We wanted to create something quite muscular and meaty. I was getting a little disenchanted with boring wet music. I wanted something with some kind of punch to it ...Esben and the Witch formed in 2008 after neophyte guitarist Thomas Fisher bumped into old friend Rachel Davies on the street in Brighton and asked if she'd like to be in a band. Together with multi-instrumentalist Daniel Copeman, they started making a kind of bruised, ghostly electro goth-pop that drew comparisons with dubstep and witch house. Then things changed. Their third album, A New Nature, recorded with Steve Albini after a successful Kickstarter campaign, sees the band step away from their electro-pop origins, combining English-major Davies' lyrical obsessions with Herman Hesse and Jack London with the band's love of uncompromising noise, psych, and transcendent post rock. A New Nature, released last month, can be streamed via Stereogum.
It's 1983. Put Eddie Van Halen and Brian May in a room together. The result? Of course, Star Fleet, a cover of the theme from the children's marionette tokusatsu series broadcast Saturday mornings in the U.K.
If you wouldn't mind just watching this guy play 100 famous guitar riffs in one take, I'm feeling a sudden urge to grab my Fender Stratocaster.
Pete Cosey dead at 68. Though he had a career as a session guitarist prior to and had some important appearances after, Cosey is most well known for his brief time playing with Miles Davis (1973 - 1975) during an era of Miles' that has at times confounded critics*. Cosey appeared on Get Up with It, Dark Magus, Agharta and Pangaea with Miles. [more inside]
The legendary Dick Dale covers Amazing Grace, 12/09 in a Studio Session on NPR's KEXP. [more inside]
After 30 years, Peter Frampton had been living without 2 critical pieces of his legacy: 1) his hair and 2) the Les Paul that he used in Humble Pie and on the (in)famous Frampton Comes Alive album. But now Frampton can rest easy, as one of those things has been returned to him.
Donald Thomas "Tom" Scholz (born 10 March 1947) is an American rock musician, songwriter, guitarist, pianist, inventor, and mechanical engineer, best known as the founder of the hard rock band Boston. He is also the inventor of the Rockman guitar amplifier. [more inside]
"I was unaware, in my awe of adults playing folk songs, that they would push me into a different world altogether, a world in which only some would ultimately be deemed worthy to publicly perform music: those who were ‘musically talented’. And that talent was determined by one’s ability to imitate, precisely, music written by others." How I Learned To Play Guitar
Dennis Coffey was one of the most prolific Detroit session and solo guitarists. His revamped site features a couple phenomenal podcasts of his music and interviews.
"She was a rock star," recalls Ira Tucker Jr., who grew up watching Tharpe with his father's gospel group in the 1940s and '50s. "You know, like Beyonce today and people like that. That's what Rosetta was to us." Sister Rosetta Tharpe wasn't the first one to bring black popular music into the church. (Here's the great Arizona Dranes playing barroom honky-tonk piano on the gospel side I Shall Wear a Crown in 1927.) But her fierce stage presence and her original blend of gospel, boogie-woogie, swing and smoking hot blues guitar was a crucial forgotten influence on what we now recognize as rock and roll. (Many more recordings inside. Enjoy!) [more inside]
Sometimes you've got a song or a tune but something's missing : call Mike Stern, he could add some stuff.
Bob Log III plays distorted trash grimey blues slide guitar with his hands, he drawls through a telephone attached to the bubble face of the motorcycle helmet he wears, and he drums with his feet. He is known to ask women to stir his scotch on stage with their breasts, which is sadly Not currently Safe for Work. Sometimes he asks them to sit on his knee, bouncing up and down on the blue glittery jump suit he wears whenever he plays. [more inside]
Rock and Roll, Baby! (video)
So You Think You Hate Country Music? Then listen to this. The roots of American country music may surprise you. In this series of NPR programs, trace the gradual development of real country music through the first half of the 20th century. Learn how a woman's instrument of the late 1800s, the parlor guitar, became the the central symbol of country and rock; see how African-American musical forms like gospel and blues meshed with the development of country and early rock and influenced the traditional forms in turn; listen to German-Mexican hybrids of accordian style; find out why women had so many honky-tonk torch songs to sing in the late 40s. The series contains hours of content (narrative, interviews, music tracks), and a multitude of excellent links for deeper digging.
Learn to Play Guitar like a SuperDork. Can't. . . not. . . look. Don't miss the links in the comments.
Guitarist, musical icon Chet Atkins dies at 77 Chet Atkins, whose guitar style influenced a generation of rock musicians even as he helped develop an easygoing country style to compete with it, died Saturday. He was 77. "And another bites the dust."