"When True Blood premiered on HBO almost six years ago, in 2008, the final Twilight book had just been published, breaking records left and right. The gleam's come off since then, off vampires in general and but especially this show, but I believe it still has some things to tell us. Things about philosophy, America, the existence of faith in a secular world. People fucking all kinds of different ways. Sometimes all of these topics at the same time." Jacob Clifton recaps and reviews the Six and a half seasons of True Blood so far, trying to suss out what we can learn from Sookie Stackhouse's many boyfriends.
How To End It All - Vince Gilligan (Breaking Bad), Alan Ball (Six Feet Under and True Blood) and Damon Lindelof and Carlton Cuse (Lost) talk about making television in this goldening age, wrestling with expectations, and the very difficult, quasi-existential task of ending it all. Explaining The Sopranos' final scene
Official Spoiler Etiquette. The stars of your favorite TV shows (assuming your favorite TV shows include The Wire, Heroes, Walking Dead, Battlestar Galactica, Dexter, or True Blood) teach you how not to ruin them for your friends.
Hipster girl? Hipster boy? Superhero? Mii? A modern Mucha? Regency hero or heroine? Tudors? Steampunk (one, two)? Here's more. How about pop culture? True Blood. Mad Men (Joan S1, S2, S3). Marty McFly (by Derek Eads). Jonathan Coulton. Lady GaGa. Kyle Hilton (previously: Arrested Development) also has Parks and Recreation, Breaking Bad, It's Always Sunny in Philadelphia, and various films. (previously: a blog - manly - PONIES)
Progressive bluegrass takes the original “melting pot of American music” and infuses it with strains of punk and rock, often giving rise to performances of intense musicianship. Some of the tunes might be familiar to you, such as Crooked Still’s cover of Johnny Cash’s Ain’t No Grave, featured on the True Blood soundtrack, or their aching, gender-twisting rendition of Robert Johnson’s Come On In My Kitchen. Some might be entirely new, such as Seven Story Mountain, by Railroad Earth, or Codeine, from Trampled By Turtles. [more inside]
Stephen King's Intro to 'American Vampire': ''Salem's Lot'' author lets loose with some pretty strong opinions about how you do bloodsuckers right in short essay for the first volume of the upcoming DC Comics title -- read it here first! "Here's what vampires shouldn't be: pallid detectives who drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes," writes Stephen King in the introduction to his move into original comic book writing, American Vampire. "What should they be? Killers, honey. Stone killers who never get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance."
Summer's here, which means a new season of everyone's favorite slashfic-friendly show, True Blood. But this season doesn't only bring us Louisianan vampires, it also includes a very special message from Snoop Dogg, who proves that he's no slouch at imagining new erotic developments for the characters.
Pilot School. A nice collection of teevee show pilot scripts. Observe the embryonic state of many of the classics of the past few decades, including Buffy, The Wire, Hill Street Blues, Battlestar Galactica, The Sopranos and The West Wing. [more inside]