While the rest of the Hamilton Mixtape doesn't drop until December 2, you can get a taste today, with "My Shot" (feat. Busta Rhymes, Joell Ortiz & Nate Ruess) (lyrics here) and Kelly Clarkson's "It's Quiet Uptown." [more inside]
?uestlove and Black Thought of The Roots are interviewed by Marc Lamont Hill of HuffPost Live. Highlights include how Boyz II Men cheated in the high school talent show (glitter) and the pros and cons of signing on as the house band with Jimmy Fallon.
Ahmir Thompson, aka ?uestlove from The Roots, and their producer, Steven Mandel, are secret "Elvis freaks." One of their early discussions about agreeing to their gig on Late Night With Jimmy Fallon was the possibility about playing with Elvis. The Roots took the job, and Elvis has now played on the show five times. From these collaborations, the seeds of something bigger grew, and that came to a very funky (and political) fruition with Wise Up Ghost, embedded as streaming tracks in this Guardian review, and available in a single stream from a fan on YouTube. If you'd like to hear more about how the "remixing" of some prior Costello pieces (Pills and Soap, National Ramson, and Hurry Down Doomsday, to name a few songs), Costello and Thompson spent about 40 minutes with NPR's World Cafe, or you can read their interview with the Guardian.
Nardwuar the Human Serviette presses amazing artifacts of Philadelphia's hip-hop scene and Soul Train on ?uestlove for 45 minutes, leading to joy, amazement, and tidbits of music history.
Jimmy Fallon, Mariah Carey, The Roots, and some guests peform All I Want for Christmas is You with classroom instruments (their Call Me Maybe previously).
Maya Rudolph and Gretchen Lieberum, AKA Princess, perform Darling Nikki with The Roots on Late Night With Jimmy Fallon. (apologies if this is blocked outside the US)
Jimmy Fallon, Carly Rae Jepsen, and The Roots Sing Call Me Maybe with toy/classroom instruments. previously
In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
?uestlove is grounded. As the house band for Late Night with Jimmy Fallon, The Roots are known for providing guests of the show with impressive, personalized entrances. Last night, however, in an ill advised attempt at snark that has left some feelings hurt Republican presidential candidate Michele Bachmann entered the stage to the song "Lyin’ Ass Bitch” by Fishbone. [more inside]
post a celebrity and i will TRY to tell you a story about them. Amhir "?uestlove" Thompson, drummer for the Legendary Roots Crew regales the crowds at Okayplayer with tales from the life of a professional musician. [more inside]
Birthday Girl is a catchy song/video from The Roots and Patrick Stump which stars Sasha Grey, an adult film star. It is an amusing literal portrayal of the relationship between internet pervs and weirdos everywhere and the online personalities that humor them.
Little Brother! Seven free mp3's from a very exciting hip hop group out of North Carolina. ?uestlove from The Roots says he's jealous of just how good they sound. I know that some of you will appreciate this.