and Pixel are well known for the outlandish covers they created for Southern rap labels Rap-A-Lot and No Limit. It's been about 12 years since their heyday, so people are now looking back at the artistry present under the surface of these covers. [more inside]
posted by reenum on Sep 17, 2010 - 39 comments

The Free Art and Technology (F.A.T.) Lab is an organization dedicated to enriching the public domain through the research and development of creative technologies and media. You may know them from such projects as How to build a fake Google Street View car, public domain donor stickers, internet famous class, the first rap video to end with a download source code link, or their numerous firefox add-ons (such as China Channel, Tourettes Machine, or Back to the future). FAT members have been hard at work standardizing various open source graffiti-related software packages, including Graffiti Analysis, Laser Tag, Fat Tag Deluxe and EyeWriter [previously] to be GML (Graffiti Markup Language) compliant. Fuck Google. Fuck Twitter. FuckFlickr. Fuck SXSW. Fuck 3D. FAT Lab is Kanye shades for the open source movement.
posted by finite on Mar 13, 2010 - 8 comments

The Pardoner's Tale - adapted to rap by Baba Brinkman, who has been rapping Chaucer tales for a few years now. He's also released The Rap Canterbury Tales, a book that presents raps side by side with Chaucer's original Middle English. Both video and book are illustrated graffiti-style by his brother Erik. Discussed in a previous post by fatllama on hip hop classics.
posted by madamjujujive on Aug 12, 2007 - 18 comments

Found in translation: Much more than / Hip hop Chaucer, and it don't stop / Hip hop Aeschylus, and it don't stop / Hip hop Shakespeare, and it don't stop / Yeah [3.4MB .wmv], and it don't stop, and it don't quit.
posted by fatllama on Aug 5, 2005 - 15 comments

Fighting Words on White Rap: but not what you'd expect, especially from the Village Voice:

Our children—are in crisis, trapped in the grip of a culture that glorifies drug use and debauchery, slovenly dress, and lack of respect for authority. A culture whose worship of antisocial behavior and debasement is rivaled only by its amoral concessions to the dictates of mammon.

This can largely be attributed to the unfortunate dominance of black popular culture, and—more specifically—hip-hop. In the past, mainstream culture refined raw black cultural materials, resulting in musical zeniths such as the recent neo-swing movement, which briefly presented a viable outlet for young dancers unwilling to subject themselves to the degrading influence of rap and rave music. This has got to be a put-on . . .
posted by ryanshepard on Nov 29, 2001 - 87 comments