Electric & Musical Industries was formed in 1931, initially releasing classical music, but went on to launch the Beatles, who changed the record label's operations and funded the company for years and years. The label's recording rules were further broadened by Queen and Pink Floyd. EMI ushered punk into the mainstream with Sex Pistols, and then embraced the New Romanticism and the polished excesses of Duran Duran. They made music videos big with Pet Shop Boys and made Brit Pop a thing with Blur, and were home to Radiohead. This is the inside story of EMI, one of the greatest British brands in recording history, as told by people involved with the record label's storied history, augmented by company and performance footage. [more inside]
Hilariously bad Spanish covers of the Sex Pistols, circa 1978. Behold: Anarchy in the UK. [more inside]
"Self-proclaimed knowledge, music, LEGO and die-cast car junkie, Adly Syairi Ramly presents a collection of 20 iconic bands that he’s taken the time to recreate with everyone’s favorite building blocks." [more inside]
The first Sex Pistols show in the USA. (audio only) Atlanta, GA, January 5, 1978.
A remarkably diverse group of legendary musicians have graced the stage of Tulsa's Cain's Ballroom over the years: Jerry Lee Lewis, Little Richard, the Sex Pistols (one of seven stops on their one and only 1978 U.S. tour…the hole in the drywall left by Sid Vicious’ fist is still backstage), the Ramones, Bob Dylan, Willie Nelson, Blondie, The Talking Heads, U2, Ani DiFranco, Elvis Costello, Snoop Dogg, Morrissey, Beck, Wilco, to name a few. A documentary featuring Costello and several other artists who’ve played there is in the works, with proceeds supporting music education in Oklahoma and the upcoming Cain’s Ballroom Museum. Cain’s was recently named one of the top 10 live music venues in the U.S. From 1935 to 1942, Cain’s was home to Bob Wills and The Texas Playboys, who popularized western swing music with weekly dances and a national radio show.
God Save The Thief (automatic download) is a mashup of The Sex Pistols' "God Save The Queen" and Wolfmother's "Joker and The Thief" mixed by The Illuminoids.
Happy 50th Birthday, John Simon Ritchie. Possibly the most famous "musician" to be almost completely unable to play his own instrument, would be 50 years old today, had he lived. Even had he not overdosed in 1978, it's pretty unlikely he would have lived anyway, given his propensity for mayhem.
That ain't bad for two weeks work and 75,000 pounds. On this day in 1977, after being with the label for just six days, punk pioneers The Sex Pistols were fired from A&M Records due to pressure from other label artists and its Los Angeles head office. 25,000 copies of ‘God Save The Queen’ were pressed and the band made £75,000 ($127,500) from the deal, thus cementing the legend of the Great Rock 'n' Roll Swindle. Under pressure by Conservative MP Robert Adley among others due to their outrageous behavior - specifically, their notorious performance on ITV Today with Bill Grundy - EMI had dumped the band in January. Also appearing on television with Grundy and the Pistols that day were members of the Bromley Contingent: Siouxsie Sioux and Steve Severin, who later formed Siouxsie and the Banshees.
"The right man for the job will be aged between 18 and 21 and will presumably need to demonstrate an abundance of energy and the ability to withstand repeated showers of saliva, the traditional punk rock crowd's sign of respect for performers."
But who is the right man?
But who is the right man?
Has Axl Rose Gone to Far? MeFi favorites, the Replacements' Paul Westerberg and Tommy Stinson are said to have worked on Westerberg's new album, much to the chagrin of Axl Rose, Stinson's new boss. Did Rose stop a potential Replacement's Reunion? Does anyone care that the Sex Pistols are going to tour again?