The London Cage. Kensington Palace Gardens is one of the most exclusive addresses in the world. Between July 1940 and September 1948 three magnificent houses there were home to one of Great Britain'smost secret military establishments: the London office of the Combined Services Detailed Interrogation Centre, known colloquially as the London Cage. It was run by MI19, the section of the War Office responsible for gleaning information from enemy prisoners of war, and few outside this organisation knew exactly what went on beyond the single barbed-wire fence that separated the three houses from the busy streets and grand parks of west London. The London Cage was used partly as a torture centre, inside which large numbers of German officers and soldiers were subjected to systematic ill-treatment. In total 3,573 men passed through the Cage, and more than 1,000 were persuaded to give statements about war crimes. A number of German civilians joined the servicemen who were interrogated there up to 1948. More inside.
Harold Pinter at 75. In One for the Road, the protagonist is Nicolas, a whisky-sodden interrogator who has brought in a family for questioning (and, it is implied, raping and torturing). In the short, sharp shock of The New World Order, we eavesdrop on a conversation between two torturers, held over the top of their mute, blindfolded victim's head ("We haven't even finished with him. We haven't begun."). In Ashes to Ashes, the interrogation of Rebecca by Devlin takes a sinister turn as we learn that her ex-lover participated in state-sponsored violence. In Mountain Language, a sadistic guard plays power games with a group of mountain dwellers, who are forbidden from speaking in anything but the language of the state. In Party Time, Pinter lampoons the smug security of the middle classes, portraying an insufferably élite party which carries on regardless of the violence and terror on the streets outside. Now, for Pinter's 75th birthday, some of the tormentors and the tormented so potently etched in his later plays are assembled together in a new dramatic work with a musical setting by the composer James Clarke.