Model View Culture is a new online publication that concerns itself with technology, culture and diversity. [more inside]
Don't fight it. It's the year of the oral history. If there hasn't yet been an oral history on your favorite pop culture phenomenon, it won't be long. In the meantime, for your reading pleasure, how about starting with an oral history of Captain Marvel: The Series? Or perhaps you'd rather read about The Telluride Bluegrass Festival? If your taste runs more toward technology, check out an oral history of Apple design. More reading inside! [more inside]
The Columbia Journalism Review interviews Evgeny Morozov: Evgeny vs. the internet
The entire Morozov aesthetic is in this sentence: the venom, the derision, the reverse jujitsu of his opponents’ sanctimony, the bald accusation that all the talk about a new age of human flourishing is nothing but an attempt to vamp the speaker’s consulting business. Tech enthusiasts channel hope. Tech skeptics channel worry. Morozov channels anger, and this can be a very satisfying emotion to anyone unconvinced that everything is getting better. Leon Wieseltier, who has published some of Morozov’s most acid criticism at The New Republic, compares him to the ferocious jazz musician Charles Mingus, who once responded to an interviewer who accused him of “hollerin’ ” by saying, “I feel like hollerin’.” I asked Morozov if he considers his Twitter feed, which spews a constant stream of invective and absurdist satire, to be performative. This was a bit like asking Mingus if he considers jazz performative. “Absolutely,” he said. “I consider it art.”[more inside]
Silent Technical Privilege. "Even though I didn't grow up in a tech-savvy household and couldn't code my way out of a paper bag, I had one big thing going for me: I looked like I was good at programming."
Take a stroll through French artist Vincent Fournier‘s [previously] gallery of animal photographs, and you’re likely to come across some creatures you’ve never seen before. Like, for instance, a jellyfish that is capable of electronically transmitting data across the Abyssal depths of the ocean. Or, perhaps, a scorpion that can perform semi-automated surgery on humans. “These creatures come from the future—an imagined future, based loosely on current research on synthetic biology and genetic engineering,” says Fournier, of his project Post-Natural History, a series of digitally-altered photos of animals that do not yet exist. “The idea is that these are living species, reprogrammed by mankind to better fit our environment as well as to adapt to new human desires.”
BBC Future predicts what will happen over the next 150 years, and also for the next 100 quintillion years, in handy infographic form.
Requiem for a Twitter Bot - Bixby Snyder bot is no more.
Vooza is synonymous with bold innovation. Vooza is making our world a better place. Vooza engineers run far ahead of the pack. Vooza lives and dies by its design. Vooza is uncompromising in its pursuit of integrity. Learn more about Vooza here.
Collision Detection. "They sit cross-legged, facing each other, six thousand miles apart. Then he strokes her cheek." [Via]
Best known for creating the nostalgic mash-up REMEMBER series (previously), Youtube user Thepeterson teams up with Slackstory to create another video clip time machine: REMEMBER 1994
China’s Space Program Is Taking Off — "Its engineers have caught up with Europe when Europe was 20 years behind the space-racing superpowers. But by 2020 or a little thereafter, when the International Space Station (ISS) may be on its last legs, Chinese space managers expect to have a Mir-class space station in orbit. ... As was the case with the Cold War space powers, China's leaders are using human spaceflight to signal the world—and the long-suffering Chinese people—that Beijing's state-capitalism approach has won modern superpower status for their ancient society." From Aviation Week & Space Technology, November 25, 2013.
Wow! Microsoft is thinking about bringing back the Start Menu and Modern apps on the Desktop. This is perfect timing! Here you’ll why it’s a good idea and how they should do it.
"After two decades online, I'm perplexed. It's not that I haven't had a gas of a good time on the Internet. I've met great people and even caught a hacker or two. But today, I'm uneasy about this most trendy and oversold community. Visionaries see a future of telecommuting workers, interactive libraries and multimedia classrooms. They speak of electronic town meetings and virtual communities. Commerce and business will shift from offices and malls to networks and modems. And the freedom of digital networks will make government more democratic. Baloney. Do our computer pundits lack all common sense? The truth [is] no online database will replace your daily newspaper, no CD-ROM can take the place of a competent teacher and no computer network will change the way government works." A view of the Internet's future from February 26, 1995 at 7:00 PM
The worst thing about cats is that you can't play with them unless you're physically present. Being elsewhere means being unable to play with a cat! It's a horrible situation, but now there's a solution. iPet Companion lets you select a shelter and control a camera and trigger toys in the selected shelter's kitty play room. If there's other people on that shelter's page, you'll have to wait your turn, but turns are two minutes long so there's rarely much of a wait.
Recently Emily Graslie, of the fantastic natural history tumblr and youtube series TheBrainScoop, was asked a question about whether she had personally experienced sexism in her field. Her response is fucking amazing.
Inside is her goldmine of awesome female science educators online with channels that focus on Science Technology Engineering and Math. My work day is fucked.[more inside]
For over 17 years Furtherfield gallery, London, has been working in practices that bridge arts, technology, and social change. As its physical and online territories expand to include a new 'Commons' lab space curator, director and critic Marc Garrett reflects on the gallery's rich history, arguing that art from beyond the mainstream exhibits an ever burgeoning oppositional agency. [prev-iously]
Most of America's silent films are lost forever, according to the newly released Library of Congress report The Survival of American Silent Feature Films: 1912–1929. (You can look up the ones that survive in this handy database). [more inside]
When did our plainest punctuation mark become so aggressive? (New Republic) “In the world of texting and IMing … the default is to end just by stopping, with no punctuation mark at all,” Liberman wrote me. “In that situation, choosing to add a period also adds meaning because the reader(s) need to figure out why you did it. And what they infer, plausibly enough, is something like ‘This is final, this is the end of the discussion or at least the end of what I have to contribute to it.’”
Installed solar capacity is growing by leaps and bounds, led by Walmart and Apple, and helped by bonds backed by solar power payments,[*] which have sent industry stocks soaring, even as molten salt and new battery technologies come on line to generate storage for use when the sun doesn't shine. Of course we could always go to geostationary orbit -- or the moon -- as well we may (if politics allow it) as thirst from the developing world grows beyond the earth's carrying capacity. [more inside]
You might now be running in your head to a well worn path of justified resistance, phoning up the ol’ gang, circling the hippocampian wagons of amygdalian resistance. Hold on a sec, pilgrim. Yahoo urges its employees to switch from using outlook to Yahoo Mail in a bizare internal email. Meanwhile, as Microsoft abandons the hated practice of stack ranking Yahoo adopts it as its own. But hey, they have Katie Couric now!
British Airways #lookup Watching this makes me feel like I am in the future. Enjoy!
On Lulu, women can rate men in categories — ex-boyfriend, crush, together, hooked-up, friend or relative — with a multiple-choice quiz. Women, their gender verified by their Facebook logins, add pink hashtags to a man’s profile ranging from the good (#KinkyInTheRightWays) to the bad (#NeverSleepsOver) to the ugly (#PornEducated). The hashtags are used to calculate a score generated by Lulu, ranging from 1 to 10, that appears under the man’s profile picture. (The company’s spokeswoman declined to explain the ratings algorithm.) Men can add hashtags, which appear in blue, but these are not factored into their overall score. (SLNYT)
Cloud services that power email and other technologies we use each day are themselves massive energy consumers. Gigaom reporters have written a pair of in-depth articles about efforts by Amazon and Apple to build infrastructure and source their own energy.
Auto Correct — Has the self-driving car at last arrived? From The New Yorker, November 25, 2013.
Today marks 25 years since Buran, the enigmatic Soviet Space Shuttle clone, made her single unpiloted 2-orbit flight before an inglorious retirement like her known siblings.
The robots are here. George Mason University economist Tyler Cowen predicts that the trend towards automation will squeeze the middle class further still, and compares its effects on American politics to a too-overlooked 1955 short story by Isaac Asimov.
The Eidophusikon, an early form of motion picture, is a theatrical technology developed by fine art painter and theatrical set designer Philip de Loutherbourg using sound, colored filters, mechanical works, light from newly invented Argand lamps, mirrors and more . It was first exhibited at his home in 1781, featuring five scenes of land and seascape. In recent years, recognition of this as an early chapter in cinema history has prompted several institutions to recreate the experience. Among the most successful is the 2005 storm at sea depicted in Eidophusikon Reimagined by the Australian National University.
Brad DeLong, recently installed at Equitablog, lays out a future (wonkish) where the returns to capital keep increasing relative to labor: "What do we people do to add value? Eight things... [more inside]
Redwood Saga (1946) — Once upon a time, how tiny lumberjacks with tools and muscle power fell the big ones.
Time-sink alert: The Cutting Room Floor is a site dedicated to unearthing and researching unused and cut content from video games. From debug menus, to unused music, graphics, enemies, or levels, many games have content never meant to be seen by anybody but the developers — or even meant for everybody, but cut due to time/budget constraints.
Juárez Correa felt a chill. He’d never encountered a student with so much innate ability. He squatted next to her and asked why she hadn’t expressed much interest in math in the past, since she was clearly good at it. “Because no one made it this interesting,” she said. -- Wired reports on a teaching method finding success in Mexico
SensorPrint is a proposal to exploit subtle imperfections in accelerometers as a unique fingerprint for smartphones [pdf]. It's easy to demonstrate the idea: Generate a unique ID for your own device. SensorPrint joins other hardware-based tracking concepts in the pursuit of non-configurable, location-aware, un-deletable "cookies" on your mobile device. [via]
DARPA has funded the next generation of bionic legs and DIY brain scanners. Next up: drone submarines and a hypersonic spaceplane. [more inside]
Fireman Saves Kitten, captured with a GoPro. (SLYT)
How The Economic Machine Works by Ray Dalio actually makes a case against austerity and for redistribution, but also for money printing (and, arguably, for bailouts), while stressing the need to keep making productivity-improving public and private investments. However, it could be equally entitled: How The Industrial Age Political-Economy Doesn't Work Anymore, viz. Surviving Progress (2011)... [more inside]
Everything you need to know about web development. Neatly packaged. "Beginners, start by clicking the html box and the next lessons you should learn will get highlighted." [via reddit]
All debates about ideas are shaped by their material conditions...Technology intellectuals work in an attention economy. They succeed if they attract enough attention to themselves and their message that they can make a living from it. It’s not an easy thing to do.
Phonebloks suggests a different way for dealing with obsolescent hardware, through modular design on a common base
Canadian family lives like it's 1986 - "No computers, no tablets, no smart phones, no fancy coffee machines, no Internet, no cable, and – from the point of view of many tech-dependent folks – no life."
If perception of sound depends on our state of mind, then conversely a state of mind can hardly exist without an external world with which it is in relation and that conditions it — either our immediate present environment, or something that happened in the past and that now echoes or goes on happening in our minds. There is never any state of mind that is not in some part, however small, in relation to the sounds around it — the bird singing and a television overheard as I write this now, for example. [more inside]
wwwtxt.org: "In 1995, commercialization, a swelling population, and the multimedia revolution began to shape Web 1.0 and the modern Internet. 1988–94 represent the final years of a much smaller, non-commercial, and text-dominated Internet. / The users of this era were not only programmers, physicists, and university residents—they were also tinkerers, early-adopters, whiz kids, and nerds. Their conversations and documents—valiantly preserved by digital archivists—are fractured across numerous services, increasingly offline-only, and incredibly voluminous (100GB+). / wwwtxt digs deep and resurrects the voices of these digital pioneers as unedited, compelling, and insightful 140-character excerpts." [more inside]
Meet the Dread Pirate Roberts - the man behind booming black market drug website Silk Road
Network of Blood: "Videodrome’s depiction of techno-body synthesis is, to be sure, intense; Cronenberg has the unusual talent of making violent, disgusting, and erotic things seem even more so. The technology is veiny and lubed. It breaths and moans; after watching the film, I want to cut my phone open just to see if it will bleed. Fittingly, the film was originally titled 'Network of Blood,' which is precisely how we should understand social media, as a technology not just of wires and circuits, but of bodies and politics. There’s nothing anti-human about technology: the smartphone that you rub and take to bed is a technology of flesh." Nathan Jurgenson writes about Videodrome (previously) as a way of understanding our present social media technologies for Omni Magazine (previously).