"The 1970s produced acclaimed horror films like The Texas Chainsaw Massacre, The Exorcist, Jaws, Carrie, and Halloween. But the decade also unleashed cinematic oddities galore, most of which were low-budget entries that gleefully pushed the boundaries of good taste. You say “cult movie”—we say “essential.”" (io9)
Five years after Radiohead's last album, myriad hints from the band marked May 1st -- Dawn Chorus Day -- as the date something big was gonna happen. The band ateased the web with rumours_of songs new and old, cryptic artwork, ominous mailers. But after years of waiting, nothing came... literally. Optimistic fans trying to pick up every last crumb_were left climbing up the walls_as they were shown how to disappear completely, with the band's official site and social media fading out
again, slowly dissolving little by little, one by one, before their very eyes.
It all came back Tuesday, as mysterious chirps and inkblots ushered in the sinister claymation music video for long-awaited track "Burn the Witch" [prev.], followed days later by an arresting P.T. Anderson-directed film for the somber elegy "Daydreaming."
While Radiohead's ninth album is not here now physically till June, it's available for download come 8th May_(today!) at 2 PM EDT on Radiohead.com.
It's gonna be a glorious day. [more inside]
Radiohead have released a video for “Burn The Witch”, the lead single off of their upcoming album. It was directed by Chris Hopewell.
"The cinema was made for horror movies. No other kind of film offers that same mysterious anticipation as you head into a dark auditorium. No other makes such powerful use of sound and image. The cinema is where we come to share a collective dream and horror films are the most dreamlike of all, perhaps because they engage with our nightmares." And so Mark Gatiss opens his three-part series, A History of Horror. "One of the great virtues of this series is that it is thoroughly subjective. Gatiss does not feel any particular obligation to give us an A to Z of horror, but instead lingers lovingly over his own favourites," taking the viewer with him from the Golden Age of Hollywood horror through the American horror movies of the 1960s and 1970s. [more inside]
"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed." - of the British TV film slots accompanied by an introduction perhaps the most celebrated is Moviedrome, running between 1988 and 2000 and presented first by Repo Man director Alex Cox and then film critic Mark Cousins. [more inside]
RIP Edward Woodward, star of Callan, The Equalizer and The Wicker Man. Edgar Wright, who directed him in Hot Fuzz, pays tribute. [more inside]