was an HBO series that ran three seasons from 2008 through 2010. Adapated - often word-for-word - from the Israeli drama BeTipul
, it depicted the weekly sessions of a psychologist (Emmy-nominated Gabriel Byrne
) with his patients (including Debra Winger
, Emmy-nominated Hope Davis
, and, in her first American role, Mia Wasikowska
) and with his own therapist (Emmy-winning Dianne Wiest
). The filming of the series placed extraordinary demands on Byrne - which are well described in this interview
with showrunner Warren Leight. (h/t: MCMikeNamara)
You can watch its entire first episode here
. (possible spoilers throughout)
posted by Egg Shen
on Oct 15, 2012 -
A fascinating interview with Vince Gilligan, showrunner of Breaking Bad.
The questions are as excellent as the answers.
This points to that quality of improvisation with the work you’re doing. In a traditional crime show, like “CSI,” if it were a big band, it’s a big band working off charts. The arrangements are very tightly controlled. And what I sense with “Breaking Bad” is a sense of, I don’t know, “John Coltrane on acid.” You have this sense of improvisation where you go with things you know, where you tell the story the length it needs to be told. You’re inspired collectively by a moment and you decide to go deeper into that moment. You’re in essence leading a parallel life with your characters and letting those characters take you where they want to go — not necessarily where the dictates of commercial convention say they have to go.
Meanwhile, Alan Sepinwall asks actors Bryan Cranston (2)
and Aaron Paul
about some of their most iconic moments on the show. [more inside]
posted by Rory Marinich
on Jul 25, 2012 -
TV serials, says Richard Beck, self-consciously set out from the very beginning to get us to take them seriously. From Hill Street Blues
to The West Wing
to The Sopranos
and The Wire
, how the television series convinced us that it was art
— and now, why Lost
's achievement of success via casual genre mixing and narrative derangement might signal that there's no future creative ground left within the old limits of serial drama.
posted by hat
on May 24, 2010 -
Winner of an Emmy for best dramatic series in 1988, thirtysomething (ABC, 1987-1991) represented a new kind of hour-long drama, a series which focused on the domestic and professional lives of a group of young urban professionals-- a socio-economic category of increasing interest to the television industry. The series attracted a cult audience of viewers who strongly identified with one or more of its eight central characters, a circle of friends living in Philadelphia. And its stylistic and story-line innovations led critics to respect it for being "as close to the level of an art form as weekly television ever gets," as the New York Times put it.
- Museum of Broacast Communications [more inside]
posted by Joe Beese
on Jun 9, 2009 -
is quite possibly the best television show ever produced. Not only is it amazingly gripping stuff, it's also meticulously researched. (Pretty easy to do when the entire city
is a registered historic landmark
Sure, we all know that Wild Bill
and Calamity Jane
were real people. As it turns out, though, almost every
main character in the show (and many minor ones) had a real life counterpart, as did many of the events
Deadwood notables EB Farnum
, Reverend H W Smith
, Seth Bullock
and his partner Sol Star
, Colorado Charlie Utter
, Al Swerengen
with his Gem Saloon, and the crosseyed gambler Jack McCall
all lived and breathed in one of America's most storied cities.
posted by absalom
on Dec 10, 2004 -