In 1986,[Vladimir] Horowitz announced that he would return to the Soviet Union for the first time since 1925 to give recitals in Moscow and Leningrad. In the new atmosphere of communication and understanding between the USSR and the USA, these concerts were seen as events of political, as well as musical, significance. [more inside]
posted by Trurl on Nov 25, 2011 - 13 comments

Do you know how many time zones there are in the Soviet Union?
posted by finite on Sep 28, 2008 - 78 comments

Giants of Soviet opera are little known in the West. But Victor Han has taken it upon himself to keep their memory alive....my personal favorite is Mark Reizen, a deeply nuanced bass, who was powerful enough to carry on singing into his ninth decade. If you'd care to follow along with some of the songs, you can use Emily Ezust's massive archive of lyrics, to which Victor contributes. Or, try listening in English first. Too much music? Here's some reading.
posted by StrikeTheViol on May 13, 2007 - 9 comments

Zvukovye Pis'ma: Musical letters from the Soviet Union during the 1950s, with images and audio. More information for those that can decipher it.
posted by monju_bosatsu on Dec 31, 2006 - 4 comments

Shostakovichiana. Documents and articles about one of the twentieth century's greatest composers, some of them focusing on the problems he encountered working under a totalitarian system. Some highlights :- 'Do not judge me too harshly': anti-Communism in Shostakovich's letters; 'You must remember!': Shostakovich's alleged 1937 interrogation; About Shostakovich's 1948 downfall. More related material can be found at the Music under Soviet Rule page.
There are a number of interesting sites dealing with music expression and censorship generally. The US Holocaust Memorial Museum has a site on the music of the concentration camps - 'While popular songs dating from before the war remained attractive as escapist fare, the ghetto, camp, and partisan settings also gave rise to a repertoire of new works. ' Here's a Guardian article on the Blue Notes, who 'fought apartheid in South Africa with searing jazz'. Here's a page about the Drapchi 14, Tibetan nuns who 'recorded independence songs and messages to their families on a tape recorder' (and were subsequently punished). Finally, a page on records which were banned from BBC radio during the 1991 Gulf War (example :- 'Walk Like an Egyptian').
posted by plep on Mar 26, 2003 - 18 comments