"The record store, the guitar shop, and now social media: when it comes to popular music, these places become stages for the display of male prowess. Female expertise, when it appears, is repeatedly dismissed as fraudulent. Every woman who has ever ventured an opinion on popular music could give you some variation (or a hundred) on my school corridor run-in, and becoming a recognized 'expert' (a musician, a critic) will not save you from accusations of fakery." The World Needs Female Rock Critics, by Anwen Crawford for the New Yorker. Discussed in the piece is Jessica Hopper's new collection of essays, The First Collection of Criticism by a Living Female Rock Critic, which has been greeted with glowing praise. Here's an interview she did with Hazlitt: 'Am I Womansplaining To You?' And here she speaks to Meredith Graves of Perfect Pussy: "Being a fangirl is all the qualification you need. And don't wait for anyone to give you permission. They won't. And you should do it anyways." [more inside]
According to the Daptone Gold compilation liner notes (auto-playing music, click on "Biography"to read the notes), written by Pitchfork contributor Douglas Wolk, "the world capital of soul" has moved from the US ("between Memphis and Detroit, with occasional stopovers in New Orleans, Cincinnati and elsewhere") in the 1960, to Lagos in the 1970s, then it went into hiding, finally reappearing in Brooklyn, with Daptone Records. Let's go back - why Lagos in the 1970s? [more inside]
Drive like Jehu live at the Galaxy Club Dallas TX in 1994. SLYT. Starts with Sinews ends with Luau. Suit up!
"We were so dumbfounded at the noise that was coming out of our instruments it took us a while to get a handle on what we were hearing, let alone thinking in terms of how any records would be structured." Music journalist Ned Raggett assembles the oral history of British experimental rock group Disco Inferno's five EPs.
I think that we can all agree that the best-selling duo in rock history, Hall & Oates, are pretty freaking awesome. They recorded some of the greatest songs in pop history, including "Rich Girl", "Kiss on My List", "Private Eyes", "I Can't Go for That (No Can Do)", "Maneater", and "You Make My Dreams Come True". They were incredible live. And they participated in the greatest back-alley song-writing duel of 1978. Also Daryl Hall considers himself a modern-day warlock. However, last night the world learned that Hall and Oates's are sad. They are extremely saddened by the upcoming departure of Alan Colmes from his show Hannity and Colmes, and they have chosen to express their sadness through song. [more inside]
"So I think we maybe have this sort of snobbish reputation. But we're just really honest, opinionated music fans." (via)
Clap Your Hands Say Yeah are a band that, less than a year ago, were making music without the help of a record label, pressing CDs themselves and selling them at concerts and on the Internet. Then the following happened: June 9: Dan Bierne writes about the band on his MP3 blog, June 14: Pitchfork Media posts a review of the song "In This Home On Ice", June 15: Blogger Gothamist posts an interview with the band, June 20: Blogger Stereogum announces the band's show at the Knitting Factory, June 21: Gothamist reports that David Bowie was in the audience at the Knitting Factory show, and June 22: Pitchfork posts one of a slew of reviews of Clap's first album. Now, they've been named to dozens of critics 'best of' lists, they're playing Conan and Letterman, and are about to embark on a new tour. Why choose today to post an article about a band blowing up written in November you ask? Because their tour kicks off tonight at the 9:30 club in DC, and you can listen to it live.
NPR’s Live Concert Series site offers recordings of recent live performances by James Brown, Sinead O’Connor, Iron & Wine and Calexico, Son Volt, My Morning Jacket, The White Stripes, M. Ward, Sigur Ros, Bloc Party, The Decemberists, and live tomorrow at 7:30 p.m. ET, Colin Meloy.