The following conversation took place in 2005 in front of an audience at the Telluride film festival in Colorado, after a screening of Martin Scorsese’s documentary, Bob Dylan: No Direction Home.
The New York Review of Books recently celebrated the 50th anniversary of its founding (previously), growing out of an alliance between Harpers editor Robert Silvers and writer Elizabeth Hardwick to find a place for what she called "the unusual, the difficult, the lengthy, the intransigent, and above all, the interesting." Known as the New York Review or the NYRB, it is also known to fans as the best magazine in the world. Next Monday, HBO will air The 50-Year Argument, a documentary by Martin Scorsese about the history of the magazine and what makes it special. [more inside]
Mavis Staples speaks about "The Weight" in "The Last Waltz." Elon Green asks Mavis Staples about her memories of the Staple Singers' unforgettable collaboration with The Band, captured on film in Martin Scorsese's "The Last Waltz." [more inside]
The Wolf of Wallstreet isn't a movie one would necessarily expect to be filled with computer generated imagery, but this video shows some amazing VFX work used in the movie. [more inside]
"Fast Company’s four-hour interview with [Martin Scorsese] for their December-January cover story: How to Lead A Creative Life, was ostensibly about his career, and how he had been able to stay so creative through years of battling studios. But the Hugo director punctuated everything he said with references to movies: 85 of them, in fact." Welcome to Martin Scorsese’s Film School: The 85 Films You Need To See To Know Anything About Film [more inside]
The making of Goodfellas. Twenty years after the movie came out, Scorsese and the cast and crew talk about making the movie -- what was scripted, what wasn't, who was originally considered for the cast -- and how many real wiseguys made it on screen.
'The Conversations is a monthly feature in which Jason Bellamy and Ed Howard discuss a wide range of cinematic subjects: critical analyses of films, filmmaker overviews, and more. Readers should expect to encounter spoilers.' Including: Passion of the Christ vs. The Last Temptation of Christ, Mulholland Dr., Pixar, and others.
"I can only talk about what has moved me or intrigued me," says filmmaker Martin Scorsese at the beginning of this four-hour documentary about his passion for U.S. cinema. "I can't really be objective here." Hallelujah! A Personal Journey with Martin Scorsese Through American Movies is the perfect antidote to the forced and artificial doctrine of the American Film Institute's so-called 100 best films. The AFI's English cousin, the British Film Institute, did a brilliant thing in enlisting Scorsese--probably the most famous student of cinema in the U.S.--to open up and speak at length for this project about the history of artistic survival among Hollywood directors. Scorsese takes a highly intuitive and heartfelt approach in describing how a number of filmmakers--some famous and some forgotten--carefully layered their visions into their work, often against the great resistance or eccentric whims of powerful producers. Film clips are plentiful, but they are also more than window dressing for nostalgia buffs." Part 1 1:: 2:: 3:: 4:: 5:: 6:: 7:: 8 Part 2 1:: 2:: 3:: 4:: 5:: 6:: 7:: 8 Part 3 1:: 2:: 3:: 4:: 5:: 6:: 7:: 8 [more inside]
In 1974, Martin Scorsese interviewed his parents on film, prompting them to discuss their life together as well as their Sicilian ancestry. The resultant documentary was entitled Italianamerican. Parts 1, 2, 3, 4, 5. [Inspired by...]
The Big Shave (SLYT), an early Scorsese 6-minutes short, also known as Viet '67. Some have interpreted the film as a metaphor for the self-destructive involvement of the US in Vietnam. Background music Bunny Berigan's "I Can't Get Started". (Warning: Early Scorsese!) Previously
"I don't have any more babes." After offering fans $75 each to show up, Martin Scorsese's film crew prettifies the front row [Coral Cache] of NY's Beacon Theatre for the Rolling Stones' 2007 documentary. Are the boys — not to mention their audience [PDF] — getting a little long in the teeth, or can they rock for ages?
2 Hollywood Titans Brawl Over A Gang Epic -- (NYTimes link, I apologize but am unsure of the etiquette on that issue). Martin Scorcese's project Gangs Of New York (about pre-Civil War NYC immigrant gangs) is quickly turning into something akin to Titanic, and not just 'cuz it's got Leo in it. The budget's out of control (maybe someone cheaper than U2 should do the score), the release date's on a backwards spiral (yes, it was supposed to come out last Christmas), some of the content rankles after 9/11, and now Harvey Weinstein wants a new ending. The cherry on top? Its current release date has it pitted against Tom Hanks and Sam "American Beauty" Mendes' The Road To Perdition, another gangster piece. For a relatively complete diary of the film's woes, try the film's page at the always-useful Corona. Think Miramax has its most spectacular dud on the way, or do you trust Scorcese to pull it off?