For Westerners, the index case of subculture has to be the
1960s UK conflict between the razor-sharp, tailored
mods and their mortal enemies, the greasy
rockers.
Difference was critical to these first self-identified youth subcultures: difference in dress, in music, in drug of choice, in the favored
mode of
transport...everything. This obsessive focus on not just standing out, but standing out
just so - on showing the world precisely the right angle of a hat, length of a coat, shortness of hair - has defined many a subculture since. We recognize
b-boys,
ganguro girls, and
straightedge punks by such deployments, among many, many other identifiable groups. (It's not just a youth thing, either:
leathermen and the
delightfully recrudescent roller derby culture are largely adult phenomena.)
To a devotee of a given subculture, such matters, far from being a "narcissism of small differences," are a matter of pivotal import in framing how one presents oneself to the world:
how we want to be seen, how we want others to understand us. But I'm getting older now, and further out of the loop, and I realize that just maybe I'm losing the ability to discern these differences in the people I pass walking down the street. I find myself asking, who and where are the new subcultures? And how do they choose to present themselves to us?
posted by adamgreenfield
on Sep 25, 2004 -
17 comments
Tooling around today, I happened upon small but burgeoning subculture-
gay Heavy Metal fans. Headbanging and Rainbow Pride stickers may seem like an odd combo until you think of the number of openly gay performers in Hard Rock (Roddy Bottum of
Faith No More, Doug Pinnick of
King's X-a gay
Christian metalhead, and of course the great Rob Halford formerly of the legendary
Judas Preist. I dunno whether this is a large trend or merely people coming out of yet another closet, but it's nice to see metal shaking off it's homophobic image.
posted by jonmc
on Mar 21, 2002 -
17 comments
