10 posts tagged with ScienceFiction by Iridic.
Displaying 1 through 10 of 10.
Mind Webs: semi-dramatized readings of classic science fiction stories by Le Guin, Ballard, Wolfe, Clarke, Dick, Bester, Bradbury, Sheckley, Lafferty, Leiber, Merril, Brunner, Russ, Davidson, Matheson, Vonnegut, deFord, Asimov, Counselman, Spinrad, Bloch, Niven, Clingerman, Harrison, Sturgeon, Aldiss, Knight, Saberhagen, Saxton, Pohl, Silverburg, Cheever, Zelazny, Farmer, Simak, Dybek, Dahl, Priest, and many others. Originally broadcast between the late 70s and early 90s by WHA (AM) of Madison, Wisconsin. [more inside]
For golden centuries, the clone empresses of the Second Zenith Empire have ruled the galaxy. The source and expression of their power is the Zenith Fleet: a hundred ancient starships, the only vessels in existence capable of exceeding light speed. One of them has somehow disappeared—and you, Astronaut-Superintendent Waechter, must assemble a crew and find it.
Who designed the tricorder, the flip-top communicator, the Vulcan lute, the the Romulan Bird-of-Prey? Wah Chang. Who made the Gorn and the salt vampire from M-113? Who commissioned the first 500 tribbles? Wah Chang. Who made Tarantula take to the hills? Who built the prototype for the time machine and created a monster too terrible to show on television? Who animated dinosaurs and adorned Cleopatra? Wah Chang, Wah Chang, Wah Ming Chang. [more inside]
Before Firefly, there was the television movie White Dwarf, a far-future pseudo-western scripted by Bruce "Wild Palms" Wagner. The story is essentially Kurosawa's Red Beard relocated to the tidally-locked planet of Rusta, a frontier world split between a Victorian dayside culture and a medieval nightside kingdom. Neal McDonough stars as an arrogant young Earth doctor dispatched to a Light Side clinic to complete an internship under the unorthodox Paul Winfield.
The 100 Greatest Painters in Western History (according to the editors of This Recording). [more inside]
"While most other notable British Science Fiction shows were over-ambitious in their special effects, with results ranging from the troubling (Doctor Who) to the disastrous (The Tomorrow People), Sapphire & Steel [ATV, 1979 - 1982] simply did not try to do anything the budget wouldn't allow. The result called for milking surreal horror for all it's worth, creating a show that is, while definitely not for everyone, quite capable of reducing so-inclined viewers to quivering little heaps behind the sofa."
A Canticle for Leibowitz (1981, NPR); an audio adaptation of Walter Miller's 1960 history of the Albertian Order of Leibowitz in the centuries after the Flame Deluge. [more inside]
The play R.U.R. (or Rossum's Universal Robots) and the novel The War with the Newts, both by the redoubtable Karel Čapek.
Hopefully this will put an end to the interminable AskMe questions: Adam Cadre has written a complete retrospective and review of William Sleator’s young adult science fiction.