Anyway, I had just finished reading a story I thought was really bad; I closed the book and said to myself, “I can do that.” I realized quite a bit later that I had given myself permission to write a bad story, but nevermind. I wrote a story in a notebook, the three-ringer lined paper kind, and I rented a typewriter. At least I knew it had to be typed double space, but that’s all I knew. I had never met a writer and there wasn’t a wealth of how-to books back then. I used the anthology for a clue about where to send the story and came up with Astounding Magazine. I sent off the story, and while I had the rented typewriter I wrote another story in the same notebook, copied it and this time sent it to Amazing. John Campbell at Astounding Magazine sent me a letter of acceptance along with a form to be notarized stating that it was an original story and I was the writer. I had no idea that that was not standard, and followed the instructions, and presently I received a check. I bought the typewriter with it.For Amazing Stories, R.K. Troughton interviews should be a SFWA grandmaster already Kate Wilhelm, writer & novelist, co-creator of the Milford and Clarion Writing Workshops, designer of the Nebula Award. [more inside]
So when someone like John C. Wright holds up Heinlein as the best SF writer ever, I have to wonder what world they’re living in. An important writer in the genre, absolutely. The best ever? Really? Way to declare the race over before everyone’s even gotten to the starting line, buddy.Natalie Luhrs is unhappy about John Wright's invocation of Robert Heinlein to bolster claims of witch hunts against rightwing science fiction writers. [more inside]
Because that’s what he’s doing, right? He’s trying to draw a line around SF. In Wright’s world, there’s no room in SF for people who aren’t like him and, furthermore, no one’s work can ever come close to that of a man who died in 1988. That’s just. No. I don’t want to read that kind of SF anymore. I did my time there and it’s well past time to move on.
"So lately I haven’t talked about how infuriating it’s been to be told I was “asking for it” — “it” being Mr. Beale’s racist, sexist abuse and that of his commentariat. (What was I wearing? My skin.) I’ve watched ostensibly reasonable people ask whether it’s racist to call an entire group of people savages — no, really — and I haven’t talked about how nauseating that was. I’ve seen fellow SFWA members suggest that there must be room in the organization for white supremacy, misogyny, homophobia, and other forms of bigotry — because of course some members’ right to be assholes should trump all members’ right to operate in professional spaces free of harassment, intimidation, and abuse." -- Fantasy writer N. K. Jemisin comments on the recent sexism/racism crisis in the Science Fiction and Fantasy Writers of America (SFWA) and her own role in the controversy. (previously). [more inside]
I’ve lived in this city for almost a decade. I chose my lavaball strategy early. I have big legs; thick, muscular. When I sit, I sit with legs straight and feet on the floor, using no more space than necessary. When I am lavaballed, I dig them in and hold firm.
"So. I get it. The world used to agree with you. You used to be able to say things like, “I really like those lady writers in this industry, especially in swimsuits!” and your fellow writers, editors, agents, and other assorted colleagues would all wink and grin and agree with you, and Asimov would go around pinching women’s asses, and it was so cool!" -- Kameron Hurley is not amused by the ongoing sexism problems in the Science Fiction and Fantasy Writers of America or the idea that criticism of this is censorship. [more inside]
Campbell-award winning science fiction writer Jay Lake has cancer. His prognosis at this point is not good, but there is a distant hope - cancer genome sequencing. This is an expensive process, so the science fiction community got together and held a fundraiser, volunteering "Acts of Whimsy" as rewards for various monetary goals. The results were whimsical indeed. [more inside]
Last week, small press distributor Independent Publishers Group (IPG) announced that Amazon has decided to stop selling Kindle editions for the publishers IPG represents. The decision impacts over 500 small publishers and almost 5,000 Kindle titles. Neither party has offered much in the way of specifics, but other publishers have been reporting that Amazon has been pressuring them to offer higher discounts and/or pay a “co-op” fee of an additional 3%-4% on all sales to cover the cost of offering “automation and personalization” services (i.e. Customers who bought x also bought y). Authors and publishers have been reacting to the development.
The Amended Settlement filed in Authors Guild v. Google creates a non-profit Book Rights Registry governed by authors and publishers to oversee the settlement on their behalf. A Fairness Hearing has been scheduled for February 18, 2010; authors have until January 28, 2010 to opt out of the agreement. The SFWA is objecting to (among other things) Google's potential monopoly, to the opt-out clause, and to leaving the fair use dispute (pdf) unresolved. The ALA, ARL and ACRL have some similar concerns (pdf) and have released a Guide for the Perplexed (pdf). The NWU opposes it; so does the ASJA. (previously, previously).