7 posts tagged with Rock and film.
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Nothing Else Matters

Kathryn Bigelow's striking bin Laden manhunt thriller Zero Dark Thirty arrives in wide release tonight on the heels of a final artful trailer -- one with oddly familiar musical accompaniment. The funereal hymn, a cover of Metallica's "Nothing Else Matters" (lyrics), deftly recasts the 90s power ballad as a haunting dirge of quiet grief, shattered ideals, and a singleminded focus on revenge, a perfect distillation of the film's profoundly grim thesis. But while the song may be fitting, it wasn't composed for the project -- it's just the latest success story from Belgian women's choir Scala & Kolacny Brothers, whose mournful reinterpretations of classic and modern rock -- catapulted by their rendition of "Creep" in The Social Network -- have made them famous around the world, with star turns in the likes of Homeland ("Every Breath You Take") and Downton Abbey ("With or Without You"). Cover comparison site WhoSampled offers a list of YouTube comparisons between the covers and the originals; look inside for more of their work in movies and television. [more inside]
posted by Rhaomi on Jan 11, 2013 - 46 comments

Led Zeppelin - Royal Albert Hall, January 9, 1970

Led Zeppelin - Royal Albert Hall, January 9, 1970 (previously) [more inside]
posted by Egg Shen on Dec 3, 2012 - 18 comments

Talking Heads: Live in Rome 1980 full concert

Talking Heads, Live in Rome, 1980 The Talking Heads concert film you haven't seen: the show that would eventually be recorded in the (awesome) concert film Stop Making Sense 3 years later, recorded while it was still a bit weird and uncertain. And therefore, wonderful. [more inside]
posted by BoringPostcards on Sep 15, 2012 - 67 comments

Prince's "Sign O The Times"

We shrugged when friends told us Prince's Sign "O" the Times was the greatest rock concert movie ever. There are limits to how great a rock concert movie can be, and we figured Jonathan Demme's--and Talking Heads'--Stop Making Sense had stretched them as far as they were liable to go. But even though Sign "O" the Times was directed by the artiste, whose previous cinematic exploits haven't exactly put him in Demme's class, Prince has come up with a contender. Where Demme goes for a sinuous, almost elegant clarity, Prince's movie is all murk, scuzz, steam, and, oh yeah, sex. With all due respect, which one sounds more like a real rock concert to you? - Robert Christgau [more inside]
posted by Trurl on Apr 20, 2012 - 31 comments

Jim Fields and Michael Gramaglia's "End of the Century: The Story of the Ramones"

The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. - Robert Christgau
posted by Trurl on Nov 9, 2011 - 17 comments

cinephilic rock and roll

"Theme from Confusion Range" is the first of several music videos, each shot by a different independent director, for LA desert rock band Spindrift's next album "Classic Soundtracks Vol. 1." Songwriter Kirpatrick Thomas, who takes many of his sonic cues from Ennio Morricone said, "the album is an homage to our love of film scoring and the medium which surrounds it." [more inside]
posted by Potomac Avenue on Jun 2, 2011 - 2 comments

Guardian's Top 50 Arts Videos

The Guardian has compiled a list of their top fifty arts videos, the majority being from either rare or obscure sources and uploaded onto YouTube.
posted by djgh on Aug 30, 2008 - 13 comments

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