Archetype is a seven minute sci-fi short by Aaron Sims, which despite being a no-budget project, features amazingly high quality special effects.
[more inside]
posted by quin
on Jan 24, 2012 -
17 comments
"One day a little boy came up, he must have been about four and he saw me taking off my (prosthetic) legs and he started with the 'why' questions, you know, 'why haven't you got any legs', etc. And I said 'have you heard of The Little Mermaid?' and he said 'yes' and I said 'I'm a mermaid' and he got this look on his face and he said 'wow that's cool' and ran off to tell his dad.
I'll have to turn up to that beach again sometime with my tail - just in case he's there."
Weta Digital are the special effects team behind the costumes, weapons and creatures of the
Lord of the Rings movies,
Avatar and even
a sonic screwdriver prop that could be making an appearance on the next season of Doctor Who. In 2009, they
created a fully functional mermaid tail pro bono for Nadya Vessey,
an Auckland woman who is a double leg amputee. Video News Report:
1,
2.
posted by zarq
on Apr 5, 2011 -
37 comments
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the
Grandfather of Visual Effects.
[more inside]
posted by Paragon
on Feb 3, 2010 -
31 comments
Mac Vs. PC. Inspired by
Transformers, this short visual effects piece shows us what would happen if our home computers could turn into robots and started beating each other up.
posted by Effigy2000
on Dec 22, 2008 -
48 comments
CGchannel.com has a brief but fairly informative feature on the two CG effect "set pieces" in the recent movie S.W.A.T. I thought the movie was a quite respectable summer spectacle - the helicopter crash in particular was quite well-done - and it's usually fun and instructive to see how these things are done.
posted by GriffX
on Sep 12, 2003 -
3 comments
Seeing The Matrix yesterday (and just before it, the preview for the third Terminator movie) reminded me of this old David Foster Wallace essay
"F/X Porn", in which he points out how Hollywood blockbusters have become the equivalent of your average "2 for $10.99!!" XXX rentals.
[Google cached version here.]
posted by slipperywhenwet
on Jun 13, 2003 -
36 comments
Jarrett's Blood Splatter Photoshop Tutorial. Learn to create horrific violence in this step-by-step guide from a Fark Photoshopper. "After you're done with the blood splatters, you might want to add shreds of clothing or body parts at your discretion." And they say reading Fark won't teach you anything.
posted by vraxoin
on May 1, 2003 -
18 comments
Maunday, Toosday, Thursday, Saturday... The special effects of the Godfather. How did they rig Santino's tollbooth demise? How did Moe Greene get shot through the lens of his glasses? Great reading for any movie or special-effects geek.
posted by GriffX
on May 22, 2002 -
3 comments
More - movie short One of the most amusing Javascript special effects I've seen in a long time. J/k This short movie done in flash rockzor's.
posted by Niahmas
on Nov 23, 2001 -
15 comments
Low or no budget horror films. They're awful, and oh so enticing (prolly 'cause they can be awful, amusing, and sometimes really good).
How do you do
special effects on no budget? Boggles the mind. As Halloween as it gets, the independant film makers and horror officiandos have their own
portal. Crawl down these
haunted corridors at your own risk.
posted by Wulfgar!
on Oct 31, 2001 -
7 comments