Former DJ Freddy Snakeskin has posted in-studio footage from the glory days of LA's legendary "Rock of the 80s" KROQ FM. [more inside]
"From the pictures and videos that accompany the NBC News and Buzzfeed stories, the crowd appears to have been predominantly white... which explains why they're described in the media as 'celebrating' rather than 'rioting'. But every time this happens – that is to say, every time sports fans, predominantly of the white variety, go on rampages after wining (or losing) various championships – many of us with a few gray hairs on our heads are reminded of the Clash's seminal punk anthem, 'White Riot,' which was released as a 7-inch single (that would be on vinyl, kids) in March 1977, and was later included on both the UK and the US versions of the band's debut album, The Clash." Whites Riot: That’s Not What Joe Strummer Had in Mind, by David Von Ebers (TwiB! / Valid magazine).
Far Cry 4's alternate ending (spoilers) turns the genre, and gaming expectations, on its head. [more inside]
"The Way They Were" [Vimeo] Punk and New Wave 1976 - 1978. Channel 4 UK programme first broadcast circa 1984 / 1985-ish. Hosted by the late Tony Wilson, it's a compilation of performances by bands taken from his previous TV shows in the late 70's, such as So It Goes. [more inside]
Andrew Collins started a blog in July 2013 - Circles of Life: The 143 - he's about half way through now. [more inside]
The Last Gang in Town. Punk rock legends Paul Simonon and Mick Jones of the Clash sit down with Ian Rubbish of the Bizarros and talk of old times and how Ian was inspired by each Clash album. They then get together and jam an old Bizarros tune.
'New Wave' means a loud rock and roll dance band like The Ramones, it means the angry punk politics of The Clash, and it also means the sort of intellectual art rock typified by The Talking Heads. A 20/20 segment from 1979 explores the origins and influence of New Wave, including live footage and brief interviews with The Clash and Talking Heads, as well as short clips of Levi and the Rockats, The Ramones, and Klaus Nomi. [via slicing up eyeballs and jukeboxgraduate.]
In August 1990, when Spin magazine was still an edgier cousin to Rolling Stone, it published a list of the 35 Greatest Moments in Rock 'n' Roll Television. [more inside]
The late night comedy show Fridays only lasted from 1980 to 1982. The show provided many bands with their first wide exposure to U.S. audiences with some of them making their television debuts. Here's some of the up and comers (and a few established acts) from Fridays: The Clash, King Crimson, The Jam, Rockpile, The Boomtown Rats, The Pretenders, Devo, The Cars, The Plasmatics, Graham Parker and the Rumour, and The Stray Cats. [more inside]
Shane MacGowan is the face and name most often associated with The Pogues. Unraveling Shane's psyche would require a book-length study but the crux of his identity lies somewhere in that conflict between English experience and Irish heritage. The abbreviated story of his life starts with his birth in England, but he was raised in Ireland, and moved back to England some years later. He won a scholarship to the renowned Westminster School, where he was possibly enrolled alongside Thomas Dolby and other notable people. MacGowan was involved with drugs and publicized hooliganery before being in a band, the first of which was The Nipple Erectors in 1977. [more inside]
Parkspliced. Blur's Parklife remixed/bootlegged/mashed-up a la London Booted (and while you're in the mood: Hanzo Steel).
London Booted - A tribute to the Clash. In the vein of the Grey Album, here is an album of mash-ups in tribute to London Calling. Especially good is the mix of The Clash's Spanish Bombs and Outkast's Bombs over Baghdad. After reading the background (and hopefully donating to one of the worthwhile sponsors), get your download on.
So should they stay or should they go? I don't know these people - honest.
The Perfect Rock 'n Roll Photo A photo of The Clash bassist Paul Simonon smashing his guitar on stage has been picked as the perfect rock 'n' roll photo of all time. It's a great picture, summing up violence, anger, frustration and an adandonment of common-sense. But do you agree?