More than any other editor except Harold Ross himself, Katharine White gave The New Yorker its shape, and set it on its course.
-- William Shawn.
Almost 20 years ago - and almost 20 years after her death - the New Yorker
profiled its legendary editor in Lady with a Pencil
. [more inside]
posted by julen
on Jul 27, 2014 -
Eudora Welty at 23
March 15, 1933
I suppose you’d be more interested in even a sleight-o’-hand trick than you’d be in an application for a position with your magazine, but as usual you can’t have the thing you want most.
posted by Stewriffic
on May 23, 2014 -
Roger Angell is the greatest of all baseball writers.
Today, the game has recognized the fact. This July, along with Joe Torre, Bobby Cox, and Tony La Russa, Roger
will be celebrated in Cooperstown, New York, the site of the Hall of Fame. He will receive the J. G. Taylor Spink Award,
which has previously gone to the likes of Grantland Rice
, Red Smith
, Ring Lardner
, and Damon Runyon
. [more inside]
posted by JohnnyGunn
on Dec 10, 2013 -
Edmund Wilson was a friend [Vladimir] Nabokov shared with many people in American literary circles—including Dorothy Parker. Wilson had first learned about Nabokov's Lolita in the summer of 1953, when he was contemplating an article about Nabokov and asked the novelist whether he had a new project in the works.... A year later, Nabokov offered to let Wilson read his new novel, which he said he considered "to be my best thing in English."
In November, while in New York talking to Straus about his own projects, Wilson got the Lolita manuscript and was a bit less discreet than Nabokov would have wanted.
--How Edmund Wilson may have leaked the plot
of Nabokov's Lolita
to Dorothy Parker, who then published in the New Yorker
a story titled "Lolita," about a middle-aged man in love with a teenage girl, three weeks before the novel came out.
posted by Cash4Lead
on Nov 23, 2013 -
This was not the act of a fringe contingent. The letter—which, until now, has never been published in its entirety—is signed by 154 staffers, including J.D. Salinger, Calvin Trillin, John McPhee, Jamaica Kincaid, Saul Steinberg and Janet Malcolm. There are a few notable abstentions, including John Updike and Charles McGrath, who would soon be named Gottlieb's deputy. At the bottom, it reads "cc: S. I. Newhouse." The Letter: Robert Gottlieb's Tenure as the New Yorker's Managing Editor
, Elon Green, The Awl
posted by Rustic Etruscan
on Jul 11, 2013 -
Today The New Yorker
, a service that allows sources to share information with TNY journalists securely and anonymously. As explained in this infographic
, Strongbox relies on the Tor network, a dedicated server, PGP encryption, VPNs, and multiple laptops and thumb drives to prevent files from being intercepted or traced. The codebase
, which is open source, was designed by the late Aaron Swartz (Previously
). Kevin Poulsen, one of the organizers of the project, chronicles
how Swartz developed the code and how the project managed to carry on after his death. TNY hopes
that Strongbox will help the magazine continue its long tradition of investigative journalism.
posted by Cash4Lead
on May 15, 2013 -
"Brain training games don't actually make you smarter.
" Looking at recent meta-analyses and replication attempts of studies showing increased cognitive abilities gained from brain-training games, the New Yorker article comes to the conclusion that the results are suspect and these games haven't been shown to improve cognitive abilities broadly. Currently, brain training is a multi-million-dollar business.
posted by tykky
on Apr 9, 2013 -
"We discussed the danger of partisan division, and the need for us, all of us, to come together and find common ground after a very rough and divisive couple of weeks. ... It is no secret that Brad and I had two very different visions for you and whom you date. Tonight, you have spoken, and Brad has prevailed."
--- The American People Have Spoken About Our Relationship
posted by New Frontier
on Nov 7, 2012 -
Janet Flanner began her career at The New Yorker composing evocative and cogent dispatches from Europe, writing nearly seven hundred Letters from Paris under the nom de plume Genêt, from 1925 to 1975. In between these, she contributed Profiles, Reporter at Large dispatches, and other Letters from around the globe. In a Postscript published after she died, in 1978, editor-in-chief William Shawn wrote of his prolific correspondent: "Her eye never became jaded, her ardor for what was new and alive never diminished, and her language remained restless. She was a stylist who devoted her style, bedazzling and heady in itself, to the subtle task of conveying the spirit of a subtle people." [more inside]
posted by Trurl
on Feb 15, 2012 -
The scale and the brutality of our prisons are the moral scandal of American life. Every day, at least fifty thousand men—a full house at Yankee Stadium—wake in solitary confinement, often in “supermax” prisons or prison wings, in which men are locked in small cells, where they see no one, cannot freely read and write, and are allowed out just once a day for an hour’s solo “exercise.” (Lock yourself in your bathroom and then imagine you have to stay there for the next ten years, and you will have some sense of the experience.)
posted by Trurl
on Jan 24, 2012 -
Joseph Mitchell was a reporter. It's tempting to say his beat was the waterfront, but though he's certainly the poet laureate of the Fulton Fish Market, this would be too literal-minded and geographically limiting. His beat was the margins, including the metaphysical margin of life itself. Mitchell invented a temporal dimension for his stories, a strange and twilit place—Mitchell Time—where a density of historical fact and the feeling of whole eras fading from view are sharply juxtaposed with scenes of cinematic immediacy related in the present tense. A cozy aura of death pervades his work, which often features oldsters experiencing the chilling fear of its approach while gleefully playing hide-and-seek with the reaper.
- The Village Voice [more inside]
posted by Trurl
on Jul 10, 2011 -
There are generally two approaches to thinking about games: narratology and ludology. The first emphasizes story, the second play. The next time I played Super Mario, on the Wii (you can order all the vintage games), I found myself in a narratological mode. Mario reminded me of K. and his pursuit of the barmaid Frieda, in Kafka’s “The Castle,” and of the kind of lost-loved-one dreams that “The Castle” both mimics and instigates.
The New Yorker profiles the father of modern video games, Shigeru Miyamoto.
posted by incomple
on Dec 13, 2010 -
Ahmet Ertegun was profiled by George W. S. Trow
in The New Yorker in a classic piece back in 1978. Ertegun was the son of the Turkish ambassador to the US and he remained behind in D.C. studying medieval philosophy at Georgetown. Instead of devoting himself to his studies he founded Atlantic Records with his friend Herb Abramson. Trow charted how Ertegun moved from tramping through muddy, Louisiana fields in search of hot new sounds to the whirl of Studio 54. Below the cut are links to the songs mentioned in the article, as best as I could find, in the order in which they appear. [more inside]
posted by Kattullus
on Aug 17, 2009 -
An unexpected corollary of the modern marketing-and-distribution model is that films no longer have time to find their audience; that audience has to be identified and solicited well in advance. The Cobra
- The New Yorker
on the art and science of movie marketing.
posted by fearfulsymmetry
on Jan 21, 2009 -
Tourists black out reflective retinas in snapshots before printing them, and millions of people refer to strangers they’ve never spoken to as friends, because they’ve connected through a social-networking platform. [...] It should come as no surprise, then, that singers sometimes choose to correct recorded flaws in pitch with modern software, like Antares’s Auto-Tune.Sasha Frere-Jones on auto-tuning, in The New Yorker
. [more inside]
posted by goodnewsfortheinsane
on Jun 10, 2008 -
What war looks like. Susan Sontag
has written an important essay on the intricate relationship we have with images of human suffering (e.g., war photography) in the December 9 issue of The New Yorker
. A sample:
Perhaps the only people with the right to look at images of suffering of this extreme order [i.e., gruesome combat horrors] are those who could do something to alleviate it – say, the surgeons at the military hospital where the photograph was taken – or those who could learn from it. The rest of us are voyeurs, whether we like it or not.
The essay is not online but there is an excellent introduction
with links to other galleries of the imagery discussed.
With a new war likely on the way, her essay provides a timely set of insights into wartime suffering and how it is usually depicted, often manipulated, and never understood.
posted by skimble
on Dec 6, 2002 -
The Law of the Mental Mirror Image.
We write what we are not. It is not merely that we fail to live up to our best ideas but that our best ideas, and the tone that goes with them, tend to be the opposite of our natural temperament. --Adam Gopnik on Popper in The New Yorker
posted by semmi
on Mar 30, 2002 -