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	<title>MetaFilter posts tagged with Revolution and film</title>
	<link>http://www.metafilter.com/tags/Revolution+film</link>
	<description>Posts tagged with 'Revolution' and 'film' at MetaFilter.</description>
	<pubDate>Tue, 08 Aug 2006 06:49:08 -0800</pubDate> <lastBuildDate>Tue, 08 Aug 2006 06:49:08 -0800</lastBuildDate>

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	<ttl>60</ttl>
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		<title>Laszlo Kovacs, Vilmos Zsigmund, and the Hungarian Revolution</title>
		<link>http://www.metafilter.com/53710/Laszlo%2DKovacs%2DVilmos%2DZsigmund%2Dand%2Dthe%2DHungarian%2DRevolution</link>
		<description> This year marks the 50th anniversary of the &lt;a href=&quot;http://www.hungary1956.com/&quot;&gt;1956 Hungarian Revolution&lt;/a&gt;.  A key documentary artifact of the uprising is &lt;a href=&quot;http://tdyweb.wbteam.com/MagyarorszagLangokban.htm&quot;&gt;Magyarorsz&amp;#0225;g l&amp;#0225;ngokban (Hungary in Flames)&lt;/a&gt; [embedded .wmv], partly composed of footage shot by two young film school students using whatever equipment they could find.  Narrowly avoiding capture by the Communists, the duo smuggled 10,000 feet of film out of the country in spare tires and potato sacks; there&apos;s much more to the story, but better to hear Vilmos tell it &lt;a href=&quot;http://www.cameraguild.com/interviews/chat_zsigmond/clip1.rm&quot;&gt;in his own words&lt;/a&gt;. [.rm]  Eventually, they made their way to America, where &lt;a href=&quot;http://www.cameraguild.com/magazine/stoo1298a.htm&quot;&gt;L&amp;#0225;szl&amp;#0243; Kov&amp;#0225;cs, ASC&lt;/a&gt; (&lt;em&gt;Five Easy Pieces&lt;/em&gt;, &lt;em&gt;Ghost Busters&lt;/em&gt;, &lt;a href=&quot;http://www.cinematographers.nl/PaginasDoPh/kovacs.htm&quot;&gt;more&lt;/a&gt;) and &lt;a href=&quot;http://www.cameraguild.com/interviews/chat_zsigmond/vilmos_bio.htm&quot;&gt;Vilmos Zsigmund, ASC&lt;/a&gt; (&lt;em&gt;Close Encounters of the Third Kind&lt;/em&gt;, &lt;em&gt;Deliverance&lt;/em&gt;, &lt;a href=&quot;http://www.cinematographers.nl/PaginasDoPh/zsigmond.htm&quot;&gt;more&lt;/a&gt;) became two of the most prolific cinematographers in Hollywood history. [more inside]  </description>
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		<pubDate>Tue, 08 Aug 2006 06:49:08 -0800</pubDate>
		<category>1956</category>
		<category>cinematography</category>
		<category>communism</category>
		<category>documentary</category>
		<category>film</category>
		<category>history</category>
		<category>hungary</category>
		<category>kovacs</category>
		<category>magyar</category>
		<category>revolution</category>
		<category>zsigmund</category>
		<dc:creator>milquetoast</dc:creator>
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		<title>I had come to Spain with some notion of writing newspaper articles, but I had joined the militia almost immediately</title>
		<link>http://www.metafilter.com/53146/I%2Dhad%2Dcome%2Dto%2DSpain%2Dwith%2Dsome%2Dnotion%2Dof%2Dwriting%2Dnewspaper%2Darticles%2Dbut%2DI%2Dhad%2Djoined%2Dthe%2Dmilitia%2Dalmost%2Dimmediately</link>
		<description>&lt;a href="http://flag.blackened.net/liberty/spunk/Spunk198.html"&gt;&quot;I had come to Spain with some notion of writing newspaper articles, but I had joined the militia almost immediately.&quot;&lt;/a&gt; &#8211; George Orwell, writing about the revolutionary war which started 70 years ago yesterday: July 19th, 1936. Also: &lt;a href=&quot;http://struggle.ws/spaindx.html&quot; title=&quot;The role of anarchism in the Spanish Revolution or Spanish Civil War of 1936 is too often absent from histories of this struggle against fascism. Alongside the war millions of workers collectivised the land and took over industry to pursue their vision of a new society. This page tells their story and the story of those who fought alongside them.&quot;&gt;Anarchism and the Spanish Civil War.&lt;/a&gt; &lt;a href=&quot;http://orpheus.ucsd.edu/speccoll/visfront/index.html&quot; title=&quot;Propaganda posters constitute one of the most poignant documents that remain from the Spanish Civil War. As the remarks of numerous eyewitnesses demonstrate, the posters provided an essential part of the visual landscape in which individuals living the tragedy of the war went about their daily business of survival.&quot;&gt;The Visual Front: Posters of The Spanish Civil War.&lt;/a&gt; &lt;a href=&quot;http://www.english.uiuc.edu/maps/scw/photessay.htm&quot; title=&quot;A Spanish Civil War Photo Essay&quot;&gt;Photos from the Spanish Civil War.&lt;/a&gt; &lt;a href=&quot;http://www.tvhastingschristiebooks.com/documents/films_of_the_cnt_main.html&quot; title=&quot;Films made by the Spanish anarcho-syndicalist labour union, 1936-1938&quot;&gt;Films from the CNT (National Confederation of Labour), 1936-1938.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.53146</guid>
		<pubDate>Thu, 20 Jul 2006 10:48:17 -0800</pubDate>
		<category>1936</category>
		<category>anarchy</category>
		<category>film</category>
		<category>georgeorwell</category>
		<category>photography</category>
		<category>revolution</category>
		<category>spain</category>
		<category>spanishcivilwar</category>
		<category>warcorrespondents</category>
		<dc:creator>Len</dc:creator>
	</item>
      <item>
		<title>The Spook Who Sat By The Door - 30 years later.</title>
		<link>http://www.metafilter.com/30849/The%2DSpook%2DWho%2DSat%2DBy%2DThe%2DDoor%2D30%2Dyears%2Dlater</link>
		<description> &lt;em&gt;&lt;a href=&quot;http://www.nytimes.com/2004/01/20/movies/20SPOO.html?ex=1075179600&amp;en=379d525a650ad578&amp;ei=5062&amp;partner=GOOGLE&quot; title=&quot;A Story of Black Insurrection Too Strong for 1973&quot;&gt;The Spook Who Sat By The Door&lt;/a&gt;&lt;/em&gt;, a &lt;a href=&quot;http://www.nathanielturner.com/spookbythedoor.htm&quot; title=&quot;How the Riots Might Have Turned Out By Cornish Rogers&quot;&gt;movie&lt;/a&gt; pitched and marketed as blaxploitation, was a low budget &lt;a href=&quot;http://www.thecinematrade.com/images/stockpaper/gallerys/spookwho.htm&quot; title=&quot;Lobby Cards&quot;&gt;political science fiction thriller&lt;/a&gt; about black revolution in urban black America based upon the&lt;a href=&quot;http://www.shaviro.com/Blog/archives/000051.html&quot; title=&quot;Although it was published a third of a century ago, Sam Greenlee&#8217;s The Spook Who Sat By the Door is still one of the most brilliant and relevant books I have ever read about race relations in America. (Via Kali Tal&#8217;s list of Militant Black Science Fiction). Mixing blaxploitation images with a sophisticated social critique, it&#8217;s an imaginative story, published in 1969, of underground guerilla warfare organized by black militants in American ghettols&#8230;&quot;&gt; novel&lt;/a&gt; written by Sam Greenlee. It was withdrawn two weeks after its release in 1973, ostensibly at the behest of the FBI. Some &lt;a href=&quot;http://www.history-us.com/Spook_Who_Sat_by_the_Door_African_American_Life_Series_0814322468.html&quot; title=&quot;The Spook Who Sat By the Door is a metaphor for the black man that America thinks it has control of. &quot;&gt;remember it fondly&lt;/a&gt;, while others &lt;a href=&quot;http://www.tvguide.com/movies/database/showmovie.asp?MI=21537&quot; title=&quot;Magnifying the elements that made Sweet Sweetback&apos;s Baadasssss Song (1971) a cause celebre, The Spook Who Sat By The Door is as racially divisive as any film ever made. Unabashedly bigoted, stridently hateful, it wants to be incendiary and controversial, but only manages thuggish and dull.&quot;&gt;revile it&lt;/a&gt; in recollection. Thirty-one years later, it has been released on DVD. &lt;a href=&quot;http://www.echomagonline.com/back/win02/lit1.html&quot; title=&quot;Outside Looking In - Author Sam Greenlee talks about his novel &apos;The Spook who Sat by the Door,&apos; and its impact on America&quot;&gt;Sam Greenlee&apos;s &lt;/a&gt;an interesting man--another book of his, &lt;em&gt;Baghdad Blues&lt;/em&gt;, is evidently an autobiographical novel based upon his first hand experience of the 1958 Baath coup in Iraq. Side notes: Researching this post led me to the intriguing &lt;a href=&quot;http://www.nathanielturner.com/&quot; title=&quot;ChickenBones: A Journal for Literary &amp; Artistic African-American Themes&quot;&gt;Chicken Bones&lt;/a&gt;. And here is Elvis Mitchell&apos;s take on &lt;a href=&quot;http://www.blacksuperhero.com/art4-Mitchell.html&quot; title=&quot;Especially pointed is our failed memory of the meaning of those black pride movies about seizing the day. The Spook Who Sat By the Door (1973) was an incendiary adaptation of Sam Greenlee&apos;s novel (reissued by Wayne State University Press, 1989) about a token black CIA operative who quits and teaches counterintelligence techniques to the militant brothers in the neighnorhood. Upon Spook&apos;s initial release, some reviews depicted it as the bomb that would set off black anger and cause riots. The same criticism was later leveled against Spike Lee&apos;s Do The Right Thing (1989). Such a fear patronized black audiences and their hunger for some attempt at balance and righting the degrading stereotypes that had been gone from the screen for barely a decade.&quot;&gt;The Marginalization of Black Action Films&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.30849</guid>
		<pubDate>Tue, 20 Jan 2004 14:39:56 -0800</pubDate>
		<category>america</category>
		<category>Autobiography</category>
		<category>Baath</category>
		<category>BaghdadBlues</category>
		<category>black</category>
		<category>blaxploitation</category>
		<category>ChickenBones</category>
		<category>DVD</category>
		<category>ElvisMitchell</category>
		<category>FBI</category>
		<category>Film</category>
		<category>Greenlee</category>
		<category>lowbudget</category>
		<category>Marginalization</category>
		<category>Mitchell</category>
		<category>novel</category>
		<category>polticial</category>
		<category>revolution</category>
		<category>SamGreenlee</category>
		<category>sciencefincation</category>
		<category>Spook</category>
		<category>thriller</category>
		<category>urban</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title>The Revolution Will Not Be Televised</title>
		<link>http://www.metafilter.com/29420/The%2DRevolution%2DWill%2DNot%2DBe%2DTelevised</link>
		<description>&lt;a href="http://www.democracynow.org/article.pl?sid=03/11/06/1558221"&gt;Amnest Int&apos;l drops documentary after petition.&lt;/a&gt; &lt;a href=&quot;http://www.venezuelanalysis.com/articles.php?artno=1050&quot; title=&quot;Interview with the 2 filmmakers.&quot;&gt;Two 
  Irish filmmakers&lt;/a&gt; were inside the palace during &lt;a href=&quot;http://www.metafilter.com/mefi/16294&quot; title=&quot;MeFi&apos;s discussion.&quot;&gt;the 
  coup in Venezuela in 2002&lt;/a&gt; (also on MeFi: &lt;a href=&quot;http://www.metafilter.com/mefi/16384&quot; title=&quot;Other MeFi discussion.&quot;&gt;1&lt;/a&gt; 
  &lt;a href=&quot;http://www.metafilter.com/mefi/16351&quot; title=&quot;And another MeFi discussion.&quot;&gt;2&lt;/a&gt;). 
  I caught their powerful documentary, &lt;a href=&quot;http://www.chavezthefilm.com/&quot; title=&quot;The movie&apos;s website.&quot;&gt; 
  The Revolution Will Not Be Televised&lt;/a&gt; here in Chicago (&lt;a href=&quot;http://www.nytimes.com/2003/11/05/movies/05REVO.html?ex=1068613200&amp;amp;en=4f8bb767b9d7a9b8&amp;amp;ei=5062&amp;amp;partner=GOOGLE&quot; title=&quot;New York Times review.&quot;&gt;review&lt;/a&gt;). 
  The film was just recently dropped from Canada Amnesty International&apos;s upcoming 
  film festival in Vancouver after &lt;a href=&quot;http://www.democracynow.org/article.pl?sid=03/11/06/1558221&quot;&gt;opposition 
  parties in Venezuela organized a petition of over 7,000 signatures&lt;/a&gt; (&lt;a href=&quot;http://stream.realimpact.net/rihurl.ram?file=webactive/demnow/dn20031106.ra&amp;amp;start=24:22.1&quot; title=&quot;Audio at DemocracyNow.org.&quot;&gt;mp3&lt;/a&gt;). 
  The groups have concerns about it&apos;s accuracy, especially in it&apos;s characterization 
  of the opposition to the democratically elected President Chavez. &lt;a href=&quot;http://www.vheadline.com/readnews.asp?id=12227&quot;&gt;A 
  petition supporting the film has been started&lt;/a&gt; as well. I found the movie 
  stunning and a chilling account of how media outlets can shape, gauge and control 
  public perception at home and abroad (&lt;a href=&quot;http://www.metafilter.com/mefi/29365&quot; title=&quot;Cozy, warm delusions.&quot;&gt;ergo 
  the Reagan miniseries debacle&lt;/a&gt;). Also notable I found was Chavez&apos;s passion 
  to teach the poor to understand the constitution of their country - impoverished 
  Venezuelans talking passionately about how they realize that understanding politics 
  and policy is one of the first steps out of their poverty. I picture Jerry Springer 
  trash trying to articulate any understanding of the U. S. constitution. 
  Any Venezuela MeFi&apos;ers wanna give a background on how the country had been faring 
  since the coup and restoration? Was it &lt;a href=&quot;http://www.projectcensored.org/publications/2004/12.html&quot; title=&quot;Another Chile?&quot;&gt;a 
  CIA action&lt;/a&gt;? I&apos;m sure the honeymoon&apos;s over - how&apos;s it going?  </description>
		<guid isPermaLink="false">tag:metafilter.com,2003:site.29420</guid>
		<pubDate>Thu, 06 Nov 2003 14:33:36 -0800</pubDate>
		<category>amnestyinternational</category>
		<category>documentary</category>
		<category>film</category>
		<category>movies</category>
		<category>petition</category>
		<category>revolution</category>
		<category>venezuela</category>
		<dc:creator>ao4047</dc:creator>
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