<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
     xmlns:admin="http://webns.net/mvcb/"
     xmlns:content="http://purl.org/rss/1.0/modules/content/"
     xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
	<channel>
	<title>MetaFilter posts tagged with Recording</title>
	<link>http://www.metafilter.com/tags/Recording</link>
	<description>Posts tagged with 'Recording' at MetaFilter.</description>
	<pubDate>Mon, 09 Nov 2009 06:59:33 -0800</pubDate> <lastBuildDate>Mon, 09 Nov 2009 06:59:33 -0800</lastBuildDate>

	<language>en-us</language>
	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
	<ttl>60</ttl>
	<item>
		<title>LiveR Than You&apos;ll Ever Be</title>
		<link>http://www.metafilter.com/86505/LiveR%2DThan%2DYoull%2DEver%2DBe</link>
		<description> &lt;em&gt;40&lt;/em&gt; years ago today, The Rolling Stones played two concerts at the Oakland-Alameda County Coliseum. In the darkness of the audience was a man known to history only as &lt;a href=&quot;http://www.rollingstonesnet.com/Liver_LP.html&quot;&gt;&quot;Dub&quot;&lt;/a&gt;...  &lt;small&gt;[audio auto-plays]&lt;/small&gt; His recording of the later show  was in stores by Christmas as &lt;em&gt;LiveR Than You&apos;ll Ever Be&lt;/em&gt;. Reviewing it in &lt;em&gt;Rolling Stone&lt;/em&gt;, Greil Marcus wrote: 

&lt;em&gt;It is the most exciting record I have heard all year, fully the equal, in its own way, of&lt;/em&gt; Let It Bleed&lt;em&gt;, and in some ways better. All qualifications aside, it is the ultimate Rolling Stones album.&lt;/em&gt;

In addition to its unprecedented audio fidelity, &lt;em&gt;LiveR&lt;/em&gt; made history by its influence on the Rolling Stones discography. Demand for the title pressured Decca into releasing an official live album from the tour - though some considered the eventual &lt;em&gt;Get Yer Ya-Yas Out!&lt;/em&gt; spoiled by excessive overdubbing.

Both the early and late shows can be heard in best-available sound &lt;a href=&quot;http://stadiumstudios.blogspot.com/2009/08/rolling-stones-liver-than-youll-ever-be.html&quot;&gt;here &lt;/a&gt;. And an extensive history of rock bootlegging can be found in Clinton Heylin&apos;s &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0312142897/metafilter-20/ref=nosim/&quot;&gt;&lt;em&gt;Bootleg: The Secret History of the Other Recording Industry&lt;/em&gt;&lt;/a&gt;.  &lt;small&gt;(&lt;a href=&quot;http://www.metafilter.com/83364/I-can-haz-satisfaction&quot;&gt; previously&lt;/a&gt;)&lt;/small&gt; </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.86505</guid>
		<pubDate>Mon, 09 Nov 2009 06:59:33 -0800</pubDate>
		<category>bootleg</category>
		<category>california</category>
		<category>concert</category>
		<category>music</category>
		<category>oakland</category>
		<category>recording</category>
		<category>rock</category>
		<category>rollingstones</category>
		<dc:creator>Joe Beese</dc:creator>
	</item>
      <item>
		<title>The Present Sound of London</title>
		<link>http://www.metafilter.com/83438/The%2DPresent%2DSound%2Dof%2DLondon</link>
		<description>&lt;a href="http://www.themorningnews.org/archives/letters_from_london/the_present_sound_of_london.php"&gt;The Present Sound of London&lt;/a&gt; -- &lt;em&gt;&quot;I&#8217;ve been lured to London by money at the hottest, stickiest time of year. Every time I visit, I&#8217;m struck by the noises&#8212;not necessarily their volume, but their strangeness and variety in comparison to the quiet humdrum of the provincial town where I live. So this time I&#8217;m equipped with an audio recorder.&quot;&lt;/em&gt; By Giles Turnbull.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.83438</guid>
		<pubDate>Tue, 21 Jul 2009 04:13:40 -0800</pubDate>
		<category>geography</category>
		<category>gilesturnbull</category>
		<category>london</category>
		<category>psychogeography</category>
		<category>recording</category>
		<category>sound</category>
		<category>travel</category>
		<dc:creator>nthdegx</dc:creator>
	</item>
      <item>
		<title>Dinosaur Jr. apparently too old (not really)</title>
		<link>http://www.metafilter.com/83199/Dinosaur%2DJr%2Dapparently%2Dtoo%2Dold%2Dnot%2Dreally</link>
		<description> [musicnewsfilter]: European copies of &lt;a href=&quot;http://dinosaurjr.com/&quot;&gt;Dinosaur&lt;/a&gt; &lt;a href=&quot;http://www.myspace.com/dinosaurjr&quot;&gt;Jr.&lt;/a&gt;&apos;s new album &lt;i&gt;Farm&lt;/i&gt; &lt;a href=&quot;http://www.guardian.co.uk/music/2009/jul/09/dinosaur-jr-recall-new-album&quot;&gt;have been recalled after duplication software &quot;doubled the sound layers, resulting in a 3 dB increase in the overall sound volume.&quot;&lt;/a&gt; Thankfully, if you have a defective copy you can &lt;a href=&quot;http://media.pias.com/dinosaurjrfarmcd/&quot;&gt;exchange it for a working copy free of charge.&lt;/a&gt;

Also, listen to J Mascis&apos; other band &lt;a href=&quot;http://www.myspace.com/witchofficial&quot;&gt;Witch&lt;/a&gt; to understand further why this happened. </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.83199</guid>
		<pubDate>Sun, 12 Jul 2009 13:41:22 -0800</pubDate>
		<category>dinosaurjr</category>
		<category>indierock</category>
		<category>mistake</category>
		<category>music</category>
		<category>musicnews</category>
		<category>recording</category>
		<category>sound</category>
		<dc:creator>auralcoral</dc:creator>
	</item>
      <item>
		<title>Oldest recorded voice</title>
		<link>http://www.metafilter.com/82099/Oldest%2Drecorded%2Dvoice</link>
		<description> &lt;a href=&quot;http://www.metafilter.com/70270/Researchers-Play-Tune-Recorded-Before-Edison-See-also-Photoautograph&quot;&gt;Last year we discussed&lt;/a&gt; a recently discovered 10-second audio recording from 1860 that was thought to be the oldest known recorded human voice, a girl or woman singing the 18th century French folk song &lt;a href=&quot;http://en.wikipedia.org/wiki/Au_Clair_de_la_Lune&quot;&gt;&#8220;Au Clair de la Lune&#8221;&lt;/a&gt;. Turns out, it was being played too fast - slow it down and it&apos;s the voice of the inventor himself. As well, a number of other recordings have been found, pushing back the oldest recording to 1857. &lt;a href=&quot;http://www.npr.org/templates/story/story.php?storyId=104797243&amp;ft=1&amp;f=2&quot;&gt;Hear it all on NPR&lt;/a&gt; (5-min). &#8220;Au Clair de la Lune&#8221; various renditions. 

*&lt;a href=&quot;http://www.youtube.com/watch?v=QSasU773tzo&quot;&gt;France Gall - Au clair de la lune (1964)&lt;/a&gt;
*&lt;a href=&quot;http://www.youtube.com/watch?v=vvVhLrW_DbY&quot;&gt;Caf&amp;#0233; Cr&amp;#0232;me 2&lt;/a&gt;
*&lt;a href=&quot;http://www.youtube.com/watch?v=XVQpTVrwf7I&quot;&gt;au claire de la lune&lt;/a&gt;
*&lt;a href=&quot;http://www.youtube.com/watch?v=PY1WYIR0l6s&quot;&gt;Au Clair de la Lune&lt;/a&gt; </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.82099</guid>
		<pubDate>Mon, 01 Jun 2009 16:34:55 -0800</pubDate>
		<category>edison</category>
		<category>music</category>
		<category>photoautograph</category>
		<category>recording</category>
		<category>sound</category>
		<category>technology</category>
		<dc:creator>stbalbach</dc:creator>
	</item>
      <item>
		<title>Big boys don&apos;t cry</title>
		<link>http://www.metafilter.com/81619/Big%2Dboys%2Ddont%2Dcry</link>
		<description> 10cc&apos;s &lt;a href=&quot;http://www.last.fm/music/10cc/_/I%27m+Not+in+Love&quot;&gt;I&apos;m Not In Love&lt;/a&gt; and the &lt;a href=&quot;http://www.soundonsound.com/sos/jun05/articles/classictracks.htm&quot;&gt;story&lt;/a&gt; behind it.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.81619</guid>
		<pubDate>Tue, 12 May 2009 21:03:15 -0800</pubDate>
		<category>10cc</category>
		<category>history</category>
		<category>lastfm</category>
		<category>lolcreme</category>
		<category>music</category>
		<category>pop</category>
		<category>recording</category>
		<category>studio</category>
		<category>tracking</category>
		<dc:creator>klangklangston</dc:creator>
	</item>
      <item>
		<title>So Right and So Wrong</title>
		<link>http://www.metafilter.com/81178/So%2DRight%2Dand%2DSo%2DWrong</link>
		<description> &lt;a href=&quot;http://www.tapeop.com/&quot;&gt;Tape Op Magazine&lt;/a&gt; exposes &lt;a href=&quot;http://www.thebuddyproject.com/news/sufjan_tapeop_0309/tape09_0309_1.jpg&quot;&gt;Sufjan Stevens&apos; ghetto recording techniques&lt;/a&gt;. Via &lt;a href=&quot;http://www.thebuddyproject.com/studio.html&quot;&gt;The Buddy Project&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.81178</guid>
		<pubDate>Mon, 27 Apr 2009 02:16:28 -0800</pubDate>
		<category>music</category>
		<category>recording</category>
		<category>sufjan</category>
		<category>tapeop</category>
		<dc:creator>chuckdarwin</dc:creator>
	</item>
      <item>
		<title>Recording the Dukes of the Stratosphear&apos;s 25 o&apos;clock</title>
		<link>http://www.metafilter.com/81113/Recording%2Dthe%2DDukes%2Dof%2Dthe%2DStratosphears%2D25%2Doclock</link>
		<description> Andy Partridge (ex-&lt;a href=&quot;http://en.wikipedia.org/wiki/XTC&quot;&gt;XTC&lt;/a&gt; frontman) and producer &lt;a href=&quot;http://en.wikipedia.org/wiki/John_Leckie&quot;&gt;John Leckie&lt;/a&gt; (Stone Roses/Radiohead) discuss the making of The Dukes of the Stratosphear 25 o&apos;clock EP, getting sacked by Mary Margaret O&apos;Hara, Roy Harper kissing a sheep and recording Syd Barrett in Abbey Road in 1975 (parts &lt;a href=&quot;http://apehouse.prevuz.com/2009/03/31/andy-partridge-chats-with-john-leckie-part-one/&quot;&gt;I&lt;/a&gt; and &lt;a href=&quot;http://apehouse.prevuz.com/2009/04/15/andy-partridge-chats-with-john-leckie-part-two/&quot;&gt;II&lt;/a&gt;). XTC&apos;s only &lt;a href=&quot;http://www.youtube.com/watch?v=CAaxZPjbrVQ&quot;&gt;live performance of Yacht Dance&lt;/a&gt; as a bonus extra. </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.81113</guid>
		<pubDate>Fri, 24 Apr 2009 05:56:36 -0800</pubDate>
		<category>AndyPartridge</category>
		<category>DukesoftheStratosphear</category>
		<category>JohnLeckie</category>
		<category>music</category>
		<category>recording</category>
		<category>XTC</category>
		<dc:creator>johnny novak</dc:creator>
	</item>
      <item>
		<title>The Year of Led Zeppelin</title>
		<link>http://www.metafilter.com/80947/The%2DYear%2Dof%2DLed%2DZeppelin</link>
		<description> &lt;a href=&quot;http://www.theyearofledzeppelin.com/&quot;&gt;The Year of Led Zeppelin: A (completed) quest to listen to every Led Zeppelin concert in a year&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2009:site.80947</guid>
		<pubDate>Fri, 17 Apr 2009 11:56:45 -0800</pubDate>
		<category>bootleg</category>
		<category>ledzeppelin</category>
		<category>music</category>
		<category>recording</category>
		<category>rock</category>
		<dc:creator>Joe Beese</dc:creator>
	</item>
      <item>
		<title>The Man Who Invented Stereo</title>
		<link>http://www.metafilter.com/73919/The%2DMan%2DWho%2DInvented%2DStereo</link>
		<description> In a single 1931 &lt;a href=&quot;http://www.doramusic.com/patents/394325.htm&quot;&gt;document&lt;/a&gt;, electrical engineer &lt;a href=&quot;http://www.doramusic.com/Who%20Was%20Blumlein.htm&quot;&gt;Alan Blumlein&lt;/a&gt; patented stereo records, stereo movie sountracks and surround sound. His equipment was used to make some of the &lt;a href=&quot;http://news.bbc.co.uk/1/hi/technology/7538101.stm&quot; title=&quot;Ironically the BBC site features the archive film in mono&quot;&gt;first stereo recordings&lt;/a&gt; at EMI&apos;s Abbey Road studios - several decades before the technology came into popular use. Blumlein went on to pioneer &lt;a href=&quot;http://en.wikipedia.org/wiki/405-line&quot;&gt;405 line TV&lt;/a&gt; (the first wholly electronic format which won out over John Logie Baird&apos;s rival system) and to produce the equipment that made the &lt;a href=&quot;http://www.youtube.com/watch?v=3KUKZ5y_Yss&quot; title=&quot;The coronation of George 6th&quot;&gt;first outside TV broadcast&lt;/a&gt; possible. At the outbreak of World War 2 he was a key architect of the secret &lt;a href=&quot;http://en.wikipedia.org/wiki/H2S_radar&quot;&gt;H2S&lt;/a&gt; radar project. Unfortunately he was killed in a plane crash while testing the technology and the whole incident was kept secret. Hence he remains an obscure figure despite his achievements. A &lt;a href=&quot;http://www.bbc.co.uk/radio4/archivehour/pip/i7o6j/&quot;&gt;recent BBC Radio 4 program&lt;/a&gt; contains a lot of the archive stereo footage and tells his story.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.73919</guid>
		<pubDate>Thu, 07 Aug 2008 09:10:27 -0800</pubDate>
		<category>405-line</category>
		<category>abbeyroad</category>
		<category>alanblumlein</category>
		<category>bbc</category>
		<category>binaural</category>
		<category>electronics</category>
		<category>emi</category>
		<category>engineering</category>
		<category>h2s</category>
		<category>radar</category>
		<category>recording</category>
		<category>stereo</category>
		<category>tv</category>
		<dc:creator>rongorongo</dc:creator>
	</item>
      <item>
		<title>Click click victorious, buzz buzz glorious, Long to reign over us, buzz buzz click click.</title>
		<link>http://www.metafilter.com/72608/Click%2Dclick%2Dvictorious%2Dbuzz%2Dbuzz%2Dglorious%2DLong%2Dto%2Dreign%2Dover%2Dus%2Dbuzz%2Dbuzz%2Dclick%2Dclick</link>
		<description> &lt;a href=&quot;http://technology.newscientist.com/channel/tech/dn14160-first-known-digital-music-recording-surfaces.html&quot;&gt;The first known recording of a digital computer playing music&lt;/a&gt;, recorded by the BBC in 1951. The music played on a &lt;a href=&quot;http://www.computer50.org/mark1/FM1.html&quot;&gt;Ferantti Mark 1&lt;/a&gt;, one of the  first commercial  general-use computers, and was entered via &lt;a href=&quot;http://en.wikipedia.org/wiki/Punched_tape&quot;&gt;punchtape&lt;/a&gt; and played on a speaker usually used for making clicks and tones to indicate program progress.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.72608</guid>
		<pubDate>Wed, 18 Jun 2008 10:49:44 -0800</pubDate>
		<category>50s</category>
		<category>audio</category>
		<category>BBC</category>
		<category>Computers</category>
		<category>Ferranti</category>
		<category>history</category>
		<category>Music</category>
		<category>Recording</category>
		<category>technology</category>
		<category>UK</category>
		<dc:creator>Artw</dc:creator>
	</item>
      <item>
		<title>The New Yorker: The Gerbil&apos;s Revenge</title>
		<link>http://www.metafilter.com/72418/The%2DNew%2DYorker%2DThe%2DGerbils%2DRevenge</link>
		<description> &lt;em&gt;Tourists black out reflective retinas in snapshots before printing them, and millions of people refer to strangers they&#8217;ve never spoken to as friends, because they&#8217;ve connected through a social-networking platform. [...] It should come as no surprise, then, that singers sometimes choose to correct recorded flaws in pitch with modern software, like Antares&#8217;s Auto-Tune.&lt;/em&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.newyorker.com/arts/critics/musical/2008/06/09/080609crmu_music_frerejones?printable=true&quot;&gt;Sasha Frere-Jones on auto-tuning, in &lt;em&gt;The New Yorker&lt;/em&gt;&lt;/a&gt;. &lt;a href=&quot;http://www.newyorker.com/arts/critics/musical/2008/06/09/080609crmu_music_frerejones&quot;&gt;Non-print version&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.antarestech.com/products/auto-tune5.shtml&quot;&gt;Via Antares&apos;s own site, interestingly enough&lt;/a&gt;.&lt;br&gt;&lt;br&gt;Previously: &lt;a href=&quot;http://www.metafilter.com/69871/If-it-really-works-its-the-coolest-audio-production-tool-ever&quot;&gt;1&lt;/a&gt;, &lt;a href=&quot;http://www.metafilter.com/58937/Francis-Scott-OffKey&quot;&gt;2&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://sashafrerejones.com/&quot;&gt;Sasha Frere Jones&apos;s personal site&lt;/a&gt;, &lt;a href=&quot;http://www.newyorker.com/online/blogs/sashafrerejones&quot;&gt;New Yorker blog&lt;/a&gt;. </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.72418</guid>
		<pubDate>Tue, 10 Jun 2008 19:09:30 -0800</pubDate>
		<category>antares</category>
		<category>autotune</category>
		<category>auto-tune</category>
		<category>daw</category>
		<category>desktopaudio</category>
		<category>hyperreality</category>
		<category>intonation</category>
		<category>music</category>
		<category>musicproduction</category>
		<category>newyorker</category>
		<category>pitch</category>
		<category>pitchcorrection</category>
		<category>popmusic</category>
		<category>recording</category>
		<category>robotchoir</category>
		<category>sashafrerejones</category>
		<category>SCIENCE!</category>
		<category>thegerbilsrevenge</category>
		<category>thenewyorker</category>
		<category>therobotchoir</category>
		<category>thesemoderntimes</category>
		<dc:creator>goodnewsfortheinsane</dc:creator>
	</item>
      <item>
		<title>Illustrated Histories of Various Recording Technologies</title>
		<link>http://www.metafilter.com/71056/Illustrated%2DHistories%2Dof%2DVarious%2DRecording%2DTechnologies</link>
		<description>&lt;a href="http://history.sandiego.edu/gen/recording/notes.html"&gt;Illustrated Histories of Various Recording Technologies&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.71056</guid>
		<pubDate>Tue, 22 Apr 2008 13:25:29 -0800</pubDate>
		<category>audio</category>
		<category>cylinder</category>
		<category>disk</category>
		<category>history</category>
		<category>phonograph</category>
		<category>recording</category>
		<category>tape</category>
		<category>technology</category>
		<category>video</category>
		<dc:creator>carter</dc:creator>
	</item>
      <item>
		<title>Underwater recording of melting Icelandic Glacier</title>
		<link>http://www.metafilter.com/70467/Underwater%2Drecording%2Dof%2Dmelting%2DIcelandic%2DGlacier</link>
		<description> An Artist&apos;s &lt;a href=&quot;http://www.tertium.co.uk/katie/&quot;&gt;view from her tent&lt;/a&gt;. Listen to the view. Yes, listen. Katie Paterson via mobile phone and underwater mike at a glacier lake in Iceland, captures underwater sounds of melting and cracking J&amp;#0246;kuls&amp;#0225;rl&amp;#0243;n Glacier.
Hear it piddling away. Call to listen what the seals are talking about, if they&apos;re nearby. &lt;a href=&quot;http://www.katiepaterson.org/vatnajokull/info.html&quot;&gt;Katie Paterson&apos;s&lt;/a&gt; &quot;A Live Phone Line at J&amp;#0246;kuls&amp;#0225;rl&amp;#0243;n Glacier&quot;.
from her site web site,  the photo&apos;s/landscape are &lt;a href=&quot;http://www.katiepaterson.org/vatnajokull/viewimages/viewimages1.html&quot;&gt;some awesome&lt;/a&gt;.

Call for the true experience, + 4 4 ( 0 ) 7 7 5 7 0 0 1 1 2 2, you&apos;ll be billed international phone rates.
[In Canada, &lt;a href=&quot;http://www.looneycall.ca/&quot;&gt;LooneyCall&lt;/a&gt; 10-15-565-011-354- 4 4 ( 0 ) 7 7 5 7 0 0 1 1 2 2. It&apos;ll give you 3 minutes [mobile] for $1.00 &#8212; don&apos;t hog the line.]

or &lt;a href=&quot;http://www.katiepaterson.org/sounds/jokulsarlon.wav&quot;&gt;listen online&lt;/a&gt;, a 3 minute snippet. Visit the site, you can d/l also.

We think of water in a dead heatwave of summer, usually. This artist&apos;s subtlety makes one think. What of our natural resources&amp;#0191; How long will they last&amp;#0191; Humans need water to survive. 

Are you buying bottled water&amp;#0191; Companies extract it for free and charge you for a natural, limited [really] resource.
What&apos;s wrong with drinking your tap water. Should lawns be forbidden to own anymore. Try growing a wild lawn [maybe with corn] and you&apos;re neighbours will revile you.  

I was just asking myself these questions, after listening to Katie&apos;s project. Artist&apos;s do make one think, at least, their work should. Has an artist made you think about something so vital to survival lately&amp;#0191; So important. Have you let your politician know what you&apos;re concerned about lately&amp;#0191;


Bravo Katie Paterson for presenting the earth&apos;s water issue so magnificantly. So delicately. </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.70467</guid>
		<pubDate>Wed, 02 Apr 2008 17:53:49 -0800</pubDate>
		<category>Artist</category>
		<category>Glacier</category>
		<category>Iceland</category>
		<category>Katie</category>
		<category>Paterson</category>
		<category>PlanetAwareness</category>
		<category>recording</category>
		<category>underwater</category>
		<dc:creator>alicesshoe</dc:creator>
	</item>
      <item>
		<title>Researchers Play Tune Recorded Before Edison See also Phonoautograph</title>
		<link>http://www.metafilter.com/70270/Researchers%2DPlay%2DTune%2DRecorded%2DBefore%2DEdison%2DSee%2Dalso%2DPhotoautograph</link>
		<description> &lt;a href=&quot;http://www.nytimes.com/2008/03/27/arts/27soun.html?_r=1&amp;ref=us&amp;pagewanted=print&amp;oref=slogin&quot; title=&quot;The 10-second recording of a singer crooning the folk song &#8220;Au Clair de la Lune&#8221; was discovered earlier this month in an archive in Paris by a group of American audio historians. It was made, the researchers say, on April 9, 1860, on a phonautograph, a machine designed to record sounds visually, not to play them back. But the phonoautograph recording, or phonoautogram, was made playable &#8212; converted from squiggles on paper to sound &#8212; by scientists at the Lawrence Berkeley National Laboratory in Berkeley, Calif.&quot;&gt;Researchers Play Tune Recorded Before Edison &lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.ieee-virtual-museum.org/collection/tech.php?taid=&amp;id=2345805&amp;lid=1&quot; title=&quot;The phonoautograph consisted of a cone-shaped speaking horn with a flexible covering on the small end. A sharp point was attached to the flexible diaphragm, and it touched the surface of a piece of paper. The paper was covered with a thin layer of black soot, and if it were moved beneath the stylus as someone shouted down the horn, the resulting vibration of the diaphragm would be captured as a squiggly line in the soot on the paper... The phonautograph could record but not play.&quot;&gt;The Phonoautograph &lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.talkingmachine.org/phonautograph.html&quot; title=&quot;Leon Scott&apos;s ambition was to produce an oral shorthand. Thomas Young&apos;s apparatus (1800), even when improved by other workers mentioned above, provided no means of translating human speech into graphs.&quot;&gt;The history of the Phonoautograph&lt;/a&gt;. A technology in which you can still buy &lt;a href=&quot;http://www.scripophily.net/phoncom19.html&quot; title=&quot;Beautifully engraved certificate from the Phonautograph Company issued in 1901. &quot;&gt;stock.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.70270</guid>
		<pubDate>Thu, 27 Mar 2008 07:49:18 -0800</pubDate>
		<category>Edison</category>
		<category>LeonScott</category>
		<category>Music</category>
		<category>Photoautograph</category>
		<category>Recording</category>
		<category>Sound</category>
		<category>Technology</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title>The Sound Of Clothes</title>
		<link>http://www.metafilter.com/69839/The%2DSound%2DOf%2DClothes</link>
		<description>&lt;a href="http://www.showstudio.com/projects/anechoic/"&gt;The Sound Of Clothes&lt;/a&gt; features &lt;i&gt;the precise sound of fashion materials such as feathers, sequins, glass crystals and beads, nylon, taffeta, leather, velvet, jacquard, zips and metallic chains&lt;/i&gt;, recorded in an anechoic chamber. &lt;small&gt;Videos linked from the page might be NSFW.&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69839</guid>
		<pubDate>Wed, 12 Mar 2008 09:58:05 -0800</pubDate>
		<category>anechoic</category>
		<category>anechoicchamber</category>
		<category>clothes</category>
		<category>fashion</category>
		<category>NSFW</category>
		<category>recording</category>
		<category>sound</category>
		<category>video</category>
		<dc:creator>jack_mo</dc:creator>
	</item>
      <item>
		<title>The Muscle Shoals Sound</title>
		<link>http://www.metafilter.com/69337/The%2DMuscle%2DShoals%2DSound</link>
		<description> The &lt;a href=&quot;http://www.npr.org/templates/story/story.php?storyId=1437161&quot; title=&quot;NPR feature: article plus great audio segment&quot;&gt;Muscle Shoals Rhythm Section&lt;/a&gt; was comprised of four session musicians operating out of the tiny northern Alabama town of town &lt;a href=&quot;http://en.wikipedia.org/wiki/Muscle_Shoals,_Alabama &quot; title=&quot;Wikipedia page on the place. Scroll down for an exhaustive list of the singers who&apos;ve passed through town!&quot;&gt;Muscle Shoals&lt;/a&gt;. &lt;a href=&quot;http://www.alamhof.org/msrs.htm&quot; title=&quot;Alabama Music Hall of Fame page on these superlative musicians.&quot;&gt;Just four unassuming crackers&lt;/a&gt; who happened to have provided the funky underpinning for a &lt;i&gt;huge&lt;/i&gt; number of hit songs by, among others, &lt;a href=&quot;http://en.wikipedia.org/wiki/I_Never_Loved_a_Man_%28The_Way_I_Love_You%29_%28song%29&quot; title=&quot;Wikipedia page for &apos;I Never Loved a Man&apos;&quot;&gt;Aretha&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=kYn2bdLeHB4&quot; title=&quot;STUNNING live version of &apos;I Never Loved a Man&apos;, from 1967.&quot;&gt;Franklin&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=P1JUyPDcIQc&quot; title=&quot;Live version of the iconic &apos;Mustang Sally&apos;, originally recorded with the Shoals crew.&quot;&gt;Wilson Pickett&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=XPxQN7DVCFQ&quot; title=&quot;Roger and David talk about the Simon sessions.&quot;&gt;Paul&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=ujhdf9_IO4w&quot; title=&quot;You can hear the original recording, as played by the Muscle Shoals boys, here, courtesy of YouTube.&quot;&gt;Simon&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=8IYiRmjZLIE&quot; title=&quot;Roger and David talk about Joe Cocker.&quot;&gt;Joe&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=Juw_L3ys89M&quot; title=&quot;&apos;Ain&apos;t It High Time We Went&apos;&quot;&gt;Cocker&lt;/a&gt;, &lt;a href=&quot;http://www.youtube.com/watch?v=c-kKexVwtqM&quot; title=&quot;&apos;I&apos;ll Take You There&apos;. This is, in my opinion, one of the juiciest, most satisfying rhythm tracks in American pop music history.&quot;&gt;The Staple&lt;a href=&quot;http://en.wikipedia.org/wiki/I&apos;ll_Take_You_There&quot; title=&quot;Wiki page for &apos;I&apos;ll Take You There&apos;.&quot;&gt; Singers&lt;/a&gt; , &lt;a href=&quot;http://www.youtube.com/watch?v=KY0IXwsCxZI&quot; title=&quot;Random stock photo images comprise the visuals of this YouTube clip, but the audio is pure Jimmy and the Shoals boys.&quot;&gt;Jimmy Cliff&lt;/a&gt; and &lt;a href=&quot;http://en.wikipedia.org/wiki/Category:Muscle_Shoals_Music&quot; title=&quot;Wiki list of songs from the Muscle Shoals crew.&quot;&gt;many, many others&lt;/a&gt;. Hey, they were the &lt;a href=&quot;http://www.youtube.com/watch?v=z3EgD2rX2gg&amp;NR=1&quot; title=&quot;Another interview clip.&quot;&gt; house band to the greats&lt;/a&gt;. Big respect to the men from &lt;a href=&quot;http://www.muscleshoalssound.org/&quot; title=&quot;Official site, it would seem. Check the PRESS link for lots of articles.&quot;&gt;3614 Jackson Highway&lt;/a&gt;! &lt;small&gt;[&lt;b&gt;note&lt;/b&gt;: see hoverovers for link descriptions]&lt;/small&gt;&lt;/a&gt; Recommended reading:
&lt;a href=&quot;http://www.prosoundweb.com/recording/talkback/glorydays/glorydays2.shtml&quot;&gt;Glory Days: Muscle Shoals 1967 - 1972&lt;/a&gt;
&lt;a href=&quot;http://www.prosoundweb.com/recording/bruce_borgeson/muscleshoals2/muscleshoals2.shtml&quot;&gt;Glory Days: Muscle Shoals  1972 - 1980&lt;/a&gt;

&lt;a href=&quot;http://soul-sides.com/2006/01/staple-singers-wilson-pickett-jimmy.html&quot;&gt;This short article&lt;/a&gt; has a few things to say about the unexpected racial dynamic at work in the Muscle Shoals story: &lt;i&gt;&quot;Apart from all the pop, rock and country hits produced at Fame Studios, Muscle Shoals Sound and the others, the scene&apos;s contribution to soul music, specifically, is fascinating in the way that it demonstrates interracial exchange in the creation of music that was soulful, funky, and very conscious, even celebratory, of its blackness.&quot; &lt;b&gt;---&lt;/b&gt; &quot;...recordings made by this weird and wonderful group of musicians, who damn near created new ways to talk about race and music, and did it at the height of the Civil Rights/Black Power Movements, in the heart of Dixie&quot;.&lt;/i&gt;

&lt;a href=&quot;http://www.youtube.com/watch?v=zwkCbxCN4Es&quot;&gt;Muscle Shoals Sound Studio&lt;/a&gt;: YouTube montage of images and snippets of songs recorded there. Warning: contains abrupt, spirit-jarring segue from Staple Singer&apos;s &quot;I&apos;ll Take You There&quot; to Bob Seger&apos;s &quot;Down On Main Street&quot;. Ouch.

&lt;a href=&quot;http://www.youtube.com/watch?v=H9iZkRgQzlw&quot;&gt;What&apos;s missing from today&apos;s music&lt;/a&gt;.

&lt;a href=&quot;http://www.youtube.com/watch?v=st-0_4JWowA&quot;&gt;Working with Duane Allman&lt;/a&gt;.

&lt;a href=&quot;http://www.alamhof.org/mshorns.htm&quot;&gt;Muscle Shoals Horns&lt;/a&gt;.

&lt;a href=&quot;http://www.youtube.com/watch?v=JRuAxmhRXS8&amp;NR=1&quot;&gt;Curious historical anecdote concerning Lynyrd Skynyrd&lt;/a&gt;.

The studio&apos;s &lt;a href=&quot;http://music.yahoo.com/read/news/16044356&quot;&gt;obituary&lt;/a&gt;. And &lt;a href=&quot;http://www.rollingstone.com/news/story/7037431/muscle_shoals_shuts_down&quot;&gt;another&lt;/a&gt;. </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69337</guid>
		<pubDate>Sun, 24 Feb 2008 06:18:31 -0800</pubDate>
		<category>Alabama</category>
		<category>BarryBeckett</category>
		<category>DavidHood</category>
		<category>JimmyJohnson</category>
		<category>Muscle</category>
		<category>MuscleShoals</category>
		<category>MuscleShoalsRhythmSection</category>
		<category>music</category>
		<category>recording</category>
		<category>rhythmsection</category>
		<category>RogerHawkins</category>
		<category>sessionplayers</category>
		<category>Shoals</category>
		<category>Swampers</category>
		<dc:creator>flapjax at midnite</dc:creator>
	</item>
      <item>
		<title>(NSC) - RIP Ron Murphy, master vinyl cutter.</title>
		<link>http://www.metafilter.com/69033/NSC%2DRIP%2DRon%2DMurphy%2Dmaster%2Dvinyl%2Dcutter</link>
		<description> &lt;a href=&quot;http://myspace.com/ronmurphymemorial&quot;&gt;Ron Murphy&lt;/a&gt; cut records, but not just any records.

Responsible for cutting the actual vinyl master plates of much of the now revered &lt;a href=&quot;http://www.discogs.com/artist/Ron+Murphy&quot;&gt;Detroit Techno&lt;/a&gt; including Jeff Mills, Carl Craig, Underground Resistance&apos;s seminal &lt;a href=&quot;http://www.youtube.com/watch?v=xxQMxjX56-8&quot;&gt;Knights of the Jaguar&lt;/a&gt;, and much more - he demonstrated impeccable craftsmanship and skill in both mastering records for sound and aesthetics at company known as &lt;a href=&quot;http://soundenterprises.com.nyud.net/&quot;&gt;Sound Enterprises&lt;/a&gt; &lt;small&gt;&lt;a href=&quot;http://soundenterprises.com&quot;&gt;source link&lt;/a&gt;&lt;/small&gt; AKA &lt;a href=&quot;http://www.discogs.com/label/NSC+Records&quot;&gt;National Sound Corporation.&lt;/a&gt; &lt;a href=&quot;http://www.metrotimes.com/blahg/journal_item.asp?journalid=262&quot;&gt;Schooled in Motown, dubplates and jukeboxes&lt;/a&gt;, he is the bespoke-crafted, analog link between the digital future and analog past that is the roots of Techno music and modern techno DJ culture.&lt;/small&gt; &lt;a href=&quot;http://sound.modelfruit.com.nyud.net/sets/ron_murphy-submerge_interview.mp3&quot;&gt;One hour interview here, in mp3 format.&lt;/a&gt; &lt;small&gt;(Coral Cache link. Original link &lt;a href=&quot;http://sound.modelfruit.com/sets/ron_murphy-submerge_interview.mp3&quot;&gt;here.&lt;/a&gt; Which includes gems such as &quot;Richie Hawtin? Well, here&apos;s the Elvis of Techno!&quot;. He&apos;s a lovely curmudgeon, I promise. It&apos;s worth the download just for the tracks they play in the background and breaks in the interview, all NSC-cut tracks.)&lt;/small&gt;

Are you a DJ? Own any older techno, club or pop-remix club vinyl? Look for the handwritten (NSC) tag on the run-out spiral on the inside of the record, nearest the label. Ron Murphy cut the plates for that record.

Ron Murphy also pushed the the boundaries of plate cutting with his &lt;a href=&quot;http://www.discogs.com/search?type=all&amp;q=NSC-X2+Groove&amp;btn=Search&quot;&gt;NSC-X2&lt;/a&gt; technique, spiraling two separate tracks together in a paired helix on the platter. He also experimented with reverse spirals, locked ending grooves, and hybrid platters where the outside track spiraled in normally, and the inside track spiraled out and they met between mid-record in a locked groove.

Thanks, Ron, for making it sound so good, and caring. </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69033</guid>
		<pubDate>Wed, 13 Feb 2008 02:55:52 -0800</pubDate>
		<category>Art</category>
		<category>Bespoke</category>
		<category>Club</category>
		<category>Craft</category>
		<category>Dance</category>
		<category>DJ</category>
		<category>Engineering</category>
		<category>History</category>
		<category>Mixer</category>
		<category>Motown</category>
		<category>Music</category>
		<category>Record</category>
		<category>Recording</category>
		<category>Records</category>
		<category>Sound</category>
		<category>Techno</category>
		<category>Vinyl</category>
		<dc:creator>loquacious</dc:creator>
	</item>
      <item>
		<title>Bootleg Woody Guthrie concert restored</title>
		<link>http://www.metafilter.com/68928/Bootleg%2DWoody%2DGuthrie%2Dconcert%2Drestored</link>
		<description>&lt;a href="http://www.sciencenews.org/articles/20080209/mathtrek.asp"&gt;... a small, heavy package wrapped in brown paper&lt;/a&gt; arrived in the mail at the Woody Guthrie Archives in New York City. Inside was a mess of wires.

It wasn&apos;t a bomb - it turned out to be the only &lt;a href=&quot;http://woodyguthrie.org/mm5/merchant.mvc?Screen=PROD&amp;Store_Code=TWGS&amp;Product_Code=TLW&amp;Category_Code=NRS&quot;&gt;live recording of Woody Guthrie known to exist.&lt;/a&gt;  The wire was fragile, bent, stretched and twisted. Jamie Howarth applied some algorithms he had developed to restore old recordings, and the result has been nominated for a Grammy.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.68928</guid>
		<pubDate>Fri, 08 Feb 2008 19:40:53 -0800</pubDate>
		<category>anonymouspiraterepents</category>
		<category>bootleg</category>
		<category>news</category>
		<category>recording</category>
		<category>science</category>
		<category>woodyguthrie</category>
		<dc:creator>dylanjames</dc:creator>
	</item>
      <item>
		<title>Audible Illusions</title>
		<link>http://www.metafilter.com/67406/Audible%2DIllusions</link>
		<description> Holophonic sound is an audio recording technique which operates on a principle similar to Holography. The result has been reported to be realistic and life-like &lt;a href=&quot;http://weblog.404creative.com/index.php/2007/06/03/auditory-illusions-holophonic-recordings&quot;&gt;three dimensional sounding audio recordings&lt;/a&gt;. You&apos;ll need your headphones to get the most out of the three audio demonstrations provided here. Close your eyes, and it&apos;s quite an effective illusion. </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.67406</guid>
		<pubDate>Thu, 13 Dec 2007 05:34:26 -0800</pubDate>
		<category>audio</category>
		<category>binauralrecording</category>
		<category>holophony</category>
		<category>illusion</category>
		<category>recording</category>
		<category>sound</category>
		<category>threedimensional</category>
		<dc:creator>sambosambo</dc:creator>
	</item>
      <item>
		<title>The Great World of Sound!</title>
		<link>http://www.metafilter.com/66658/The%2DGreat%2DWorld%2Dof%2DSound</link>
		<description> Want to be a recording star? &lt;a href=&quot;http://www.greatworldofsound.com/&quot;&gt;The Great World of Sound&lt;/a&gt; is looking for new talent!  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.66658</guid>
		<pubDate>Sun, 18 Nov 2007 09:13:42 -0800</pubDate>
		<category>movie</category>
		<category>music</category>
		<category>recording</category>
		<category>scam</category>
		<dc:creator>The Deej</dc:creator>
	</item>
      <item>
		<title>Proof that Led Zeppelin fans are geekier than Rush fans</title>
		<link>http://www.metafilter.com/66645/Proof%2Dthat%2DLed%2DZeppelin%2Dfans%2Dare%2Dgeekier%2Dthan%2DRush%2Dfans</link>
		<description> Led Zeppelin&apos;s &lt;i&gt;The Song Remains The Same&lt;/i&gt; motion picture soundtrack, &lt;a href=&quot;http://www.thegardentapes.co.uk/&quot;&gt;reverse engineered.&lt;/a&gt; To commemorate Monday&apos;s &lt;a href=&quot;http://www.noblepr.co.uk/Press_Releases/warner/led_zeppelin_song_remains.htm&quot;&gt;remixed 5.1 Surround double-disc DVD/HD-DVD/BluRay/CD reissue&lt;/a&gt; of Led Zeppelin&apos;s 1976 film, &lt;i&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/The_Song_Remains_the_Same_%28film%29&quot;&gt;The Song Remains the Same&lt;/a&gt;&lt;/i&gt;, we present you with &lt;a href=&quot;http://www.thegardentapes.co.uk/&quot;&gt;The Garden Tapes&lt;/a&gt;, a Zapruder-esque analysis of every song from the soundtrack and film recordings. &lt;/a&gt; </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.66645</guid>
		<pubDate>Sat, 17 Nov 2007 18:28:52 -0800</pubDate>
		<category>analysis</category>
		<category>bootlegs</category>
		<category>editing</category>
		<category>ledzeppelin</category>
		<category>music</category>
		<category>obsessive</category>
		<category>recording</category>
		<category>soundtracks</category>
		<dc:creator>melorama</dc:creator>
	</item>
      <item>
		<title>HOMOPHONI</title>
		<link>http://www.metafilter.com/65348/HOMOPHONI</link>
		<description> &lt;a href=&quot;http://www.homophoni.com/index.html&quot;&gt;HOMOPHONI&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.65348</guid>
		<pubDate>Sun, 07 Oct 2007 18:19:19 -0800</pubDate>
		<category>abstract</category>
		<category>adapt</category>
		<category>commons</category>
		<category>computer</category>
		<category>creative</category>
		<category>David</category>
		<category>effect</category>
		<category>electronic</category>
		<category>experimental</category>
		<category>field</category>
		<category>Kirby</category>
		<category>laptop</category>
		<category>music</category>
		<category>noise</category>
		<category>recording</category>
		<category>share</category>
		<category>sound</category>
		<dc:creator>hama7</dc:creator>
	</item>
      <item>
		<title>Virtual Studio Visitor</title>
		<link>http://www.metafilter.com/65203/Virtual%2DStudio%2DVisitor</link>
		<description> Any experienced studio engineer or producer knows that the presence of visitors in the studio can dramatically affect the performance of singers and musicians. Using advanced proprietary computer modelling, the &lt;a href=&quot;http://www.sonicfinger.com/VSV.html&quot; title=&quot;This revolutionary innovation is a real breakthrough. I&apos;ve used it myself on several of the pieces I&apos;ve posted to MeFi Music, and I just can&apos;t recommend it highly enough.&quot;&gt;Virtual Studio Visitor&lt;/a&gt; plug-in convincingly emulates the effect of various studio visitors on a performance, without the need for the visitors to actually be present. Also from the visionaries at &lt;b&gt;Sonic Finger&lt;/b&gt;: the &lt;a href=&quot;http://www.sonicfinger.com/DeadQuietenator.html&quot; title=&quot;Be sure to click on the three silence samples. Impressive!&quot;&gt;Dead Quietenator&lt;/a&gt; provides you with the highest quality pure digital silence, including several highly sought-after vintage silences previously unattainable.&lt;/1&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.65203</guid>
		<pubDate>Mon, 01 Oct 2007 21:44:45 -0800</pubDate>
		<category>audio</category>
		<category>effect</category>
		<category>plugin</category>
		<category>recording</category>
		<dc:creator>flapjax at midnite</dc:creator>
	</item>
      <item>
		<title>The History of K-Tel</title>
		<link>http://www.metafilter.com/59751/The%2DHistory%2Dof%2DKTel</link>
		<description>&lt;a href="http://www.ktel.com/about.php"&gt;Philip Kives,&lt;/a&gt; the &quot;K&quot; in &lt;a href=&quot;http://enjoyment.independent.co.uk/music/features/article14334.ece&quot;&gt;K-Tel records&lt;/a&gt;, built his &lt;a href=&quot;http://www.austinchronicle.com/gyrobase/Issue/story?oid=oid%3A81635&quot;&gt;pioneering&lt;/a&gt; &lt;a href=&quot;http://www.popcultmag.com/passingfancies/websiteoftheweek/ktel/ktel.html&quot;&gt;record label&lt;/a&gt; by &lt;a href=&quot;http://members.aol.com/clctrmania/cm-ktel.html&quot;&gt;cramming&lt;/a&gt; up to 24 songs on low-fi compilation LP&#8217;s (later cassettes, 8-tracks, and CDs) and aggressively marketing them with &lt;a href=&quot;http://www.youtube.com/watch?v=6XWyDEW2P1o&quot;&gt;TV&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=qgZfH5xKWc4&quot;&gt;ads&lt;/a&gt;. &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/B000000RUQ/metafilter-20/ref=nosim/&quot;&gt;What&apos;s&lt;/a&gt; &lt;a href=&quot;http://www.8-track-shack.com/catalog/product_info.php?products_id=7100&quot;&gt;your&lt;/a&gt; &lt;a href=&quot;http://www.ilxor.com/ILX/ThreadSelectedControllerServlet?boardid=41&amp;threadid=51606&quot;&gt;favorite&lt;/a&gt; &lt;a href=&quot;http://franklarosa.com/vinyl/Exhibit.jsp?AlbumID=56&quot;&gt;K-Tel&lt;/a&gt; &lt;a href=&quot;http://cgi.ebay.com/Breakdance-LP-K-TEL-Best-Music-For-Breaking-W-Poster_W0QQitemZ230109570200QQcategoryZ306QQrdZ1QQcmdZViewItem&quot;&gt;album&lt;/a&gt;?  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.59751</guid>
		<pubDate>Mon, 26 Mar 2007 09:48:49 -0800</pubDate>
		<category>8track</category>
		<category>cassette</category>
		<category>compilation</category>
		<category>ktel</category>
		<category>lp</category>
		<category>music</category>
		<category>recording</category>
		<category>vinyl</category>
		<dc:creator>Chinese Jet Pilot</dc:creator>
	</item>
      <item>
		<title>The Indie Band Survival Guide</title>
		<link>http://www.metafilter.com/58951/The%2DIndie%2DBand%2DSurvival%2DGuide</link>
		<description>&lt;a href="http://www.beatnikturtle.com/index.php?id=theguide"&gt;The Indie Band Survival Guide:&lt;/a&gt; A fantastic, free, 101 pages collection of useful information for musicians - covers topics such as recording, copyright, major label contracts, commercial radio, promoting your music, band websites, distribution, filesharing and live shows.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.58951</guid>
		<pubDate>Sun, 25 Feb 2007 18:34:05 -0800</pubDate>
		<category>advice</category>
		<category>band</category>
		<category>copyright</category>
		<category>guide</category>
		<category>independent</category>
		<category>indie</category>
		<category>music</category>
		<category>musicians</category>
		<category>recording</category>
		<category>survival</category>
		<dc:creator>Ira.metafilter</dc:creator>
	</item>
      
	</channel>
</rss>


