The long take, an uncut, uninterrupted shot in film, is seen by some as the counter to CGI, the last great field for cinematic art. The linked page features six clips from 1990 on, plus the opening shot from Orson Welles' 1958 film, Touch of Evil. Alfred Hitchcock's film from a decade earlier, Rope, took the long cut further, with the whole film shot in eight takes of up to 10 minutes each, a decision shaped by the limit of the physical recording media. With digital media, the long take could be pushed further, as with Russian Ark, from 2002. The movie was shot in one long take, with the narrative working through the history of Russia, set within The State Hermitage Museum, and captured in one day on the 4th take. If the long takes are a tad long for you, try the "short" long takes that are one-shot music videos [videos inside] [more inside]
The Emperor's Bunker. "The Japanese, with sadness and irony, stressed that Hirohito couldn't even speak properly. This was partly to do with the fact that he didn't have to speak - people spoke in his name and he was isolated from real life". "The Sun", the third part in Russian director Aleksandr Sokurov's 'Men of Power' tetralogy after the gloom of Moloch (1999), about Hitler and Eva Braun, and the despairing tones of "Taurus" (2001), focused on the wheelchair-bound Lenin in his death throes, "The Sun" seems almost upbeat. This, after all, is a film about reconciliation. More inside.