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	<title>MetaFilter posts tagged with Sappho</title>
	<link>http://www.metafilter.com/tags/Sappho</link>
	<description>Posts tagged with 'Sappho' at MetaFilter.</description>
	<pubDate>Fri, 30 Sep 2011 15:12:40 -0800</pubDate> <lastBuildDate>Fri, 30 Sep 2011 15:12:40 -0800</lastBuildDate>

	<language>en-us</language>
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	<ttl>60</ttl>
	<item>
		<title>The personal website of a retired classics professor</title>
		<link>http://www.metafilter.com/107945/The%2Dpersonal%2Dwebsite%2Dof%2Da%2Dretired%2Dclassics%2Dprofessor</link>
		<description>&lt;a href="http://community.middlebury.edu/~harris/index.shtml"&gt;Humanities and the Liberal Arts&lt;/a&gt; is the personal website of former Middlebury classics professor &lt;a href=&quot;http://community.middlebury.edu/~harris/biog.html&quot;&gt;William Harris&lt;/a&gt; who passed away in 2009.  &lt;a href=&quot;http://community.middlebury.edu/~harris/webpages.html&quot;&gt;In his retirement&lt;/a&gt; he crafted a wonderful site full of essays, &lt;a href=&quot;http://community.middlebury.edu/~harris/music.html&quot;&gt;music&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/sculpture.html&quot;&gt;sculpture&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/poetrybook.html&quot;&gt;poetry&lt;/a&gt; and his thoughts on anything from &lt;a href=&quot;http://community.middlebury.edu/~harris/SubIndex/education.html&quot;&gt;education&lt;/a&gt; to &lt;a href=&quot;http://community.middlebury.edu/~harris/SubIndex/technology.html&quot;&gt;technology&lt;/a&gt;. But the heart of the website for me is, unsurprisingly, &lt;a href=&quot;http://community.middlebury.edu/~harris/SubIndex/classics.index.html&quot;&gt;his essays on ancient Latin and Greek literature&lt;/a&gt; some of whom are book-length works. Here are a few examples: &lt;a href=&quot;http://community.middlebury.edu/~harris/Classics/purple.html&quot;&gt;Purple color in Homer&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/Philosophy/Heraclitus.html&quot;&gt;complete fragments of Heraclitus&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/homer.vergil.html&quot;&gt;how to read Homer and Vergil&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/sappho.new.html&quot;&gt;a discussion of a recently unearthed poem by Sappho&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/Philosophy/Plato.html&quot;&gt;Plato and mathematics&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/Texts/propertius.21.22.html&quot;&gt;Propertius&apos; war poems&lt;/a&gt;, and finally, especially close to my heart, his commentaries on the poetry of Catullus, for example on &lt;a href=&quot;http://community.middlebury.edu/~harris/catullus.32.html&quot;&gt;Ipsithilla&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/Texts/catullus.odi.html&quot;&gt;Odi et amo&lt;/a&gt;, &lt;a href=&quot;http://community.middlebury.edu/~harris/cybele.html&quot;&gt;Attis poem as dramatic dance performance&lt;/a&gt; and &lt;a href=&quot;http://community.middlebury.edu/~harris/catullus.97.98.html&quot;&gt;a couple of very dirty poems&lt;/a&gt; (even by Catullus&apos; standard). That&apos;s just a taste of the riches found on Harris&apos; site, which has been around nearly as long as the world wide web has existed.  </description>
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		<pubDate>Fri, 30 Sep 2011 15:12:40 -0800</pubDate>
		<category>AncientGreek</category>
		<category>Catullus</category>
		<category>classics</category>
		<category>Greek</category>
		<category>Homer</category>
		<category>humanities</category>
		<category>Latin</category>
		<category>liberalarts</category>
		<category>literature</category>
		<category>Middlebury</category>
		<category>music</category>
		<category>Plato</category>
		<category>Propertius</category>
		<category>Sappho</category>
		<category>sculpture</category>
		<category>Vergil</category>
		<category>Virgil</category>
		<dc:creator>Kattullus</dc:creator>
	</item>
      <item>
		<title>Embrace the Beast? You betcha!</title>
		<link>http://www.metafilter.com/97091/Embrace%2Dthe%2DBeast%2DYou%2Dbetcha</link>
		<description> &lt;a href=&quot;http://thephoenix.com/Boston/news/110643-gay-tea-party-witch-sex-three-tales-of-erotic-pol&quot;&gt;Gay Tea Party Witch Sex: Three tales of erotic political fiction&lt;/a&gt; (relatively SFW)  </description>
		<guid isPermaLink="false">tag:metafilter.com,2010:site.97091</guid>
		<pubDate>Thu, 28 Oct 2010 07:40:53 -0800</pubDate>
		<category>erotica</category>
		<category>odonnell</category>
		<category>palin</category>
		<category>pan</category>
		<category>sappho</category>
		<category>teaparty</category>
		<dc:creator>FatherDagon</dc:creator>
	</item>
      <item>
		<title>Elpenor - Home of the Greek Word</title>
		<link>http://www.metafilter.com/66281/Elpenor%2DHome%2Dof%2Dthe%2DGreek%2DWord</link>
		<description>&lt;a href="http://www.ellopos.net/elpenor/default.asp"&gt;Elpenor - Home of the Greek Word&lt;/a&gt; is a site built around a &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp&quot;&gt;bilingual anthology&lt;/a&gt; of all periods of Greek literature, but there&apos;s more, including &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-language.asp&quot;&gt;ancient greek lessons&lt;/a&gt;, a &lt;a href=&quot;http://www.ellopos.net/elpenor/greeks-us/default.asp&quot;&gt;collection of texts by non-Greeks about Greece&lt;/a&gt;, a gallery of Orthodox &lt;a href=&quot;http://www.ellopos.net/gallery/christ/default.asp&quot;&gt;Christ icons&lt;/a&gt; and an &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-resources-constantinople.asp&quot;&gt;online resource-guide on Byzantium&lt;/a&gt;. The site focuses mostly on the texts of antiquity but along with &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp#ARCHILOCHUS&quot;&gt;Archilochus&lt;/a&gt;, &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp#ORPHICA&quot;&gt; Orphica&lt;/a&gt;, &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp#ROMANOS&quot;&gt;Romanos Melodos&lt;/a&gt; and &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp#SAPPHO&quot;&gt;Sappho&lt;/a&gt; there are some modern writers, like the poets &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp#CAVAFY&quot;&gt;Cavafy &lt;/a&gt; and &lt;a href=&quot;http://www.ellopos.net/elpenor/greek-texts/greek-word.asp#PAPATSONIS&quot;&gt;Papatsonis&lt;/a&gt;. There&apos;s a Greek nationalistic slant to the site but it seems fairly benign and easy to ignore. </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.66281</guid>
		<pubDate>Tue, 06 Nov 2007 20:40:04 -0800</pubDate>
		<category>ancientgreece</category>
		<category>Archilochus</category>
		<category>ByzantineEmpire</category>
		<category>Byzantium</category>
		<category>Cavafy</category>
		<category>Constantinople</category>
		<category>greece</category>
		<category>greek</category>
		<category>literature</category>
		<category>Orphica</category>
		<category>Papatsonis</category>
		<category>poetry</category>
		<category>RomanosMelodos</category>
		<category>Sappho</category>
		<dc:creator>Kattullus</dc:creator>
	</item>
      <item>
		<title>Hot Sapphic Love (poem)</title>
		<link>http://www.metafilter.com/43013/Hot%2DSapphic%2DLove%2Dpoem</link>
		<description>&lt;a href="http://www.the-tls.co.uk/this_week/story.aspx?story_id=2111206"&gt;New Sappho poem found.&lt;/a&gt; Combining a &lt;a href=&quot;http://www.uni-koeln.de/phil-fak/ifa/NRWakademie/papyrologie/Verstreutepub/bilder/PK21351br.jpg&quot;&gt;Cologne University fragment found in the cartonnage of an Egpytian mummy&lt;/a&gt; with a fragment from &lt;a href=&quot;http://www.papyrology.ox.ac.uk/oxyrhynchus/whereis.html&quot;&gt;Oxyrhynchus&lt;/a&gt; has allowed the reconstruction of &lt;a href=&quot;http://www.the-tls.co.uk/this_week/story.aspx?story_id=2111206&quot;&gt;Sappho&apos;s fourth poem.&lt;/a&gt; The Oxyrhynchus papyri have been much in the news lately, what with the discovery of the earliest fragment of Revelations to  &lt;a href=&quot;http://www.papyrology.ox.ac.uk/beast/beast616.html&quot;&gt;give the number of the beast as 616&lt;/a&gt; and the publication of several lines from Sophocles&apos; lost tragedy &lt;a href=&quot;http://www.papyrology.ox.ac.uk/news/independent.html&quot;&gt;The Progeny&lt;/a&gt; (scroll down). &lt;a href=&quot;http://en.wikinews.org/wiki/Infrared_technology_enables_recovery_of_lost_classical_writings&quot;&gt;Infra-red imaging techniques&lt;/a&gt; may not be sexy, but &lt;a href=&quot;http://www.metafilter.com/mefi/35996&quot;&gt;Sappho&lt;/a&gt; sure is. After all, Plato said she was worthy of being considered not only as a poet but as a &lt;a href=&quot;http://en.wikipedia.org/wiki/Muse&quot;&gt;muse. &lt;/a&gt;Sappho herself is a &lt;a href=&quot;http://dictionary.reference.com/search?q=palimpsest&quot;&gt;palimpsest&lt;/a&gt; or a sort of cypher. We know next to nothing about her -- including whether she was lesbian or not. One thing&apos;s for sure: she almost certainly wasn&apos;t a &lt;a href=&quot;http://mkatz.web.wesleyan.edu/Images2/cciv243.Parker.html&quot;&gt;schoolmistress.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.43013</guid>
		<pubDate>Fri, 24 Jun 2005 03:28:05 -0800</pubDate>
		<category>cartonnage</category>
		<category>cologneuniversity</category>
		<category>imaging</category>
		<category>infrared</category>
		<category>muses</category>
		<category>numberofthebeast</category>
		<category>oxyrhynchus</category>
		<category>plato</category>
		<category>poetry</category>
		<category>progeny</category>
		<category>revelation</category>
		<category>sapphiclove</category>
		<category>sappho</category>
		<category>sophocles</category>
		<dc:creator>melmoth</dc:creator>
	</item>
      <item>
		<title>Sappho: Poem of Jealousy (26 Translations)</title>
		<link>http://www.metafilter.com/35996/Sappho%2DPoem%2Dof%2DJealousy%2D26%2DTranslations</link>
		<description> &lt;small&gt;Are you not amazed at how she evokes soul, body, hearing, tongue, sight, skin, as though they were external and belonged to someone else? And how at one and the same moment she both freezes and burns, is irrational and sane, is terrified and nearly dead, so that we observe in her not a single emotion but a whole concourse of emotions? Such things do, of course, commonly happen to people in love. Sappho&#8217;s supreme excellence lies in the skill with which she selects the most striking and vehement circumstances of the passions and forges them into a coherent whole. &amp;nbsp;&amp;nbsp;Longinus, &lt;em&gt;On the Sublime&lt;/em&gt;&lt;/small&gt; &lt;br&gt;&lt;a href=&quot;http://www.bopsecrets.org/gateway/passages/sappho.htm&quot; title=&quot;Sappho: Poem of Jealousy (26 Translations)&quot;&gt;Sappho&#8217;s poem of jealousy&lt;/a&gt; survives only because the ancient critic Longinus quoted it as a supreme example of poetic intensity--now Ken Knabb has put up 26 translations of it in the English at the &lt;em&gt;&lt;a href=&quot;http://www.bopsecrets.org/gateway/index.htm&quot; title=&quot;Recommended Readings from Literature to Revolution&quot;&gt;Gateway to the Vast Realms &lt;/a&gt;&lt;/em&gt;, the literature and texts section of his &lt;a href=&quot;http://www.bopsecrets.org/index.shtml&quot; title=&quot;Making petrified conditions dance by singing them their own tune . . . . . Don&apos;t call us, do it yourself&quot;&gt;Bureau of Public Secrets&lt;/a&gt;. And wait! There&apos;s more!  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.35996</guid>
		<pubDate>Sat, 02 Oct 2004 22:04:03 -0800</pubDate>
		<category>Beauty</category>
		<category>Bunting</category>
		<category>Classics</category>
		<category>Greek</category>
		<category>Poetry</category>
		<category>Rexroth</category>
		<category>Sappho</category>
		<category>Sublime</category>
		<category>Timeless</category>
		<category>Transcendant</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title>The Songs of Bilitis</title>
		<link>http://www.metafilter.com/29961/The%2DSongs%2Dof%2DBilitis</link>
		<description>&lt;a href="http://www.sacred-texts.com/cla/sob/index.htm"&gt;The Songs of Bilitis.&lt;/a&gt; &apos;First published in Paris in 1894, this purports to be translations of poems by a woman named Bilitis, a contemporary and acquaintance of Sappho. This caused a sensation, not only because finding an intact cache of poems from a completely unknown Greek poet circa 600 B.C. would be a miracle, but because of its open and sensitive exploration of lesbian eroticism. Actually Bilitis never existed. The poems were a clever forgery by Pierre Lou&amp;#0255;s--the &quot;translator&quot;; to lend weight, he had even included a bibliography with bogus supporting works ... &apos;&lt;br&gt;A new addition to the &lt;a href=&quot;http://www.sacred-texts.com/index.htm&quot;&gt;sacred-texts.com&lt;/a&gt; canon.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2003:site.29961</guid>
		<pubDate>Tue, 02 Dec 2003 10:56:27 -0800</pubDate>
		<category>Bilitis</category>
		<category>poems</category>
		<category>poetry</category>
		<category>SacredTexts</category>
		<category>Sappho</category>
		<dc:creator>plep</dc:creator>
	</item>
      <item>
		<title>Cosima Rohilla Shalizi - Polymath &amp;amp; Ultimate Pantologist</title>
		<link>http://www.metafilter.com/24488/Cosima%2DRohilla%2DShalizi%2DPolymath%2Dand%2DUltimate%2DPantologist</link>
		<description> &lt;i&gt;&lt;small&gt;Truly that is a miracle of wonder surpassing the tongues of the eloquent, and far beyond the most cunning speech to describe: the mind reels before it, and the intellect stands abashed&lt;br&gt;&lt;br&gt;
Ibn Hazm&lt;br&gt;
The Dove&apos;s Necklace
&lt;/small&gt;&lt;/i&gt;&lt;br&gt;
&lt;br&gt;&lt;a href=&quot;http://cscs.umich.edu/~crshalizi/cv/cv.html&quot; title=&quot;Curriculum Vitae&quot;&gt; Cosma Rohilla Shalizi&lt;/a&gt;, who contains universes: &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/notebooks/&quot; title=&quot;Notes, small essays, explanations, reminders, reading lists and questions on various (300+) topics.&quot;&gt;Notebooks&lt;/a&gt;, &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/bulletin/&quot; title=&quot;Articles about other people&apos;s science for the Santa Fe Institute Bulletin. I&apos;ve been paid to write them, so I guess I&apos;m now some sort of science writer. Most of them are about economics and other kinds of social science, subjects in which I have no qualifications whatsoever; I understand this is typical of science writers.&quot;&gt;Pieces for the SFI Bulletin&lt;/a&gt;, &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/reviews/&quot; title=&quot;I have to sing about the book I read - To reach the suqs and madrassas of Cyberistan, and with them you, Dear Reader, the Review comes by caravan from Bactra. The caravans take off at right angles to the Silk Road, crossing the mountain wastes and deserts of the Real World (so-called), by yak, by camel, by foot: and sometimes a part of the manuscript gets left behind in a nameless caravanserai at the edge of the Tarim: and sometimes it comes down from the roof of the world illegible: and sometimes the caravan master decides to make war, or a pilgrimage, or a city: and sometimes more white matter is added to the salt flats, or the snows, or the sands, and it never arrives at all. Patience.&quot;&gt;&lt;i&gt;The Bactra Review&lt;/i&gt;&lt;/a&gt;, &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/codex-w3.html&quot; title=&quot;Putting old books on the Web used to be one of my hobbies. (I haven&apos;t put up any new ones for years.) I started with some strange old books about the future.&quot;&gt;Books and Other Texts I&apos;ve Put on the Web&lt;/a&gt;,  &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/Poetry/&quot; title=&quot;Similarly, I put other people&apos;s poems on-line. That was back when we sent packets by tying them to the backs of gophers. &quot;&gt;Poetry&lt;/a&gt; and not the worst &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/links.html&quot; title=&quot;It&apos;s big, it&apos;s chaotic, it&apos;s actually fairly ugly, when you get right down to it, but it&apos;s my hotlist and I&apos;ll hyperlink what I want to. &quot;&gt;links&lt;/a&gt; page I&apos;ve ever seen. &lt;i&gt;This is the &lt;a href=&quot;http://yankthechain.com/cosma.html&quot; title=&quot;I stand aghast. I don&apos;t quite know what to make of this thing as it sits here before me.&quot;&gt;worst home page ever&lt;/a&gt;, according to &lt;a href=&quot;http://www.yankthechain.com/&quot; title=&quot;New Schultzenburgianity every weekday.&quot;&gt;yankthechain&lt;/a&gt;. I&apos;m very proud.&lt;/i&gt; He likes, among many others, &lt;a href=&quot;http://www.cscs.umich.edu/~crshalizi/reviews/avram-davidsons-afterlife/&quot; title=&quot;Reading him for the sheer joy of the near-perfect style (he must have made mistakes from time to time --- must he not?, but I&apos;ve never seen any), you get caught in the web of story, and your emotions played upon like a trumpet in the hands Gillespie. Contrariwise, go to him for story --- &apos;&apos;tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral,&apos;&apos;&apos; not to mention mysterious, fantastical, mysterious-fantastical, scientifictional, satirical or horrific --- why, go to him for that, and I defy you to not become enchanted by his style, by the way each word fits in its place just so, like the parts of an ancient, jeweled watch that has kept time long after its maker was dust. I cannot urge you too strongly to seek out these marvelous devices.&quot;&gt;Avram Davidson&lt;/a&gt;, &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/Poetry/Sappho/&quot; title=&quot;We know this much&quot;&gt;Sappho&lt;/a&gt;, &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/notebooks/vance.html&quot; title=&quot;American author of science fiction, fantasy and mysteries (the last as either John Holbrook Vance or various pseudonyms). For more than forty years now, Vance has been writing wonderful and remarkable prose, which I can best characterize as &apos;&apos;elegantly contrived&apos;&apos;&apos; --- he fills it with unusual words and elaborate constructions and often enough a slightly ironic tone. It almost flaunts its studied, artificial, utterly uncolloquial character, but it always says exactly what he wants it to, and always says it better than any other construction could have. Irony notwithstanding, he can use it to evoke any emotion he pleases. No one else writes anything quite like it, though Quine has something of the same character of elegance and deliberate artificiality (who was it who said &apos;&apos;All art is artifice&apos;&apos;?), and some of his humorous passages recall Ernest Bramah... &quot;&gt;Jack Vance&lt;/a&gt;, &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/Poetry/Millay/&quot; title=&quot;I will put Chaos into fourteen lines &quot;&gt;Edna St. Vincent Millay&lt;/a&gt; and &lt;a href=&quot;http://cscs.umich.edu/~crshalizi/reviews/lichtenberg/&quot; title=&quot;Aphorisms&quot;&gt;Georg Christoph Lichtenberg&lt;/a&gt;. &lt;i&gt;Courage, garrulousness and the mob are on our side. What more do we want?&lt;/i&gt; Now, is that a tagline or what?  </description>
		<guid isPermaLink="false">tag:metafilter.com,2003:site.24488</guid>
		<pubDate>Fri, 21 Mar 2003 00:09:08 -0800</pubDate>
		<category>avramdavidson</category>
		<category>bacterareview</category>
		<category>Cosma</category>
		<category>cosmarohillashalizi</category>
		<category>CosmaShalizi</category>
		<category>incomprehensible</category>
		<category>Pantologist</category>
		<category>Polymath</category>
		<category>sappho</category>
		<category>Shalizi</category>
		<category>Ultimate</category>
		<category>UltimatePantologist</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title>Kenneth Rexroth, Sappho, and The Bureau Of Public Secrets</title>
		<link>http://www.metafilter.com/19334/The%2DBureau%2DOf%2DPublic%2DSecrets</link>
		<description>&lt;a href="http://www.bopsecrets.org/index.shtml"&gt;The Bureau Of Public Secrets&lt;/a&gt; , &lt;a href=&quot;http://www.bopsecrets.org/rexroth/index.htm&quot;&gt;Kenneth Rexroth &lt;/a&gt;and &lt;a href=&quot;http://travesti.geophys.mcgill.ca/~olivia/SAPPHO/&quot; title=&quot;But she, the woman, the poet, where is she? Who is she? With her works torn to shreads, scattered and buried deep in the sands, in the night of Egyptian tombs, she was deprived of her poems, divested of all historical reality -- modern authors have treated her as an imaginary poet born of legend. But a journey or 2,500 years through works and arts, through customs and ideas, reveals that her glory was dazzling and she was the first modern poet.&quot;&gt;Sappho&lt;/a&gt;. It was while looking for this fragment  of hers, translated by him--(Details within)  </description>
		<guid isPermaLink="false">tag:metafilter.com,2002:site.19334</guid>
		<pubDate>Tue, 20 Aug 2002 23:44:06 -0800</pubDate>
		<category>bureauofpublicsecrets</category>
		<category>kennethrexroth</category>
		<category>poetry</category>
		<category>sappho</category>
		<dc:creator>y2karl</dc:creator>
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