"I would like to do better, to be better than I am". He's the French New Wave
maverick and Academy Award winner (
at 26, for his first short) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that "
no description, no picture can reveal the true dimension" of what happened in the camps -- made what François Truffaut called "
the greatest film ever made", duly
censored by French authorities. Four years later he baffled audiences with "
the first modern film of sound cinema",
shattering the rules of chronology to describe the “anguish of the future”: even if all he ever wanted was "
to stop death in its tracks"
(French language link),
only for one minute. But he is also the unabashed lover of
la bande dessinée who
learnt English by reading comic books and
in the Seventies dreamed (French language link) of making
"Spider-Man" into a movie (the Hollywood studios were not convinced), the
MGM old-school musical and
operetta nut so in love with design that "
half of the fashion photography of the past 40 years owes a debt" to him. Now,
Alain Resnais' new
work, just shown
at the Venice Film Festival where
his buddy David Lynch was awarded a lifetime achievement Golden Lion, is a French film
inspired by an
English play with 54 short scenes, music by the X-Files's Mark Snow. (more inside)
posted by matteo
on Sep 8, 2006 -
20 comments
Indian Superman is a movie of questionable legality released in India in the mid eighties. Perhaps it should have had a wider release since it has a great deal of humorous appeal for Western audiences. Check out this
review from Stomp Tokyo. I'm looking forward to a crossover when Indian Superman meets
Indian Spider-Man. via
Sepia Mutiny
posted by rks404
on Aug 17, 2004 -
10 comments
I think he liked the new Spider Man movie. Not only includes many arguments for why the movie is great, but goes so far as to say that Art is "culturally irrelevant," has been replaced by movies as the most successful reflection of our times, and that this movie will stand not merely as the best film of 2002, but might well be studied in the future as the creative work most symbolic of America in these troubled modern times. Wow. Now THAT's a good flick!
posted by conquistador
on May 7, 2002 -
43 comments
The entertainment industry reacts. Fox's "24" delayed. "Spider-Man" twin towers scene removed. Ah-nold's "Collateral Damaged" and Tim Allen's "Big Trouble" postponed indefinitely, TV skyline shots being re-edited, televised action movies being replaced with more humor and upbeat programming. How long will it last? And having been probed for so long, will the gaming industry do anything in turn?
posted by teradome
on Sep 13, 2001 -
33 comments