The first known recording of a digital computer playing music, recorded by the BBC in 1951. The music played on a Ferantti Mark 1, one of the first commercial general-use computers, and was entered via punchtape and played on a speaker usually used for making clicks and tones to indicate program progress.
posted on Jun 18, 2008 - View this thread

Illustrated Histories of Various Recording Technologies
posted on Apr 22, 2008 - View this thread

Ron Murphy cut records, but not just any records. Responsible for cutting the actual vinyl master plates of much of the now revered Detroit Techno including Jeff Mills, Carl Craig, Underground Resistance's seminal Knights of the Jaguar, and much more - he demonstrated impeccable craftsmanship and skill in both mastering records for sound and aesthetics at company known as Sound Enterprises source link AKA National Sound Corporation. Schooled in Motown, dubplates and jukeboxes, he is the bespoke-crafted, analog link between the digital future and analog past that is the roots of Techno music and modern techno DJ culture.
posted on Feb 13, 2008 - View this thread

Buying Rare Race Records in the South. Music That Americans Loved 100 Years Ago. The Cheney Talking Machine. Just three among dozens of amazing articles about early recording machines and American popular music at the astonishingly detailed site of Tim Gracyk, author of Popular American Recording Pioneers: 1895-1925. Scroll down for bios of forgotten stars, including Nora Bayes - who performed in the Follies of 1907, before Flo Ziegfeld's name became part of the title, George W. Johnson - "the most important African-American recording artist of the 1890s," and piano player Zez Confrey, whose sheet music for the 1921 hit "Kitten on the Keys" sold over a million copies and became "the third most-frequently recorded rag in history."
posted on May 17, 2005 - View this thread

Meeksville centers around Joe Meek, Britain's first independent record producer, whose DIY engineering wizardry would transform record-making during the Sixties. Five years after an international #1 hit in the Tornadoes' space-age Telstar (Windows Media or RealPlayer), he would self-destruct, in an end not without tragedy or speculation. His works--along with his trademarked name--live on.
posted on Sep 10, 2004 - View this thread