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	<title>MetaFilter posts tagged with Sound</title>
	<link>http://www.metafilter.com/tags/Sound/rss</link>
	<description>tag posts with Sound</description>
		  <pubDate>Wed, 16 Apr 2008 17:55:13 -0800</pubDate>
      <lastBuildDate>Wed, 16 Apr 2008 17:55:13 -0800</lastBuildDate>

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		<title>You&apos;re Not My Father</title>
		<link>http://www.metafilter.com/70895/Youre-Not-My-Father</link>
		<description>
		&lt;a href="http://transition.turbulence.org/Works/notmyfather/"&gt;You're Not My Father&lt;/a&gt; Created by &lt;a href=&quot;http://qotile.net/&quot;&gt;Paul Slocum&lt;/a&gt;.

From the project &lt;a href=&quot;http://transition.turbulence.org/Works/notmyfather/full_house_final.pdf&quot;&gt;PDF Document&lt;/a&gt;:

&lt;em&gt;This video project is composed of a sequence of recreations of a 10 second scene from the television show, Full House, overlaid with a set of sound loops from the scene&apos;s original music. 

The crews who re-shot the scene were recruited through Internet message boards and Craigslist, and each of the original 10 crews were paid $150, using a commission of New Radio and Performing Arts, Inc., for Networked Music Review. The project included participants from Austin, Cincinnati, Chicago, Dallas, Denton, London, and San Francisco. 

The following pages of this document are the instructions that were issued to the participants who responded to my ads and message board posts.  Although the commission money has been exhausted, I am still accepting submissions to the project.  If you are interested in participating, follow the instructions in the following pages of this document for shooting the scene and delivering the footage, and I will add the footage to the video sequence online and in any current or future gallery exhibitions. &lt;/em&gt; </description>
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		<pubDate>Wed, 16 Apr 2008 17:55:13 -0800</pubDate>

<category>fullhouse</category>

<category>slocum</category>

<category>paulslocum</category>

<category>craigslist</category>

<category>video</category>

<category>loop</category>

<category>sound</category>

<dc:creator>defenestration</dc:creator>
	</item>
      <item>
		<title>Heck of a job, Creative</title>
		<link>http://www.metafilter.com/70353/Heck-of-a-job-Creative</link>
		<description>
		A geek named daniel_k wanted to help his fellow Vista users.  He created a set of drivers that would get their Creative sound cards working under Vista -- something beyond the ken and expertise of Creative&apos;s engineering team.  Creative VP Phil O&apos;Shaughnessy, however, took umbrage.  The results?  &lt;a href=&quot;http://forums.creative.com/creativelabs/board/message?board.id=soundblaster&amp;thread.id=116332&quot;&gt;A PR disaster&lt;/a&gt; with hundreds of users pledging to boycott.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.70353</guid>
		<pubDate>Sun, 30 Mar 2008 09:07:52 -0800</pubDate>

<category>creative</category>

<category>sound</category>

<category>card</category>

<category>pr</category>

<category>marketing</category>

<dc:creator>ed</dc:creator>
	</item>
      <item>
		<title>That Crouton Looks Like Aunt Marge!</title>
		<link>http://www.metafilter.com/70325/That-Crouton-Looks-Like-Aunt-Marge</link>
		<description>
		&lt;a href=&quot;http://schizoidman.com/top-20-things-that-look-like-other-things.html&quot;&gt;Things That Look Like Other Things&lt;/a&gt;. Also known as &lt;a href=&quot;http://en.wikipedia.org/wiki/Pareidolia&quot;&gt;pareidolia&lt;/a&gt;, it&apos;s the phenomenon in which our brains perceive familiar things (especially faces and human forms) in random places. See also &lt;a href=&quot;http://www.bad-language.com/popetart&quot;&gt;The Pareidolia Museum &lt;/a&gt;and the &lt;a href=&quot;http://www.flickr.com/groups/pareidolia/pool/&quot;&gt;Flickr pareidolia pool&lt;/a&gt;. &lt;small&gt;[Previous pareidolia-related threads &lt;a href=&quot;http://www.metafilter.com/contribute/search.mefi?site=mefi&amp;q=pareidolia&quot;&gt;here&lt;/a&gt;]&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.70325</guid>
		<pubDate>Fri, 28 Mar 2008 22:56:24 -0800</pubDate>

<category>pareidolia</category>

<category>apparition</category>

<category>sight</category>

<category>sound</category>

<category>phenomena</category>

<dc:creator>amyms</dc:creator>
	</item>
      <item>
		<title>Researchers Play Tune Recorded Before Edison See also Phonoautograph</title>
		<link>http://www.metafilter.com/70270/Researchers-Play-Tune-Recorded-Before-Edison-See-also-Photoautograph</link>
		<description>
		&lt;a href=&quot;http://www.nytimes.com/2008/03/27/arts/27soun.html?_r=1&amp;ref=us&amp;pagewanted=print&amp;oref=slogin&quot; title=&quot;The 10-second recording of a singer crooning the folk song &#8220;Au Clair de la Lune&#8221; was discovered earlier this month in an archive in Paris by a group of American audio historians. It was made, the researchers say, on April 9, 1860, on a phonautograph, a machine designed to record sounds visually, not to play them back. But the phonoautograph recording, or phonoautogram, was made playable &#8212; converted from squiggles on paper to sound &#8212; by scientists at the Lawrence Berkeley National Laboratory in Berkeley, Calif.&quot;&gt;Researchers Play Tune Recorded Before Edison &lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.ieee-virtual-museum.org/collection/tech.php?taid=&amp;id=2345805&amp;lid=1&quot; title=&quot;The phonoautograph consisted of a cone-shaped speaking horn with a flexible covering on the small end. A sharp point was attached to the flexible diaphragm, and it touched the surface of a piece of paper. The paper was covered with a thin layer of black soot, and if it were moved beneath the stylus as someone shouted down the horn, the resulting vibration of the diaphragm would be captured as a squiggly line in the soot on the paper... The phonautograph could record but not play.&quot;&gt;The Phonoautograph &lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.talkingmachine.org/phonautograph.html&quot; title=&quot;Leon Scott&apos;s ambition was to produce an oral shorthand. Thomas Young&apos;s apparatus (1800), even when improved by other workers mentioned above, provided no means of translating human speech into graphs.&quot;&gt;The history of the Phonoautograph&lt;/a&gt;. A technology in which you can still buy &lt;a href=&quot;http://www.scripophily.net/phoncom19.html&quot; title=&quot;Beautifully engraved certificate from the Phonautograph Company issued in 1901. &quot;&gt;stock.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.70270</guid>
		<pubDate>Thu, 27 Mar 2008 07:49:18 -0800</pubDate>

<category>Music</category>

<category>Sound</category>

<category>Recording</category>

<category>Technology</category>

<category>Edison</category>

<category>LeonScott</category>

<category>Photoautograph</category>

<dc:creator>y2karl</dc:creator>
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      <item>
		<title>Early Electronic Instruments</title>
		<link>http://www.metafilter.com/70183/Early-Electronic-Instruments</link>
		<description>
		&lt;a href=&quot;http://en.wikipedia.org/wiki/Elisha_Gray&quot; title=&quot;Wikipedia entry for Elisha Gray&quot;&gt;Elisha Gray&lt;/a&gt; could have been known to us as the inventor of the telephone. Instead, he goes down in history as the accidental creator of one of the first &lt;a href=&quot;http://www.obsolete.com/120_years/&quot;&gt;electronic musical instruments&lt;/a&gt;, the &quot;Musical Telegraph.&quot;  There are many other examples of early electronic instruments, including: the &lt;a href=&quot;http://www.synthmuseum.com/magazine/0102jw.html&quot; title=&quot;A 200-ton instrument to transmit music through New York telephone lines&quot;&gt;Teleharmonium&lt;/a&gt;, the &lt;a href=&quot;http://www.obsolete.com/120_years/machines/audion_piano/index.html&quot; title=&quot;keyboard used one of his Audio triode tubes for each octave&quot;&gt;Audion&lt;/a&gt; &lt;a href=&quot;http://ieee-virtual-museum.org/collection/tech.php?id=2345938&amp;lid=1&quot; title=&quot;keyboard instrument used oscillators to produce electromagnetic waves at a particular frequency&quot;&gt;Piano&lt;/a&gt;, the &lt;a href=&quot;http://www.obsolete.com/120_years/machines/optophonic/index.html&quot; title=&quot;Instrument projected lighted patterns on a wall when pitches were selected on the keyboard&quot;&gt;Optophonic&lt;/a&gt; &lt;a href=&quot;http://dbr.club.fr/exempled.htm&quot; title=&quot;example of one key effect&quot;&gt;Piano&lt;/a&gt;, the &lt;a href=&quot;http://www.trautonium.com/&quot; title=&quot;played by pressing a wire to a metal bar&quot;&gt;Trautonium&lt;/a&gt;, the &lt;a href=&quot;http://www.obsolete.com/120_years/machines/martenot/&quot; title=&quot;one hand pulls a ring to change pitch while the other hand and knee control various parameters&quot;&gt;Ondes&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=IA00Wug6uyc&amp;fmt=6&quot; title=&quot;YouTube video of the instrument being played&quot;&gt;Martenot&lt;/a&gt;, the &lt;a href=&quot;http://musicmavericks.publicradio.org/rhythmicon/&quot; title=&quot;Play the instrument online&quot;&gt;Rhythmicon&lt;/a&gt;, the &lt;a href=&quot;http://www.oddmusic.com/gallery/om29000.html&quot; title=&quot;tones are produced by pressing against a touch-sensitive fingerboard while volume is controlled with a lever&quot;&gt;Theremin Cello&lt;/a&gt; and the better-known Aetherphone (aka &lt;a href=&quot;http://en.wikipedia.org/wiki/Theremin&quot; title=&quot;wik article since this instrument is so well-known&quot;&gt;Theremin&lt;/a&gt;) to name a few.  MetaFilter discussed &lt;a href=&quot;http://www.metafilter.com/60765/soundwaves&quot; title=&quot;Thread by the AMAZING nickyskye&quot;&gt;odd music&lt;/a&gt; previously.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.70183</guid>
		<pubDate>Tue, 25 Mar 2008 05:10:11 -0800</pubDate>

<category>electronic</category>

<category>music</category>

<category>odd</category>

<category>notobsolete</category>

<category>sound</category>

<dc:creator>terrapin</dc:creator>
	</item>
      <item>
		<title>The Sound Of Clothes</title>
		<link>http://www.metafilter.com/69839/The-Sound-Of-Clothes</link>
		<description>
		&lt;a href="http://www.showstudio.com/projects/anechoic/"&gt;The Sound Of Clothes&lt;/a&gt; features &lt;i&gt;the precise sound of fashion materials such as feathers, sequins, glass crystals and beads, nylon, taffeta, leather, velvet, jacquard, zips and metallic chains&lt;/i&gt;, recorded in an anechoic chamber. &lt;small&gt;Videos linked from the page might be NSFW.&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69839</guid>
		<pubDate>Wed, 12 Mar 2008 09:58:05 -0800</pubDate>

<category>clothes</category>

<category>sound</category>

<category>fashion</category>

<category>anechoic</category>

<category>anechoicchamber</category>

<category>recording</category>

<category>video</category>

<category>NSFW</category>

<dc:creator>jack_mo</dc:creator>
	</item>
      <item>
		<title>Not With Reynols</title>
		<link>http://www.metafilter.com/69369/Not-With-Reynols</link>
		<description>
		&lt;a href=&quot;http://blog.wfmu.org/freeform/2007/10/dan-warburton-i.html&quot;&gt;I Am Not&lt;/a&gt; &lt;a href=&quot;http://www.paristransatlantic.com/warburton/reynols.html&quot;&gt;Sitting In A Room&lt;/a&gt; &lt;a href=&quot;http://www.void.gr/absurd/absurd/_a26_50/a43/a43.html&quot;&gt;With&lt;/a&gt; &lt;a href=&quot;http://www.ubu.com/sound/reynols.html&quot;&gt;Reynols&lt;/a&gt;. &lt;small&gt;&lt;a href=&quot;http://www.metafilter.com/52996/I-am-going-to-play-it-back-into-the-room-again-and-again&quot;&gt;Previously&lt;/a&gt;.  &lt;a href=&quot;http://www.metafilter.com/44109/Theres-no-such-thing-as-noise-only-sound&quot;&gt;Related&lt;/a&gt;.&lt;/small&gt; </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69369</guid>
		<pubDate>Mon, 25 Feb 2008 15:03:22 -0800</pubDate>

<category>danwarburton</category>

<category>reynols</category>

<category>alvinlucier</category>

<category>iamsittinginaroom</category>

<category>noise</category>

<category>sound</category>

<category>art</category>

<category>soundart</category>

<dc:creator>jtron</dc:creator>
	</item>
      <item>
		<title>Put your headphones on</title>
		<link>http://www.metafilter.com/69257/Put-your-headphones-on</link>
		<description>
		New Scientist has a feature on &lt;a href=&quot;http://www.newscientist.com/channel/being-human/dn13355-music-special-five-great-auditory-illusions-.html&quot;&gt;5 great auditory illusions&lt;/a&gt;. (via &lt;a href=&quot;http://www.mindhacks.com/blog/2008/02/five_auditory_illusi.html#comments&quot;&gt;Mind Hacks&lt;/a&gt;)  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69257</guid>
		<pubDate>Thu, 21 Feb 2008 02:47:12 -0800</pubDate>

<category>auditoryillusions</category>

<category>sound</category>

<category>phantomwords</category>

<category>hearing</category>

<dc:creator>Lezzles</dc:creator>
	</item>
      <item>
		<title>(NSC) - RIP Ron Murphy, master vinyl cutter.</title>
		<link>http://www.metafilter.com/69033/NSC-RIP-Ron-Murphy-master-vinyl-cutter</link>
		<description>
		&lt;a href=&quot;http://myspace.com/ronmurphymemorial&quot;&gt;Ron Murphy&lt;/a&gt; cut records, but not just any records.

Responsible for cutting the actual vinyl master plates of much of the now revered &lt;a href=&quot;http://www.discogs.com/artist/Ron+Murphy&quot;&gt;Detroit Techno&lt;/a&gt; including Jeff Mills, Carl Craig, Underground Resistance&apos;s seminal &lt;a href=&quot;http://www.youtube.com/watch?v=xxQMxjX56-8&quot;&gt;Knights of the Jaguar&lt;/a&gt;, and much more - he demonstrated impeccable craftsmanship and skill in both mastering records for sound and aesthetics at company known as &lt;a href=&quot;http://soundenterprises.com.nyud.net/&quot;&gt;Sound Enterprises&lt;/a&gt; &lt;small&gt;&lt;a href=&quot;http://soundenterprises.com&quot;&gt;source link&lt;/a&gt;&lt;/small&gt; AKA &lt;a href=&quot;http://www.discogs.com/label/NSC+Records&quot;&gt;National Sound Corporation.&lt;/a&gt; &lt;a href=&quot;http://www.metrotimes.com/blahg/journal_item.asp?journalid=262&quot;&gt;Schooled in Motown, dubplates and jukeboxes&lt;/a&gt;, he is the bespoke-crafted, analog link between the digital future and analog past that is the roots of Techno music and modern techno DJ culture.&lt;/small&gt; &lt;a href=&quot;http://sound.modelfruit.com.nyud.net/sets/ron_murphy-submerge_interview.mp3&quot;&gt;One hour interview here, in mp3 format.&lt;/a&gt; &lt;small&gt;(Coral Cache link. Original link &lt;a href=&quot;http://sound.modelfruit.com/sets/ron_murphy-submerge_interview.mp3&quot;&gt;here.&lt;/a&gt; Which includes gems such as &quot;Richie Hawtin? Well, here&apos;s the Elvis of Techno!&quot;. He&apos;s a lovely curmudgeon, I promise. It&apos;s worth the download just for the tracks they play in the background and breaks in the interview, all NSC-cut tracks.)&lt;/small&gt;

Are you a DJ? Own any older techno, club or pop-remix club vinyl? Look for the handwritten (NSC) tag on the run-out spiral on the inside of the record, nearest the label. Ron Murphy cut the plates for that record.

Ron Murphy also pushed the the boundaries of plate cutting with his &lt;a href=&quot;http://www.discogs.com/search?type=all&amp;q=NSC-X2+Groove&amp;btn=Search&quot;&gt;NSC-X2&lt;/a&gt; technique, spiraling two separate tracks together in a paired helix on the platter. He also experimented with reverse spirals, locked ending grooves, and hybrid platters where the outside track spiraled in normally, and the inside track spiraled out and they met between mid-record in a locked groove.

Thanks, Ron, for making it sound so good, and caring. </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.69033</guid>
		<pubDate>Wed, 13 Feb 2008 02:55:52 -0800</pubDate>

<category>History</category>

<category>DJ</category>

<category>Techno</category>

<category>Dance</category>

<category>Motown</category>

<category>Craft</category>

<category>Bespoke</category>

<category>Art</category>

<category>Music</category>

<category>Club</category>

<category>Sound</category>

<category>Engineering</category>

<category>Recording</category>

<category>Record</category>

<category>Records</category>

<category>Vinyl</category>

<category>Mixer</category>

<dc:creator>loquacious</dc:creator>
	</item>
      <item>
		<title>Edward Samuel&apos;s Illustrated History of Copyright</title>
		<link>http://www.metafilter.com/68671/Edward-Samuels-Illustrated-History-of-Copyright</link>
		<description>
		&lt;a href="http://www.edwardsamuels.com/copyright/index.html"&gt;Edward Samuel's Illustrated History of Copyright&lt;/a&gt; A fascinating illustrated historical tour, looking at how different technologies have shaped how we think about copyright and intellectual property.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2008:site.68671</guid>
		<pubDate>Thu, 31 Jan 2008 10:49:00 -0800</pubDate>

<category>copyright</category>

<category>history</category>

<category>technology</category>

<category>printing</category>

<category>books</category>

<category>music</category>

<category>film</category>

<category>movies</category>

<category>sound</category>

<category>television</category>

<category>internet</category>

<category>sociotechnical</category>

<category>law</category>

<category>oldskool</category>

<dc:creator>carter</dc:creator>
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