Before hip-hop beefs, there were response records, also known as answer songs, usually replies to well-known songs. There are a few key eras: blues and R&B recorded music in the 1930s through 1950s, including a number of responses to "Work With Me, Annie" (1954), recorded by Hank Ballard & the Midnighters, with answers including "Annie had a Baby," and "The Wallflower" by Etta James; and Big Mama Thornton's "Hound Dog" (1953), with a quick response by Louis Innis and Charlie Gore, made a mere week after the original was released, and Rufus Thomas' "Bear Cat" (1953), Sun Records' first hit. Country, rock & roll, doo-wop and pop music picked up where the blues left off, with most activity in the 1950s to 60s. Two examples from this era are "Are You Lonesome To-night" and "Who Put The Bomp," and responses to both. The most well known from the next decade was Lynyrd Skynyrd's "Sweet Home Alabama" (1974), a response to Neil Young's "Southern Man" (1970) and "Alabama" (1972). Until the 2000s, no answer songs had charted as high as the original hits. That changed with Frankee's "F.U.R.B. (Fuck You Right Back)" (2004), a response to Eamon's "Fuck It (I Don't Want You Back)" (2003), which was the first answer song to reach number 1 in the UK. Six years later and across the pond, Katy Perry's "California Gurls" was a response to "Empire State of Mind" by Jay-Z. It was the first answer song to reach No. 1 in the Billboard Hot 100. More Responses inside. [more inside]
posted by filthy light thief on Mar 31, 2012 - 53 comments

New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of Drunk, and there's... [more inside]
posted by flapjax at midnite on Dec 30, 2011 - 67 comments

Bobby Charles 1938-2010. Songwriter, musician's musician and cultural treasure, he died on last Thursday in Abbeville,Lousiana. In the 1950s, he wrote Fats Domino's Walking to New Orleans, Bill Haley and the Comet's See You Later, Alligator and recorded for Chess records. His eponymous Bearsville album recorded in Woodstock in 1972 has been described as the best Band album released under another name.(Check out Small Town Talk there.) He appeared as well in the Band's farewell concert filmed as The Last Waltz. He made an enormous contribution to American popular music. [more inside]
posted by y2karl on Jan 19, 2010 - 25 comments

Ahmet Ertegun was profiled by George W. S. Trow in The New Yorker in a classic piece back in 1978. Ertegun was the son of the Turkish ambassador to the US and he remained behind in D.C. studying medieval philosophy at Georgetown. Instead of devoting himself to his studies he founded Atlantic Records with his friend Herb Abramson. Trow charted how Ertegun moved from tramping through muddy, Louisiana fields in search of hot new sounds to the whirl of Studio 54. Below the cut are links to the songs mentioned in the article, as best as I could find, in the order in which they appear. [more inside]
posted by Kattullus on Aug 17, 2009 - 25 comments

Legendary record man and music producer Jerry Wexler died on August 15, at the age of 91. His keen insight, and his deep love and appreciation for the artists he worked with resulted in an extraordinary enriching of American music. [more inside]
posted by flapjax at midnite on Aug 17, 2008 - 16 comments

So, there was this little rock band from England, and they got pretty famous and all, so famous that they initiated the era of stadium concerts, back in '65, at a little place in Queens called Shea. But there was an opening act that night, led by a sax-blowin' fellow name of King Curtis, and he kicked total muhfukkin ass, and it wasn't even with his baddest band! You can hear them here. Jump Back! [more inside]
posted by flapjax at midnite on Aug 15, 2008 - 25 comments

The best-known version of that joyful ode to getting smashed, Drinkin' Wine Spo-Dee-O-Dee, would surely be the Jerry Lee Lewis rendition, and Memphis rockabilly singer Johnny Burnette recorded a hopping little version of the tune as well. But the song was written and originally recorded by Stick (aka "Sticks") McGhee, who adapted it from a chant he learned during his stint in the Army. And yes, "spo-dee-o-dee" was a substitute for another word, which, though fine for the Army, wasn't exactly radio friendly. Stick wrote a few other tunes in celebration of the alcoholic beverage, including "Six To Eight" and "Jungle Juice". And as has been pointed out previously, the song title was likely the inspiration for the alcoholic concoction known as the "spodi". Drink up!
posted by flapjax at midnite on Apr 13, 2008 - 8 comments

Ever heard of Barbara Lynn? She was a rarity in the world of R&B in the early 60's: a black female songwriter, guitarist and singer. After a couple of decades out of the spotlight, she returned in 1999 with a new album. [more inside]
posted by flapjax at midnite on Nov 4, 2007 - 10 comments

Swamp Dogg (born Jerry Williams, Jr.), is one of the deepest of the deep soul singers. Described as “Wilson Pickett meets Frank Zappa in a bad mood,” and known for his dubious album covers, his association with the anti-Vietnam movement (allegedly) put him on Nixon’s enemies list. Swamp wrote or co-wrote hits for Gene Pitney, Johnny Paycheck, and a host of others. You might have heard his music in samples on tracks by Talib Kweli [mp3] and the Jurassic 5 [.wmv]. Long out of print, his 1970s albums are now available on CD.
posted by joseph_elmhurst on Dec 13, 2006 - 6 comments

Luther Vandross is gone. The great R&B balladeer died today, apparently due to complications from a stroke he suffered two years ago. Believers in an afterlife can hope he's enjoying a dance with his father. After all, he did believe in the "Power of Love". RIP.
posted by trip and a half on Jul 1, 2005 - 45 comments

The King of the Jukebox who disturbed the status quo They called rock music jump blues during the World War II era, and this amazingly talented clown was its master, with over fifty Top 10 R&B hits -- eighteen reached #1 -- between 1942 and 1951. Chuck Berry identified with him "more than any other artist." James Brown said, "He was everything" and considered him one of the earliest rappers. A pioneer of music video, the first black artist to cross over from the "race" market to a white audience and a central link between big bands and rock, he was a primary influence on Bill Haley, Ray Charles and B.B. King, who once said, "I wanted to be like him." Rest in peace, Louis Jordan. [Dozens of one-minute song clips here]
posted by mediareport on Jul 10, 2002 - 11 comments