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2013 Jefferson Lecture with Martin Scorsese (text) [more inside]
posted by kliuless on May 9, 2013 - 3 comments

"Fast Company’s four-hour interview with [Martin Scorsese] for their December-January cover story: How to Lead A Creative Life, was ostensibly about his career, and how he had been able to stay so creative through years of battling studios. But the Hugo director punctuated everything he said with references to movies: 85 of them, in fact." Welcome to Martin Scorsese’s Film School: The 85 Films You Need To See To Know Anything About Film [more inside]
posted by zarq on Feb 26, 2012 - 37 comments

The making of Goodfellas. Twenty years after the movie came out, Scorsese and the cast and crew talk about making the movie -- what was scripted, what wasn't, who was originally considered for the cast -- and how many real wiseguys made it on screen.
posted by devinemissk on Sep 22, 2010 - 117 comments

'The Conversations is a monthly feature in which Jason Bellamy and Ed Howard discuss a wide range of cinematic subjects: critical analyses of films, filmmaker overviews, and more. Readers should expect to encounter spoilers.' Including: Passion of the Christ vs. The Last Temptation of Christ, Mulholland Dr., Pixar, and others.
posted by shakespeherian on May 14, 2010 - 10 comments

"I can only talk about what has moved me or intrigued me," says filmmaker Martin Scorsese at the beginning of this four-hour documentary about his passion for U.S. cinema. "I can't really be objective here." Hallelujah! A Personal Journey with Martin Scorsese Through American Movies is the perfect antidote to the forced and artificial doctrine of the American Film Institute's so-called 100 best films. The AFI's English cousin, the British Film Institute, did a brilliant thing in enlisting Scorsese--probably the most famous student of cinema in the U.S.--to open up and speak at length for this project about the history of artistic survival among Hollywood directors. Scorsese takes a highly intuitive and heartfelt approach in describing how a number of filmmakers--some famous and some forgotten--carefully layered their visions into their work, often against the great resistance or eccentric whims of powerful producers. Film clips are plentiful, but they are also more than window dressing for nostalgia buffs." Part 1 1:: 2:: 3:: 4:: 5:: 6:: 7:: 8 Part 2 1:: 2:: 3:: 4:: 5:: 6:: 7:: 8 Part 3 1:: 2:: 3:: 4:: 5:: 6:: 7:: 8 [more inside]
posted by vronsky on Sep 24, 2009 - 32 comments

The Key to Reserva Scorcese films a “lost” Hitchcock script. [more inside]
posted by breaks the guidelines? on Nov 30, 2007 - 36 comments

In 1974, Martin Scorsese interviewed his parents on film, prompting them to discuss their life together as well as their Sicilian ancestry. The resultant documentary was entitled Italianamerican. Parts 1, 2, 3, 4, 5. [Inspired by...]
posted by Neilopolis on Sep 4, 2007 - 16 comments

The Big Shave (SLYT), an early Scorsese 6-minutes short, also known as Viet '67. Some have interpreted the film as a metaphor for the self-destructive involvement of the US in Vietnam. Background music Bunny Berigan's "I Can't Get Started". (Warning: Early Scorsese!) Previously
posted by growabrain on Sep 2, 2007 - 12 comments

"I don't have any more babes." After offering fans $75 each to show up, Martin Scorsese's film crew prettifies the front row [Coral Cache] of NY's Beacon Theatre for the Rolling Stones' 2007 documentary. Are the boys — not to mention their audience [PDF] — getting a little long in the teeth, or can they rock for ages?
posted by cenoxo on Nov 16, 2006 - 71 comments

2 Hollywood Titans Brawl Over A Gang Epic -- (NYTimes link, I apologize but am unsure of the etiquette on that issue). Martin Scorcese's project Gangs Of New York (about pre-Civil War NYC immigrant gangs) is quickly turning into something akin to Titanic, and not just 'cuz it's got Leo in it. The budget's out of control (maybe someone cheaper than U2 should do the score), the release date's on a backwards spiral (yes, it was supposed to come out last Christmas), some of the content rankles after 9/11, and now Harvey Weinstein wants a new ending. The cherry on top? Its current release date has it pitted against Tom Hanks and Sam "American Beauty" Mendes' The Road To Perdition, another gangster piece. For a relatively complete diary of the film's woes, try the film's page at the always-useful Corona. Think Miramax has its most spectacular dud on the way, or do you trust Scorcese to pull it off?
posted by logovisual on Apr 6, 2002 - 17 comments