Rogue One: A Star Wars Story - Celebration Reel [YouTube] Go behind the scenes with the cast and crew of Rogue One: A Star Wars Story. [more inside]
2001: A Picasso Odyssey - '2001' rendered in the style of Picasso using Deep Neural Networks based style transfer. More details.
The Tracks Go Off In This Direction - a 30 minute Star Wars audio visual mix by DJ Food/Strictly Kev.
Once upon a time, three Australian friends decided to take their private jokes and characters and turn them into a cartoon. Then something unexpected happened: they actually did it. This is THE BIG LEZ SHOW. Here's the compiled first season - links to episodes from all three seasons are after the break. Oh, and here's a recent podcast episode about it I just discovered. Warning: series contains profanity and depictions of drug use, yeeeewww fukken druggo. [more inside]
Wham-O (previously) revolutionized the circle, the torus and the sphere, but they once did something innovative with the humble rectangle: Wham-O Giant Comics (alternate ad here), intended to be a quarterly magazine but ultimately the only issue released by the company. You can read it in its entirety here and read critiques of its contents here. It's an anthology whose contents run the gamut of genres, so if you don't like a story, you can just skip to the next. Of particular note are Radian and Goody Bumpkin, drawn by Wally Wood (previouslies).
A New Wave of Black Filmmaking: Experimental and Black Speculative Indie Films "A brief survey of the contemporary Black independent film scene yields a long and ever-growing list of experimental and Black speculative (including horror, Afrofuturism, sci-fi, fantasy, fan fiction) short cinema, film trailers, music videos and other projects. (/The Atlanta Black Star) [more inside]
As part of this weekend's Guardian series: 50 years of Doctor Who, six of the actors who have played The Doctor's companions - Louise Jameson, Freema Agyeman, Katy Manning, Carole Ann Ford, Billie Piper and Karen Gillan discuss their experiences on the show in video interviews. (Links to print interviews within.) [more inside]
This past August, producer Bryan Singer (The Usual Suspects, X-Men) launched a new digital series: H+. The premise: in the near future, 33% of humanity has retired their smartphones, tablets and computers in favor of an implanted computer system, H+, which connects them directly to the internet 24/7. The story begins as a computer virus attacks the implants, killing billions. In intersecting storylines across four continents (told in part through flashbacks,) the series then unravels what happened, who caused it and why. [more inside]
The mash-up clip music group Electic Method re-mix and paste together sounds from Sci-Fi movies to create THE FUTURE
Iain M. Banks, Alastair Reynolds, and Peter F. Hamilton discuss their books with fans (video). The Hydrogen Sonata, the 10th of Bank's Culture books, will be released October 12th, read the first chapter here. Meanwhile it's 20 years since Reynolds first started work on Revelation Space.
"Welcome to the Zion Archive. You have selected Historical File #12-1: The Second Renaissance." So begins the short film of the same name by Mahiro Maeda [Flash: 1 2 - QuickTime: 1 2] -- a devastating yet beautiful work of animation. Originally produced to explain the backstory behind the Matrix trilogy, Maeda's project ended up telling a story far darker and more affecting than any blockbuster. Using a blend of faux documentary footage and visual metaphor, his serene Instructor relates in biblical tones the saga of Man and Machine, how age-old cruelty and hatred birthed a horrifying, apocalyptic struggle that consumed the world. Packed with striking imagery and historical allusions galore, this dark allegory easily transcends the films it was made for. But while "The Second Renaissance" is arguably the best work to come from the Matrix franchise, it's hardly alone -- it's just one of the projects made for The Animatrix, a collection of nine superb anime films in a wide variety of styles designed to explore the universe and broaden its scope beyond the usual sci-fi action of the movies. Click inside for a guide to these films with links to where they can be watched online, along with a look at The Matrix Comics, a free series of comics, art, and short fiction created for the same purpose by some of the best talent in the business. [more inside]
"The oldest and strongest emotion of mankind is fear. And the oldest and strongest kind of fear is fear of the unknown."
Lovecraft: Fear of the Unknown - A 90 minute documentary on HP Lovecraft with contributions by Neil Gaiman, John Carpenter and Guillermo Del Toro.
Futurama has always been a haven for geek humor, but last week's episode "The Prisoner of Benda" pushed things to the next level. First hinted at in an American Physical Society interview with showrunner David X. Cohen (previously), staff writer and mathematics Ph.D. Ken Keeler devised a novel mathematical proof based on group theory to resolve the logic puzzle spawned by the episode's brain-swapping (but no backsies!) conceit. Curious how it works? Read the proof (in the show or in plain text), then see it in action using this handy chart. Too much math for a lazy Sunday? Then entertain your brain with lengthy clips from the episode -- including two of the funniest moments in the series in the span of two minutes.
Science Fiction writers Alastair Reynolds, Vernor Vinge, Karl Schroeder and MeFi's own Charles Stross discuss the Singularity - which, Stross cheekily points out, has been around the corner for a good 20 years.
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]